This video took 2-1/2 years to make. A Korean horn bow takes one year to complete and every season has its processes. This is a two-tape set (four hours) and packed with information about how the famous Korean horn bow is made. Follow Korean Master Bowyer Geuk-hwan Park as he skillfully takes bamboo, horn, sinew and other materials and turns them into a work of art.
This CD is indeed a strange mixed bag. There are plenty of authentic traditional pieces like "Sakura", "Autumn sorrow", but there are also a number of modernized vocal numbers (rather western operatic style singing), one good Okinawan folk song, and believe it ir not, one Korean traditional song (Arirang) sung in Korean accompanied by kayagum. For some reason this good old folklore caused "geisha" fantasies in the disc compilers minds :)
Korean-born but a political exile in Germany for the last 25 years of his life, Isang Yun (1917-1995) managed to create a workable synthesis between western and eastern traditions, which fused a musical language based upon the total serialism of the post-war avant garde with elements drawn from both Korean and Chinese traditional styles. The three pieces here, all composed in the 1980s, show just how expressively effective that synthesis could be. In the First Chamber Symphony, it allows Yun to create a richly cushioned sound-world, full of shimmering textures, hazy microtones and supple, swooping gestures, while the rich string layering and urgent melodic writing of Tapis and the evocations of the sound of the Chinese harp in Gong-Hu, for solo harp and string orchestra, create music that is instantly attractive, even if the details of its inner workings are not always obvious.