Bennie Maupin's Cryptogramophone label follow-up CD to Penumbra both parallels and provides a departure from that excellent effort. What is similar is the softer tone Maupin is displaying in his far post-Headhunters days, refined by experience and cured though wisdom. The music Maupin plays on this beautiful effort is even more subdued, as he collaborates with an ensemble of relatively unknown musicians from Poland. If you've been hearing recent efforts from Polish trumpeter Tomasz Stanko and his ECM recordings with the teenage pianist Marcin Wasilewski and his trio, you hear stark similarities. But further, the recently reissued Maupin epic Jewel in the Lotus, which was also on ECM, is quite different than this ECM sounding project. Old may in fact be new again in some respects, but in this case, new is really new. Maupin offers so much appealing music within the undercurrent, starting with the delicate but paced "Black Ice" and the waltzing title track with Maupin on soprano sax. Separate flute and piano lines are woven into a more somber waltz "Tears," or the sparse, spacy, long "Spirits of the Tatras" with dynamics patiently rendered up and down with lots of piano from Michal Tokaj, who rivals the crystalline musings of Wasilewski on the entire album.
This fascinating release comprises live recordings made at the end of 1956, when Miles accepted an offer to tour Europe with a formation called the Birdland All Stars, which also included Lester Young and the Modern Jazz Quartet, along with European musicians such as pianist René Urtréger, bassist Pierre Michelot and drummer Christian Garros. We have here the one and only existing evidence of Miles playing with Lester Young and with the MJQ. It also presents a rare occasion to find Miles playing as the sole horn in a quartet format.
Thirteen years into their tenure, the Dave Brubeck Quartet was still able to mine the creative vein for new means of expression. Despite the hits and popularity on college campuses, or perhaps because of it, Brubeck, Paul Desmond, Eugene Wright, and Joe Morello composed a restless band with a distinctive sound. These eight tracks, all based on a tour of Japan the year before, were, in a sense, Brubeck fulfilling a dictum from his teacher, the French composer Darius Milhaud, who exhorted him to "travel the world and keep your ears open"…
A recording of an historic concert, released for the first time! This 1940 concert was part of a celebration of the 75th anniversary of the end of slavery in the United States. Performing are the legendary Golden Gate Quartet with Josh White, singing Spirituals, Blues and Work Songs. The concert features commentary by Alan Lomax, the poet Sterling Brown, and Alain Locke, the godfather of the Harlem Renaissance. Immediately after this concert, Eleanor Roosevelt engaged White and the Golden Gate to perform at FDR’s inauguration.
For this entry in Dave Brubeck's series of Time albums, his Quartet with altoist Paul Desmond performs "Elementals" with an orchestra and plays five briefer originals including four that have unusual time signatures; "World's Fair" is in 13/4 time.