Album Details Recorded over a period of 10 days in August 1969 & released on October 10th of the same year In The Court Of The Crimson King stands as one of the defining albums of British rock music & one of the finest debut albums of all time. Described at the time as "an uncanny masterpiece" by Pete Townshend, the album has achieved legendary status over the years. It is the only studio document of an extraordinary year in the life of King Crimson; a year that began with the group's first rehearsals on January 13th, included a residency at the Marquee Club, a concert in Hyde Park with The Rolling Stones, the recording and release of the album and ended with the dissolution of the lineup at the close of Crimson's 1st American tour in December. In the 40 years since its release In The Court of the Crimson King has never been out of print or unavailable in any of the world's main music markets & continues to enjoy consistently high sales. Now expanded with a completely new mix, previously unreleased tracks & a stunning 5.1 Surround Sound mix. Steven Wilson said of the mixing work "The intention is certainly not to try to replace or supersede the 1969 mix (which, like many classic albums, is what it is partly because of the limitations of the original recording circumstances), but to provide an alternate perspective to what must now be considered not only a rock masterpiece, but also the foundation stone of progressive rock."
The sixth release in the King Crimson 40th Anniversary series. Though the public weren't aware of it when it was originally released in March 1974, Starless And Bible Black was in essence largely a live album, an experimental hybrid of in-concert material (much of it improvised) and studio recordings. Often the two are so finely dovetailed together it's difficult to tell them apart.
In the Court of the Crimson King (an observation by King Crimson) is the 1969 debut album by the British progressive rock group King Crimson. The album reached #3 on the British charts. The album is certified gold in the United States. The album is generally viewed as one of the strongest of the progressive rock genre, where blues-oriented rock was mixed together with jazz and European symphonic elements. In his 1997 book Rocking the Classics, criticmusicologist Edward Macan notes that In the Court of the Crimson King may be the most influential progressive rock album ever released. The Who's Pete Townshend was quoted as calling the album an uncanny masterpiece. The album was remastered and re-released on vinyl and CD several times during the 1980s and 1990s. The original stereo master tapes were finally located in a Virgin Records storage vault in 2003, leading to a much improved remastered CD version released in 2004. ---Wikipedia
Tales of Mystery and Imagination is an extremely mesmerizing aural journey through some of Edgar Allan Poe's most renowned works. With the use of synthesizers, drums, guitar, and even a glockenspiel, Parsons' shivering effects make way for an eerie excursion into Poe's well-known classics…
BBR are thrilled to present the 40th Anniversary Edition of Circle of Love in a deluxe super jewel case, expanded and remastered, featuring a new interview with Kathy Sledge and ten bonus tracks. The disco era’s most famous “family”, Sister Sledge went from promising success in Europe to phenomenal mainstream success in 1979 with the platinum-selling Nile Rodgers/Bernard Edwards-helmed (Chic) album WE ARE FAMILY. ‘He’s the Greatest Dancer’, ‘Lost in Music’ and ‘We Are Family’ remain classic anthems in disco’s final years before sustaining respectable hits through to the mid-80s.
The late 1950s were tough on Judy Garland, but this live recording, cut on April 23, 1961, at Carnegie Hall, would (rightfully) bring the legendary icon back into the spotlight. Live would go on to win five Grammys, be Garland's bestselling record, and confirm that, yes, on certain levels, she still had it. Her vocals are as strong as ever on these tunes, and Garland has fun with an audience obviously enraptured by her charms. She's self-deprecating where necessary–on "You Go to My Head" she "forgets" the lyrics but pretends to improvise. Mostly she just shines, especially on tunes she made famous, such as "Come Rain or Come Shine," "Stormy Weather," and "Over the Rainbow." This is easily one of pop music's greatest live recordings and a fine testament to Garland's recorded legacy. This two-CD set has been remastered for EMI's 40th-anniversary reissue to coincide with the ABC film based on daughter Lorna Luft's memoir Me and My Shadows.