World traveler, nomad, mystic and violist, Eyvind Kang has created several of the most wildly creative CDs on Tzadik. Here he turns his hand to ten tunes from Zorn’s remarkable Book of Angels. Featuring spectacular orchestral arrangements and brilliant studio techniques, Eyvind has put together a CD unlike anything on the Angels series, highlighting the spiritual side of the Angels project, the singular lyricism of Zorn’s compositions and his own richly inventive musical imagination. One of the most personal and gorgeous installments in the Masada series, Alastor is a modern orchestral reading of the mystical charts from the Book of Angels.
Alkan was counted in Busoni's pantheon of five romantics alongside Chopin, Schumann, Liszt and Brahms. Brahms and Schumann are the references in the euphoric Grand Duo Concertant - nothing short of a 20 or so minute Sonata in three turbulent movements. This is a work of diving romance and if Alkan had stopped in the style of the first movement then we would have been able to 'place' Alkan. Instead we get a second movement that clamours in bass heavy capering for all the world like a picture of a Black Sabbath. As if to make ‘amends’ the finale is back to the helter-skelter tumble of vivacity we find in the first movement. This euphoria carries over into the Cello Sonata which is in four classically well-tailored movements. Alkan's originality or eccentricity (take your pick) returns for the Adagio which is part sentimental and part affecting. This perhaps offers a parallel with Joseph Holbrooke's chamber works in which sublime ideas and treatment suddenly find themselves up against kitsch music hall ditties. A wild saltarello with grand manner Hungarian gestures from the piano round out the picture.
San mao was an orphan in old Shanghai. He ate poster paste, slept in garbage truck, kept warm in ragged sacks in winter. He did whatever work he could find such as selling newspapers, picking up rubbish, pushing pedicabs for others, etc.. But he still could not earn enough to eat. A wealthy lady adopted him and dressed him in fine clothes and disciplined him. However, San Mao who loved freedom didn't want to lead a parasitic life. He left and chose to live with other beggars like him freely. After liberation war, he stopped begging and led a normal life.