EMI brought out the Brahms Symphony in its Great Conductors of the Twentieth Century series where it joined some other famous Scherchen discs – notably Beethoven’s Eighth Symphony, Haydn’s No. 100 in G and Stravinsky’s Firebird review. Scherchen’s live recording of the Kalinnikov with the Czech Philharmonic has formed part of Tahra’s Scherchen sets. So neither of these performances constitutes terra incognita for admirers of this conductor, who will know, only too well, that when Archipel claim that these 24 bit 96 kHz (whatever that is) restorations derive "from the original sources" the truth is nothing of the kind.
Continuing his award-winning cycle of works by Felix Mendelssohn, Sir John Eliot Gardiner leads the LSO, his Monteverdi Choir and three talented young actors from the Guildhall in a landmark performance of 'A Midsummer Night’s Dream', which was performed as part of the 400th anniversary of Shakespeare’s death. To mark the celebrations, Gardiner produced a special version of the work featuring some cuts to the original movements that, in his words, "remove all of the music relating to the Mechanicals and thus focus on the world of the fairies and the human lovers". Mendelssohn, who adored Shakespeare’s writings, composed his concert overture based on 'A Midsummer Night’s Dream' in 1827 aged 17, after having read a German translation of the play. The overture was immediately acclaimed as a masterpiece and quickly became a popular favourite throughout Europe. Years later in 1843 he was asked by the King of Prussia to provide a score for an entire production: 14 short works based on themes and moods from the original overture, with a broadly romantic sound although classical in style and structure.
A host of accomplished conductors including Daniel Harding, Daniele Gatti, Bernard Haitink and Eliahu Inbal lead the Royal Concertgebouw Orchestra in these performances of Mahler's Symphonies Nos. 1-10. Recorded in Amsterdam over two seasons in 2010/11, the collection also includes 'Das Lied von der Erde'.
Regarded as one of the most brilliant composers of her generation, Cindy McTee demonstrates her prodigious skills at orchestral writing in this 2013 Naxos release, recorded by Leonard Slatkin and the Detroit Symphony Orchestra.For the perpetual motion piece Circuits (1990), McTee uses timbres in a dynamic way, keeping tone colors cycling in constant rotation, almost in synchronization with the changes of rhythmic cells