Kousuke Mine Quintet

Kosuke Mine Quintet - Mine (1970) {2013 JPN CD}  Music

Posted by TestTickles at Oct. 6, 2015
Kosuke Mine Quintet - Mine (1970) {2013 JPN CD}

Kosuke Mine Quintet - Mine (1970) {2013 JPN CD}
MP3 CBR 320kbps | RAR | 107 mb
Genre: jazz

Mine is the 1970 album by the Kosuke Mine Quintet. Lead by Japanese jazz saxophonist Kosuke Mine, he is accompanied by trombonist Takashi Imai, bassist Takashi Mizuhashi, electric pianist Hideo Ichikawa and drummist Hiroshi Murakami. The CD version was pressed by Three Blind Mice in 2013.
Dizzy Gillespie - Dizzy Gillespie Meets The Phil Woods Quintet (1986) {2015 Japan Timeless Jazz Master Collection Series}

Dizzy Gillespie - Dizzy Gillespie Meets The Phil Woods Quintet (1986) {2015 Japan Timeless Jazz Master Collection Complete Series CDSOL-6352}
EAC rip (secure mode) | FLAC (tracks)+CUE+LOG -> 326 Mb | MP3 @320 -> 119 Mb
Full Artwork @ 600 dpi (png) -> 242 Mb | 5% repair rar
© 1986, 2015 Timeless Records / Solid Records Japan / Ultra-Vibe | CDSOL-6352
Jazz / Post Bop / Modern Post Bebop / Latin Jazz / Trumpet / Saxophone

Reissue with the latest remastering. Features original cover artwork. Comes with a descripton in Japanese. Dizzy Gillespie meets the Phil Woods Quintet – a group that already has a great trumpeter in the form of Tom Harrell – which makes the album here a double-horn delight! Dizzy's on trumpet throughout, and Harrell plays both trumpet and flugelhorn – and the pair work well with Woods' alto in the front line, sharing back and forth, and creating a lively interplay between the different voices of their instruments. Dizzy is impeccable – as he always is at this point in his career – and rhythms are nice and tight, thanks to piano from Hal Galper, bass from Steve Gilmore, and drums from Bill Goodwin. Titles include a great reading of Galper's Loose Change" – plus "Terrestris", "Love For Sale", "Oon Ga Wa", and "Whasidishean".

Cedar Walton Trio, Quartet & Quintet - Cedar! (1967) {Prestige}  Music

Posted by tiburon at April 23, 2018
Cedar Walton Trio, Quartet & Quintet - Cedar! (1967) {Prestige}

Cedar Walton Trio, Quartet & Quintet - Cedar! (1967) {Prestige}
EAC 0.95b4 | FLAC tracks level 8 | Cue+Log+M3U | Full Scans 300dpi | 242MB + 5% Recovery
Genre: Jazz, Hard Bop

Pianist Cedar Walton's debut as a leader is quite impressive. This CD reissue (which includes a "new" rendition of "Take the 'A' Train") showcases Walton with bassist Leroy Vinnegar and drummer Billy Higgins on "My Ship," features a pair of quartet numbers with trumpeter Kenny Dorham, has tenor saxophonist Junior Cook in Dorham's place on two other pieces (including "Come Sunday") and uses a quintet on the two remaining selections. One of the top hard bop-based pianists to emerge during the 1960s, Walton also contributed four originals to his excellent set.

Surveying for Civil and Mine Engineers: Theory, Workshops, and Practicals  eBooks & eLearning

Posted by Jeembo at April 23, 2018
Surveying for Civil and Mine Engineers: Theory, Workshops, and Practicals

Surveying for Civil and Mine Engineers: Theory, Workshops, and Practicals by John Walker, Joseph L. Awange
English | 2018 | ISBN: 331953128X | 260 Pages | PDF | 31.8 MB

The structure of this book is to provide a sequence of theory, workshops and practical field sessions that mimic a simple survey project, designed for civil and mining engineers.
You Are Mine: Drugged and Held in a Secret Bunker. This is My True Story of Escape.

You Are Mine: Drugged and Held in a Secret Bunker. This is My True Story of Escape. by Isabel Eriksson
English | January 11th, 2018 | ASIN: B06Y5Z1LZ6, ISBN: 1785037110 | 256 Pages | EPUB | 3.72 MB

"I'm not going to let you go. It took longer than I'd bargained to get you unconscious. I'm planning to keep you here for a couple of years or so."

Stereolab - Mars Audiac Quintet (1994)  Music

Posted by Designol at April 20, 2018
Stereolab - Mars Audiac Quintet (1994)

Stereolab - Mars Audiac Quintet (1994)
EAC | FLAC | Image (Cue&Log) ~ 443 Mb | Mp3 (CBR320) ~ 180 Mb | Scans included
Post Rock, Dream Pop, Indie Rock, Experimental | Label: Elektra | # 61699-2 | 01:06:40

By the time of 1994's Mars Audiac Quintet, Stereolab had already highlighted the rock and experimental sides of its music; now the band concentrated on perfecting its space-age pop. Sweetly bouncy songs like "Ping Pong" and "L' Enfer des Formes" streamline the band's sound without sacrificing its essence; track for track, this may be the group's most accessible, tightly written album. The groove-driven "Outer Accelerator," "Wow and Flutter," and "Transona Five" (which sounds strangely like Canned Heat's "Goin' Up the Country") reaffirm Stereolab's Krautrock roots, but the band's sweet synth melodies and vocal arrangements give it a pop patina. Even extended pieces like "Anamorphose" and "Nihilist Assault Group" – which could have appeared on Transient Random Noise-Bursts With Announcements if they had a rawer production – are more sensual and voluptuous than edgy and challenging. It's equally apparent on layered, complex songs such as "New Orthophony" and "The Stars Our Destination," as well as spare, minimal tracks like "Des Etoiles Electroniques," that the members of Stereolab focused their experimental energies on production tricks, vocal interplay, and increasingly electronic-based arrangements.
Miles Davis and Milt Jackson - Quintet / Sextet (1955) {2013 Japan Prestige 7000 Chronicle SHM-CD HR Cutting Series UCCO-5234}

Miles Davis and Milt Jackson - Quintet / Sextet (1955) {2013 Japan Prestige 7000 Chronicle SHM-CD HR Cutting Series UCCO-5234}
EAC rip (secure mode) | FLAC (tracks)+CUE+LOG -> 126 Mb | MP3 @320 -> 74 Mb
Full Artwork @ 600 dpi (png) -> 294 Mb | 5% repair rar | DSD / HR Cutting Remaster
© 1955, 2013 Prestige / Concord / Universal Japan | UCCO-5234
Jazz / Bop / Cool / Hard Bop / Trumpet / Vibes

Features the high-fidelity SHM-CD format (compatible with standard CD player) and the latest DSD / HR Cutting remastering. Comes with a description. Features the original LP designs. Less heralded than their collaboration with Thelonious Monk (as documented on Bags' Groove and Miles Davis and the Modern Jazz Giants), this August 5, 1955 session with vibraphonist Milt Jackson was Davis' last all-star collaboration before the formation of his first classic quintet. It marked a farewell to an older generation of acolytes and fellow travelers; Davis was entering a new era of leadership and international stardom, and generally he would only record with his working groups.

The Yusef Lateef Quintet - The Sounds Of Yusef (1957) {1996 OJC}  Music

Posted by TestTickles at April 16, 2018
The Yusef Lateef Quintet - The Sounds Of Yusef (1957) {1996 OJC}

The Yusef Lateef Quintet - The Sounds Of Yusef (1957) {1996 OJC}
EAC Rip | FLAC with CUE and log | scans | 104 mb
MP3 CBR 320kbps | RAR | 65 mb
Genre: jazz

The Sounds Of Yusef is the 1957 album by The Yusef Lateef Quintet. Originally released on Prestige, this was remastered and reissued by Original Jazz Classics/Fantasy Jazz in 1996.
Joe Harriott & John Mayer Double Quintet - Indo-Jazz Fusions I & II (1967-1968/1998)

Joe Harriott & John Mayer Double Quintet - Indo-Jazz Fusions I & II (1967-1968/1998)
EAC Rip | FLAC (tracks+.cue, log) ~ 455.10 Mb + 29.11 Mb (Scans) | 76:56
World Fusion, Free Improvisation | Label: Redial/PolyGram - 538 048-2

Joe Harriott's music goes virtually unheard today, yet the alto saxophonist exerted a powerful influence on early free jazz in England. The Jamaican-born and raised Harriott played with his countrymen, trumpeter Dizzy Reece and tenor saxophonist Wilton "Bogey" Gaynair, before emigrating to England in 1951. In London, Harriott worked freelance and in the band of trumpeter Pete Pitterson. In 1954, he landed an important gig with drummer Tony Kinsey; the next year he played in saxophonist Ronnie Scott's big band.
Sir Douglas Quintet - Live From Austin, TX (2006/2018) [Official Digital Download]

Sir Douglas Quintet - Live From Austin, TX (2006/2018)
FLAC (tracks) 24-bit/44.1 kHz | Time - 57:44 minutes | 669 MB
Studio Master, Official Digital Download | Artwork: Front cover

The Sir Douglas Quintet may have began life as an admirably nervy attempt by Doug Sahm and producer Huey P. Meaux to crash the Top 40 with a band of Texas rock & rollers during the height of the British Invasion, but Sahm's wide-ranging musical tastes would move in a single direction for only so long. With time, the enthusiastic Tex-Mex garage rock of the early Sir Doug sides took on strong blues, country, and norteño influences as their career wore on into the mid-'70s, when Sahm retired the band's moniker.