Actress and singer Julie London is best remembered in pop terms for her much-covered classic ‘Cry Me A River’ a Number 9 US hit in 1955 and a Number 22 UK success two years later. But as this compilation shows, there was much more to the girl than one impressive song.
"A sultry, smoky-voiced master of understatement, Julie London enjoyed considerable popularity during the cool era of the 1950s. London never had the range of Ella Fitzgerald or Sarah Vaughan, but often used restraint, softness, and subtlety to maximum advantage…"
"Pop standards vocalist/actress Julie London was definitely at a transitional phase in her career when she cut Yummy, Yummy, Yummy (1969) – the final entry in her decade-and-a-half long relationship with Liberty Records…"
"It doesn't get much better than this, either for the recording career of Julie London or the whole concept of a vocalist doing standards with a good jazz combo providing backup. Listeners who like these sorts of songs but don't enjoy the over-arranged sounds of studio big bands and orchestras will no doubt take an immediate liking to having players such as Joe Pass and the terrific drummer Colin Bailey swinging away instead…"
"Exotic and Latin albums were big deals in the 1950s and early '60s, and singers as diverse as Dean Martin, Lena Horne, and Peggy Lee were recording with castanets and bongo drums. Peggy Lee was so successful at the style that she cut two albums of light pseudo-Latin jazz in 1960. Like Peggy Lee, Julie London combined a restrained vocal approach with jazz phrasing and a cool attitude with icy sex appeal…"
"…This album is a must-have for Julie London fans and thankfully she worked with Bagley again on the more upbeat but no-less-languid Nice Girls Don't Stay for Breakfast, which keeps the guitar heard here, but after the title track replaces the strings with a jazz organ and horn."
"Feeling Good pairs Julie London with arranger Gerald Wilson, who jettisons the spare ambience of her previous records in favor of a dynamic, big-band-inspired approach that casts the singer in an entirely different light. Make no mistake – London's purring vocals are as sultry as ever, but they also boast a new playfulness that's undeniably appealing…"
"…During the same year as Swing Me an Old Song, London also cut the cool jazz album Julie…at Home (which may just be her single finest work) and Your Number Please…, a swank orchestral set of standards. People often mention Julie London's limited vocal range, but it's surprising how far that her talent could stretch."
"…Liberty Records' Julie…At Home finds the vocalist comfortably in front of a small jazz combo highlighted by vibraphonist Emil Richards and guitarist Al Viola. The sessions seem relaxed and casual, often with the lyrics slyly slipping from London's lips, at once sophisticated and sensual…"