After the expanded instrumental scale and sonic experimentation of Court & Spark and The Hissing of Summer Lawns, Joni Mitchell reverses that flow for the more intimate, interior music on Hejira, which retracts the arranging style to focus on Mitchell's distinctive acoustic guitar and piano, and the brilliant, lyrical bass fantasias of fretless bass innovator Jaco Pastorius. Known for his furious, sometimes rococo figures beneath the music of Weather Report, Pastorius is tamed by Mitchell's cooler, more deliberate ballads: these meditations coax a far gentler, subdued lyricism from Pastorius, whose intricate bass counterpoints Mitchell's coolly elegant singing, especially on the sublime "Amelia," which transforms the mystery of Amelia Earheart into a parable of both feminism and romantic self-discovery. This isn't Mitchell at her most obviously ambitious, yet the depth of feeling, poetic reach, and musical confidence make this among the finest works in a very fine canon.
One has to wonder why this box, Joni Mitchell's The Studio Albums 1968-1979, was issued only in the European market. During this period –and some would argue even after – Mitchell had one of most consistent quality runs in pop history. She is one of the most influential songwriters and recording artists of the 20th century…
This 2014 BGO two-fer pairs 1972's Blue River and Stages: The Lost Album, largely recorded in 1972 but released in 1991. It's a nice pairing, containing Andersen's acclaimed Columbia debut and the record he cut for the label immediately afterward, a record the label didn't release until two decades later. Andersen made good records before and good records after, but these two albums are arguably his peak and it's nice to have them together on a two-fer.
Blue Light 'til Dawn is a studio album by American jazz singer Cassandra Wilson. Her first album on the Blue Note label, it was released in 1993. It contains Wilson's interpretations of songs by various blues and rock artists, as well as three original compositions.