Johnny O'Clock (Dick Powell) is a junior partner in a posh casino with Guido Marchettis (Thomas Gomez), but is senior in the eyes of Nelle (Ellen Drew)—Guido's wife and Johnny's ex. This love triangle leads to a web of complications, leaving Police Inspector Koch (Lee J. Cobb) to unravel the threads of deceit and a murdered casino employee's sister (Evelyn Keyes) to tug on Johnny's heartstrings before it's too late.
Three years after song-and-dance man Dick Powell reshaped his nice-guy image by playing hard-boiled gumshoe Phillip Marlowe in Murder My Sweet, he returned to film noir with this crime-based thriller. Johnny O'Clock (Dick Powell) and his partner Pete Marchettis (Thomas Gomez) operate a gambling casino that has seen better days. Chuck Blayden (Jim Bannon), a cop on the take, wants in on the casino, and he makes friends with Pete while trying to convince him that Johnny, the smarter of the two, should go. When Chuck's girlfriend Harriet (Nina Foch) is found dead, a supposed suicide, his sister Nancy (Evelyn Keyes) smells a rat, especially after Chuck skips town. Nancy is convinced that her sister was murdered, and she asks Johnny to help her prove it. Johnny, who already has a number of women in his life – including Nelle (Ellen Drew), Pete's wife – figures that one more can't hurt and agrees to help her. But Police Inspector Koch (Lee J. Cobb), convinced that Johnny and Pete were behind Harriet's death, is making it hard for Johnny to do much investigating, and matters get worse when Chuck's body is found floating in the river. Screenwriter Robert Rossen made his directorial debut with this film, 14 years later, he would return to this film's tough, gritty style for his best picture.
Acid Mothers Temple & The Melting Paraiso U.F.O. (and subsequent offshoots) is a Japanese psychedelic band founded in 1996 by members of the Acid Mothers Temple soul-collective. The band is led by guitarist Kawabata Makoto and early in their career featured many musicians but by 2004 the line-up had coalesced with four core members and frequent vocal guests. The band have a reputation for phenomenal live shows and releasing frequent albums on a number of international record labels, including the Acid Mothers Temple family record label which was established in 1998 to document the activities of the whole collective…
This 3 disc album covers Johnny's career through the 50's, 60's and 70's. It is NOT a "Greatest Hits" album (although some are included). It as compilation of single releases (some never on CD before) and album tracks that show his great singing range of various types of musical genres. The good thing about this collection is that it is a Columbia/Sony release which retains the integrity of the original recordings.
This set is a must have not only for the hardcore fans of Demis Roussos, but also for anyone with deep interest in pop music in general, and for any collector. The set actually consist not 28, but 31 original solo Demis Roussos albums (3 of them are added as bonuses), plus many non-album bonus tracks and rarities.
The British trio Johnny Hates Jazz had Spandau Ballet's striking attire, clean-cut looks, and knack for smooth, glossy pop songs that were more soulful than the critics gave them credit for. Unfortunately, like Spandau Ballet Johnny Hates Jazz were stigmatized in the U.S. by an omnipresent hit that burned out interest in the group before the rest of their discography had the chance to be heard. Johnny Hates Jazz was formed in 1986 by Clark Datchler (vocals, piano), Calvin Hayes (keyboards), and Mike Nocito (bass). Named after a friend who despised jazz, Johnny Hates Jazz released their first single, "Me and My Foolish Heart," on RAK Records that year…
When South Africa was still suffering under the apartheid system in the 1980s, Johnny Clegg & Savuka was the last thing apartheid supporters wanted in a pop group. Their lyrics were often vehemently anti-apartheid, and apartheid supporters hated the fact that a half-black, half-white outfit out of South Africa was integrated and proud of it. Released in the U.S. at the end of the 1980s, Cruel, Crazy, Beautiful World is among the many rewarding albums the band has recorded. Sting and the Police are a definite influence on Clegg & Savuka, who have absorbed everything from various African pop styles to Western pop, funk, rock, and reggae. The lyrics are consistently substantial and frequently sociopolitical – "Bombs Away" addresses the violence of the apartheid regime, while "Warsaw 1943" reflects on the horrors Eastern Europe experienced at the hands of both communists and fascists during World War II. Clegg and company enjoyed a passionate following at the time, and this fine CD proves that it was well deserved.