Raymond Fol's jazz arrangement of Antonio Vivaldi's "The Four Seasons" may have fallen into obscurity, but the French pianist's big band scoring of this classical favorite shows plenty of imagination. With a band of his fellow countrymen, along with expatriate Americans Johnny Griffin (tenor sax), bassist Jimmy Woode, and drummer Art Taylor, he casts a variety of moods, even within individual sections. In the first movement of "Le Printemps (The Spring)" he chooses an Afro-Cuban mood, while the second shifts to a smaller chamber jazz setting, showcasing guitarist Pierre Cullaz, vibraphonist Sadi, and the leader in turn.
From the outset, Archie Shepp's terminally misunderstood Attica Blues on Impulse during the 1970s was an attempt by the saxophonist and composer to bring together the various kinds of African American musics under one heading and have them all express the conscience of the day. His ensemble featured singers, string players, horns, drums, guitars, etc. The sounds were a Gordian knot of jazz, free music, R&B, soul, groove, and even funk. In 1979 Shepp was given the opportunity to realize the project with an ensemble of his choosing at the Palais des Glaces in Paris (New York was already courting Wimpton Marsalis). Shepp chose 30 musicians and director/conductor Ray Copeland. Among the throng were saxophonists Marion Brown, John Purcell, Patience Higgins, and John Ware.
Altoist Johnny Hodges and organist Wild Bill Davis made quite a few records together during the 1960s, although each of their efforts had slightly different personnel. In the case of this long out-of-print Verve LP, they are assisted by trombonist Lawrence Brown, guitarist Grant Green, bassist Richard Davis, drummer Ben Dixon and, on three numbers, pianist Hank Jones. With the exception of "Take the 'A' Train" and the two ballads "The Nearness of You" and "Peg O' My Heart," the material (including three Hodges originals and Duke Ellington's "Imbo") is quite obscure. The group always swings, and it is interesting to hear Hodges in this setting; pity that this LP's music has not yet been reissued on CD.