Comment réagiriez-vous en découvrant au fond du placard de votre salle de bains une rayonnante jeune femme ?
L'histoire de Lauren et Arthur défie la raison. …
In this Rhythm Makeover edition, Adam Levy presents his signature electric rhythm guitar techniques and creative approaches. Adam has been featured on recordings by major-label artists such as Norah Jones (her first three albums), Tracy Chapman (New Beginning) and Amos Lee (Amos Lee), and acclaimed indie artists such as Ani DiFranco and Anais Mitchell.
After recording two thoroughly excellent LPs for the Mainstream label, Expressions East and Oud Artistry, John Berberian followed his benefactor, A&R man Peter Spargo, to the notorious Morris Levy's Roulette Records, where he waxed this standout album. Recorded in 1965 or 1966 and released around the same time, Music of the Middle East continues the oud master's progressive interpretations of traditional Armenian, Turkish, Greek, and Arabic material.
Howard Levy is a freak of nature. Is there anybody else on the face of the planet who can play chromatically (half-steps) on a diatonic (whole-step) harmonica like he does? If there is, I don't know about them. Howard's remarkable technique is probably the biggest physical innovation on any instrument since bottleneck slide guitar or the plunger over the trumpet bell. For now, his discovery that "all the notes" do in fact live inside the diatonic harmonica remains largely unsung.
A superbly arranged, produced, and mastered session from a wonderful vocalist. Wilson's singing, delivery, and tone are enticing and sensual throughout, even when the songs threaten to get overly sentimental or just sappy. Although the album was aimed at the adult contemporary audience, Wilson never coasted through any number, and this was about as polished and effective as this kind of session could get.
Nancy Wilson's unimpeachable combination of high sophistication and artistic substance was tailor-made for entertaining both the high-rollers and rubber-neckers assembled at the Sands Hotel & Casino's Copa Room for this August 1968 performance. She began with a delightful tweak of any star-gazers in the room, dedicating the opener to a "specific" (but unspecified) group in attendance at the show, then launching into a bustling version of "Hello, Young Lovers."