Features 24 bit remastering and comes with a mini-description. Trumpeter Conte Candoli and pianist Lou Levy had only occasional opportunities to work as leaders before this 1955 session they recorded together for Atlantic Records. Both made the most of the chance, fronting a quintet that also included tenor saxophonist Bill Holman, bassist Leroy Vinnegar, and drummer Lawrence Marable. The group got out of the gate quickly (following a contemplative piano intro, that is) on a quickstep bop reading of the Sigmund Romberg operetta tune "Lover Come Back to Me," which quickly established that a commonplace of jazz ensembles would hold – no matter whose name is in large print on the cover, it's the group that's performing, and other people will get their chance to shine, too.
Sur le mythique violon « Hel » du Musйe de la musique, Mathias Lйvy interprиte des arrangements modernes et audacieux de compositions du maоtre, dйployant toute sa puissance йmotionnelle et crйative. Il est entourй de Jean-Philippe Viret, qui fut contrebassiste aux cфtйs de Grappelli, de Sйbastien Giniaux, le gйnie de la guitare manouche йgalement violoncelliste, et de Franзois Salque, violoncelliste hors norme, en invitй. Ensemble, ils rйinventent le jazz а cordes, proposant un hommage personnel et йmouvant а Stйphane Grappelli.
If the court of Elizabeth I could be compared to a bee-hive, John Dowland was one of its workers, tirelessly bringing in news from the Continent which he constantly visited, and as tirelessly producing the spiritual sustenance vital for the court's existence. It is this honey that Emma Kirkby and Anthony Rooley have gathered in an imaginative recital that focuses on Dowland's relationship to his various patrons – among them Elizabeth I and the Earl of Essex.
PentaTone's live recording of John Corigliano's The Ghosts of Versailles is billed as the world premiere recording, though it was preceded by the 1991 video recording of the Metropolitan Opera's production, which was conducted by James Levine and starred Teresa Stratas. Even so, this 2016 audiophile presentation of the LA Opera production, conducted by James Conlon, is a major event for opera lovers, especially since the Met's recording is difficult to find and performances of The Ghosts of Versailles are rare.