"Oklahoma-born John ‘Moon’ Martin is an American singer-songwriter whose songs were picked up and turned into hits by others. He was an underrated performer and perennially popular in Europe, having first toured there in late 1979. In the USA he opened for Cheap Trick, Rockpile and Joe Jackson. The name ‘Moon’ was added to distinguish him from Brit songsmith John Martyn, and it also recognises his frequent use of lunar-related imagery in lyrics. He was described by author Johnny Rogan as ‘a cross between Buddy Holly, Warren Zevon and John Denver’. His late 60s session career as a ‘guitarist-for-hire’ saw him backing Del Shannon, Jackie DeShannon, Gram Parsons and Linda Ronstadt. He wrote much of ‘Mama’ Michelle Phillips’ debut solo album, ‘Victim Of Romance’ (1977). His 70s band Southwind shared stages with the Byrds and the Flying Burrito Brothers. He also found fame in the New Wave era, when he was backed by musicians from Blondie and was produced by Jack Nitzsche (whom he shared with Mink DeVille - hence the latter artist’s covers of ‘Rolene’ and ‘Cadillac Walk’).(repertoirerecords.com)"
Dean Martin finally got access to conductor/arranger Nelson Riddle for an album project, and the result was an easy swinging collection with appealing horn charts and a series of comfortable readings of recent and vintage standards. Especially notable were the two songs borrowed from My Fair Lady, "On the Street Where You Live" and "I've Grown Accustomed to Her Face," which Martin and Riddle re-imagined as straight-forward love songs; "You're Nobody 'til Somebody Loves You" (which Martin would try again in a more contemporary arrangement four years later for one of his biggest hits); and a solo version of "Just in Time," which the singer had recently done with Judy Holliday in the film version of the musical Bells Are Ringing. This Time I'm Swingin'! was a good, confident set by an artist who had figured out how to make competent albums without expending a lot of effort, which was a key to his charm.