"Oklahoma-born John ‘Moon’ Martin is an American singer-songwriter whose songs were picked up and turned into hits by others. He was an underrated performer and perennially popular in Europe, having first toured there in late 1979. In the USA he opened for Cheap Trick, Rockpile and Joe Jackson. The name ‘Moon’ was added to distinguish him from Brit songsmith John Martyn, and it also recognises his frequent use of lunar-related imagery in lyrics. He was described by author Johnny Rogan as ‘a cross between Buddy Holly, Warren Zevon and John Denver’. His late 60s session career as a ‘guitarist-for-hire’ saw him backing Del Shannon, Jackie DeShannon, Gram Parsons and Linda Ronstadt. He wrote much of ‘Mama’ Michelle Phillips’ debut solo album, ‘Victim Of Romance’ (1977). His 70s band Southwind shared stages with the Byrds and the Flying Burrito Brothers. He also found fame in the New Wave era, when he was backed by musicians from Blondie and was produced by Jack Nitzsche (whom he shared with Mink DeVille - hence the latter artist’s covers of ‘Rolene’ and ‘Cadillac Walk’).(repertoirerecords.com)"
Recording Metal with Eyal Levi: A Bootcamp will give you access to one of metal’s most in-demand producers and educators. You’ll also get to watch the talented and seasoned performers of Monuments show you how to record flawless takes and how to prepare to enter the studio. Recording Metal with Eyal Levi: A Bootcamp is the definitive guide to recording and producing metal. From soup to nuts, start to finish, A to Z, you will learn everything you need to know about recording and producing a metal song.
The dynamic sextet featured in two of Zorn's most recent and popular musical projects-The Dreamers and O'o-jump another level in Ipos, their most beautiful and powerful recording to date. Featuring ten new compositions from the lyrical Book of Angels, the music draws exotica, surf, world music, latin jazz, rock, film music and more into a seductive new musical world. Perfect for the early morning, late at night, at home or in the car, The Dreamers play Masada is truly a magical combination. Powerful new music performed by an all-star band of downtown masters.
John Cocuzzi is a versatile, talented multi-instrumentalist jazz musician who, with his quintet, stretches out for an entertaining 60 minutes-plus of solid, straight ahead jazz on this very good album. A Washington, D.C. native, Cocuzzi gained an appreciation of jazz at an early age listening to his record collection and to his father, who was a percussionist with the U.S. Marine Band. Initially studying piano and then drums after hearing Lionel Hampton, vibes were added to his arsenal of instruments. Swingin' and Burnin' revisits the small group swing of the '30s and '40s popularized by Benny Goodman, Hampton, Artie Shaw, and others. Cocuzzi adds his own flavor along with some artful arrangements to such warhorses from the past as "Slipped Disc," "Benny's Bugle," and "You're Nobody Till Somebody Loves You." On the latter, Cocuzzi shows off his vocal skills along with a boogie woogie piano. "Broadway" epitomizes the adroit swinging of the quintet, with each member of the group getting a chance to show their wares during the seven minutes they devote to this Teddy McRae/Bill Bird melody.
This 37-track, two-disc set is the most comprehensive compilation of John Renbourn's recording career to date. In one sense, Renbourn can be defined as a traditional British folk guitarist, but within that category, he has managed a wide variety of different recording projects over 40 years. There are the solo guitar albums, of course, but then there are also duo albums with Bert Jansch and Stefan Grossman; Renbourn's major group affiliation with Pentangle; his own band projects, the John Renbourn Group and John Renbourn's Ship of Fools, and even prominent work as a sideman for other artists.