The Australian guitarist John Williams has long been universally recognized as a true master , to quote the Guardian. The centrepiece of Sony s new reissue of his Bach recordings is formed by the Suites for solo lute. Also contained on these 4 CDs are Williams s inspired transcriptions of the E major Violin Concerto (with the English Chamber Orchestra), preludes and fugues, chorales and movements from various suites. John Williams is a superb technician, wrote MusicWeb International, and justifiably deserves the accolades heaped on him during his long career. His rendition of these works is most authoritative and executed with admirable fluidity.
John Christopher Williams is an Australian virtuosic classical guitarist renowned for his ensemble playing as well as his interpretation and promotion of the modern classical guitar repertoire. In 1973, he shared a Grammy Award in the Best Chamber Music Performance category with fellow guitarist Julian Bream for Julian and John (Works by Lawes, Carulli, Albéniz, Granados).Guitar historian Graham Wade has said: "John is perhaps the most technically accomplished guitarist the world has seen."
This album by guitarist John Williams offers a repertoire of eighteen items, versioned guitar with orchestral accompaniment, taken from well-known soundtrack movies. Williams himself claims that he is always listening to film music to play with his guitar and although soundtracks are designed differently so his versions, both bring something extra that neither words nor pictures can offer.
This is an interesting session that finds John Williams sitting in with an all-star youth orchestra. The arrangements sound very much like a high school orchestra, however, Williams is careful not to overplay and dominate the session. The "Plymouth Hoe-Down" is particularly fun and closes out the concerto with exhilaration. There are also three additional pieces from composer Paul Hart, written for guitar and keyboards. These pieces alone are worth the price of admission, as Hart masterfully taps into Williams' strengths of adaptability, technical virtuosity and impeccable tone. Highly recommended for both jazz and classical enthusiasts. ~ Robert Taylor, All Music Guide
The new box contains no fewer than three different Williams recordings of that most popular of all guitar works, Rodrigo’s Concierto de Aranjuez – from 1964 with the Ormandy and the Philadelphia Orchestra, from 1974 with Barenboim and the English Chamber Orchestra, and from 1983 with Frémaux and the Philharmonia Orchestra – plus a performance of its much-loved Adagio in Williams’s celebrated 1993 “Seville Concert”.