To mark the 40th anniversary of Barbirolli's death, EMI created this magnificent set, which includes notable Pye recordings along with all the EMI Classics ones. He conducts Manchester's Hall Orchestra (which he elevated to world-class standing) on many of these, with particular emphasis on the great English composers.
Zorn’s organ improvisations are transcendent, inspiring, outrageous and ecstatic experiences, offering a direct line to the workings of his rich compositional imagination. In this performance, recorded live at the Huddersfield Contemporary Music Festival in 2013, Zorn creates a shockingly dramatic world of bizarre sonorities, spectral experimentation, hypnotic moods and stirring melodies. From first throbbing moment to last this third volume documenting Zorn’s legendary organ recitals on majestic instruments around the world presents the power of organ music at its most surprising, extreme and sublime.
Born John Barry Prendergast to a father who owned a cinema and a mother who played piano, all the elements were in place for John to develop his career as he did. Even when he had to do national service, he managed to secure a job as an army bandsman, so he managed to use that period to hone his craft. John first came to prominence via his recording of Hit and miss, which became the theme to the TV show Jukebox jury. Famous as his TV theme became, John's most famous hit is the James Bond theme. This particular compilation, as its title suggests, focuses on John's recordings for EMI. Many of these recordings date from the early to mid sixties, but there are a few from the nineties too. Most of the tracks are instrumentals, but there are also three Shirley Bassey tracks (Goldfinger, Mr Kiss Kiss Bang Bang, Diamonds are forever) and a Matt Monro track (Born free) in which John was involved. Two of the Shirley Bassey tracks are famous, but I'd not heard the other one before buying this CD. It was apparently intended as the theme for Thunderball but was dropped in favor of the Tom Jones song Thunderball. There are 25 tracks altogether and the CD comes with a nice booklet. By no means a definitive John Barry compilation, this does at least contain all those early sixties tracks that I particularly wanted and showcases John's versatility as a composer and arranger. Sadly, John died early in 2011 but his legacy in the history of cinematic music is assured.
The London Virtuosi use modern instruments, but their playing is fresh and refined and the digital recording is natural and beautifully balanced. The calibre of Anthony Camden’s solo contribution is readily shown in slow movements, matched by Georgiadis’s rapt, sensitive accompaniments. On the first disc Camden’s excellent colleague is Julia Girdwood, but for the two other collections Alison Alty takes over, and the partnership seems even more felicitous, with the two instruments blended quite perfectly. Also included is a Sinfonia arranged by Camden a Sinfonia concertante. This series can be strongly recommended on all counts.–Penguin Guide
More than 50 years after Miles Davis and John Coltrane embarked on one last tour of Europe together, fans can finally own this crucial piece of history on The Final Tour: The Bootleg Series, Vol. 6, available everywhere today. This 4CD set features, for the first time in an authorized release, five breathtaking performances recorded in Paris, Stockholm and Copenhagen on the Jazz At The Philharmonic European Tour of spring 1960.