The seemingly bottomless record collection of Nick Saloman from the Bevis Frond has spawned the third in an ongoing series of albums collecting obscure instrumental tracks from the '60s and '70s, and while many of these songs support the popular notion that the hipper and more interesting rock artists of the day were fond of vocal numbers, there are some fun and exciting tunes to be found on this set. Roaring Blue draws its title from the lead-off track, a swinging dance tune by the Sound of Jimmy Nicol, featuring the drummer who briefly replaced an ailing Ringo Starr during a tour in 1964 (this may explain why Nicol's drums are so far up in the mix), while members of the long-running U.K. pop band Blue Mink appear on the track "Beat Party" under the pseudonym the Underground, and John McLaughlin adds guitar licks to "Trans-Love Airways" by Big Jim Sullivan.
Nick Saloman of the Bevis Frond once again invites us to join him in the obscure pleasures of little-known pop, R&B, and jazz instrumental sides of the '60s and '70s with this collection. A number of the selections featured on Return of the Instro-Hipsters are so obscure that even Saloman isn't sure just who is responsible for them (though he offers some educated guesses on the artists behind such names as Sharks, Oliver Bone, and the Masked Phantom), but there are a good share of solid grooves and kicky melodies to be found here from a number of gifted little-knowns. If you went to the movies in the '70s, "Soul Thing" by Tony Newman will sound familiar, while flautist Harold McNair solos over a Dave Brubeck-influenced piano groove on "The Hipster," Jerry Allen demonstrates new uses for game calls on "Fuzzy Duck," Thunder Road's synthesized version of "Peter Gunn" beats Art of Noise's variation on the theme by more than 15 years, "The Brooke Bond Beat" by Cliff Adams may be the most swingin' tea commercial ever, and the Outer Limits serve up some tough, moody rock, appropriately titled "Black Boots".
On the Brink is a collection of 20 previously uncomped and absolutely superb UK instrumentals from the '60s and early '70s, assembled by legendary psych musician and Psychic Circle label-head, Nick Saloman (The Bevis Frond). Presenting session men discovering sitars, orchestras getting into the freaky side of things, hip theme tunes, Hammonds, fuzz and brass. Somehow sophisticated and cheesy simultaneously, these acts created their own musical world of Chelsea apartments, mini-mokes, dark velvet bespoke tailoring and the dolliest birds this side of Battersea Bridge. Welcome to the soundtrack of your own unmade Swinging London movie. Artists include: Mike Vickers, the Jim Sullivan Sound, the Shock Absorbers, Wynder K. Frog, Rita, Offside, the Les Reed Orchestra, David Smith, the Keith Mansfield Orchestra, the Dave Davani Four, the Fidd, Ken Woodman's Piccadilly Brass, the John Schroeder Orchestra, Trax Four, the Mike Cotton Sound, Lee Mason and his Orchestra, the Vic Flick Sound, the Chris Barber Soul Band, Brian Bennett and Stanley Myers.
2010 four CD anthology from the British Blues legend. John Mayall's band, The Bluesbreakers, were undoubtedly a hot-house for the British Blues scene in the late '60s and early `70s and it's quite staggering when you examine the roll call of floating members who served their apprenticeship with John Mayall including Jack Bruce, Eric Clapton, Mick Fleetwood, Peter Green, Keef Hartley, John McVie, Mick Taylor and Steve Winwood. This lavish box set contains 74 tracks, all newly remastered from the original master tapes, including five tracks released in Europe on CD for the first time. The 40-page booklet features sleevenotes by Mark Powell with rare and previously unseen photographs.