The fifth and final volume in Universal's massive John Coltrane: The Impulse! Albums in the Originals series, contains five recordings, all issued posthumously between 1970 and 1973. Two of these, Transition and Sun Ship, feature Coltrane's classic quartet with McCoy Tyner, Jimmy Garrison, and Elvin Jones. Of the remaining albums, two are live recordings – Live in Seattle and Concert in Japan – the remaining one being the infamous Infinity.
Packaged together in this five-disc box set from Verve/Hip-O-Select, these titles represent the albums Impulse issued following John Coltrane's death in 1967, and remain some of the most controversial in his catalog (numerous critics thought – and many still do – that dubious choices were made in assembling them).
Features the high-fidelity SHM-CD format (compatible with standard CD player) and 24bit remastering. Includes an alternate take of "Blue Train" for the first time in the world. Although never formally signed, an oral agreement between John Coltrane and Blue Note Records founder Alfred Lion was indeed honored on Blue Train – Coltrane's only collection of sides as a principal artist for the venerable label. The disc is packed solid with sonic evidence of Coltrane's innate leadership abilities. He not only addresses the tunes at hand, but also simultaneously reinvents himself as a multifaceted interpreter of both hard bop as well as sensitive balladry – touching upon all forms in between.
Here it is: eight CDs worth of John Coltrane's classic quartet, comprised of bassist Jimmy Garrison, pianist McCoy Tyner, and drummer Elvin Jones, recorded between December of 1961 and September of 1965 when the artist followed his restless vision and expanded the band before assembling an entirely new one before his death. What transpired over the course of the eight albums and supplementary material used elsewhere is nothing short of a complete transfiguration of one band into another one, from a band that followed the leader into places unknown to one that inspired him and pushed him further. All of this transpired in the span of only three years.
John Coltrane (1926-67) was the most relentlessly exploratory musician in jazz history. He was always searching, seeking to take his music further in what he quite consciously viewed as a spiritual quest. In terms of public recognition, this quest began relatively late. The tenor saxophonist, a native of North Carolina who later moved to Philadelphia, was 28 when he joined the Miles Davis quintet in 1955, after years of paying dues in the big band and combo of Dizzy Gillespie (where he played alto before switching to tenor) and as a supporting player behind saxophonists Johnny Hodges, Eddie "Cleanhead” Vinson, and Earl Bostic. Coltrane’s anguished tone and multi-noted, rhythmically complex solos with Davis quickly elevated him to the front ranks of jazz…
Recorded in one day (August 23, 1957) at Rudy Van Gelder’s studio in Hackensack, NJ. This date of ballads and burners features the young tenor saxophonist John Coltrane leading a quartet comprised of pianist Red Garland, bassist Paul Chambers and drummer Arthur Taylor. Liner notewriter (original and reissue) Ira Gitler remarks, “In the ‘50s I was called upon to name many of the untitled songs at Prestige. Traneing In came to me because of the way [Coltrane] homed in after Garland’s opening solo [on the song].” This album is significant in that it took place halfway through Coltrane’s break with Miles Davis’ classic quintet of the ‘50s and it was the same year that the tenor saxophonist hooked up with Thelonious Monk to record the recently discovered live Carnegie Hall masterpiece.