John Lee Hooker was an American blues singer, songwriter, and guitarist. The son of a sharecropper, he rose to prominence performing an electric guitar-style adaptation of Delta blues. Hooker often incorporated other elements, including talking blues and early North Mississippi Hill country blues. He developed his own driving-rhythm boogie style, distinct from the 1930s–1940s piano-derived boogie-woogie.
Produced by Ralph Bass in 1966 but not issued by Chess at the time, More Real Folk Blues was unearthed by MCA only a few years back. It's no masterpiece maybe, but certainly deserved release in its day - backed by Burns and a Chicago rhythm section that copes as well as can be expected with Hooker's singular sense of timing, the Boogie Man answers Sir Mack Rice with his "Mustang Sally & Gto" and keeps things way lowdown on several other cuts.
Known to music fans around the world as the “King of the Boogie,” John Lee Hooker endures as one of the true superstars of the blues genre. His work is widely recognized for its impact on modern music – his simple, yet deeply effective songs transcend borders and languages around the globe.
Fourteen rarities from the seemingly bottomless 1948-1952 stash of Detroit producer Bernie Besman, joined by a 1961 stereo "Blues for Abraham Lincoln" that's painfully out-of-tune. Includes "Boogie Chillen" and an alternate version of "I'm in the Mood."
The Boogie Chillen Man is a 1996 compilation album by John Lee Hooker. The album included some of his best known songs: "Boogie Chillen'" (1948), "Crawling King Snake" (1949), "Dimples" (1956), "Boom Boom" (1962), and more…
John Lee Hooker, as anyone with a decent-sized blues collection knows, recorded for a virtual parade of labels early in his career, including Chess, although his stays with the company were fairly brief. Hooker's best early recordings, most would agree, were issued on Modern and Vee-Jay, not Chess.