Johann Fischer William Christie

Les Arts Florissants & William Christie - In an Italian Garden Aria, Cantatas & Madrigals (Live) (2017)

Les Arts Florissants & William Christie - In an Italian Garden Aria, Cantatas & Madrigals (Live)
Classical, Opera | WEB FLAC (tracks) & d. booklet | 62:39 min | 383 MB
Label: harmonia mundi | Tracks: 15 | Rls.date: 2017

This concert was recorded live at the Melbourne Recital Centre in Australia within the framework of Le Jardin des Voix: the Academy launched by Les Arts Florissants in 2002 as a showcase for young talent. William Christie and Paul Agnew, the co-directors of the Academy, are well known as fine teachers and indefatigable talent-spotters. Here they present six promising young singers, hitherto unknown to the general public, who were auditioned and recruited from almost 200 candidates.
Les Arts Florissants, William Christie - Bien que l'amour...  Airs Sérieux et à Boìre (2016)

Les Arts Florissants, William Christie - Bien que l'amour… Airs Sérieux et à Boìre (2016)
EAC | FLAC (image+.cue, log) | Covers Included | 80:05 | 404 MB
Genre: Classical, Vocal | Label: Harmonia Mundi | Catalog: HAF8905276

The French Baroque air has not been much recorded, even in comparison with the earlier strophic air de cour. But the veteran ensemble Les Arts Florissants, under American-French director William Christie, having brought exposure to a good deal of previously unknown French music, is not slowing down in this regard, and this delightful collection of "serious and drinking airs" might well stimulate other performers to explore the repertory.
Monteverdi: Madrigali & Selva Morale (2017) (Les Arts Florissants, William Christie) (4CD Box Set)

Monteverdi: Madrigali & Selva Morale (2017) (Les Arts Florissants, William Christie) (4CD Box Set)
EAC Rip | FLAC (tracks+.cue, log) | Covers | 972 mb | MP3 CBR 320kbps | RAR | 515 mb
Classical, Choral, Vocal Music | Label: Harmonia Mundi / HMX 2908772.75

This box set assembles the complete Monteverdi recordings that William Christie and Les Arts Florissants made for harmonia mundi over some fifteen years. Together, they constantly refreshed their inspiration at the wellspring of his finest and most famous madrigals, with a memorable incursion into the sacred repertory of the Selva morale.
Luigi Rossi - Oratorio per la Settimana Santa - Les Arts Florissants, William Christie (2016) {Harmonia Mundi HAF 8901297}

Luigi Rossi - Oratorio per la Settimana Santa - Les Arts Florissants, William Christie (2016) {Harmonia Mundi HAF 8901297}
EAC rip (secure mode) | FLAC (tracks)+CUE+LOG -> 229 Mb | MP3 @320 -> 115 Mb
Full Artwork @ 300 dpi (png) -> 76 Mb | 5% repair rar
© 1989, 2016 Harmonia Mundi | HAF 8901297
Classical / Baroque / Choral

Rossi's Oratorio per la Settimana Santa is a masterpiece of the period. Its unusual representation of the Crucifixion draws on elements of both the Passion and the Stabat mater traditions. It also includes an almost operatic scene that vividly depicts a descent into Hades. Its moralistic intent was to move the listener through compassion to repentance. This striking recording from William Christie and the ensemble Les Arts Florissants was originally released in 1989.
William Christie, Judith Nelson, Stanley Ritchie - Mondonville: Pieces de clavecin avec voix ou violon (2008)

William Christie, Judith Nelson, Stanley Ritchie - Mondonville: Pieces de clavecin avec voix ou violon (2008)
EAC | FLAC (image+.cue, log) | Covers + Digital Booklet | 52:52 | 333 MB
Genre: Classical, Sacred | Label: Harmonia Mundi | Catalog: HMA1951045

Jean-Joseph Cassanéa de Mondonville, although little known, was much less of a petitmaître than Boismortier or Michel Corrette, for instance. Born in 1711, he occupied quite an important place in early eighteenth-century French musical life. He was a fine violinist, a successful composer of church music and an active personality in the "Concerts Spirituels", public concerts which became established in Paris in 1725.
William Christie, Les Arts Florissants - Purcell: Dido & Aeneas (1995)

William Christie, Les Arts Florissants - Purcell: Dido & Aeneas (1995)
EAC | FLAC (image+.cue, log) | Covers + Digital Booklet | 51:54 | 254 MB
Genre: Classicalm, Opera | Label: Erato disques | Catalog: 4509-98477-2

Purcell's Dido and Aeneas is one of the very few 17th-century works to have entered the operatic "canon" and developed a modern performance tradition before the late 20th century's early-music revival. For listeners who had grown fond of this opera in its "traditional" form, the period-instrument recordings of recent years have provided some odd surprises: an all-female cast (excepting Aeneas); a baritone Sorceress; singing in a style closer to a Restoration playhouse than Covent Garden.
Les Arts Florissants, William Christie - Handel: Concerti Grossi Op.6 (1995)

Les Arts Florissants, William Christie - Handel: Concerti Grossi Op.6 (1995)
EAC | APE (image+.cue, log) | Covers Included | 67:54 | 330 MB
Genre: Classical | Label: Harmonia Mundi | Catalog: 901507

Released in 1995, this Harmonia Mundi CD of five of Handel's Concerti grossi, Op. 6, is an absolute bargain and highly recommended to any lover of great music. Considering William Christie and Les Arts Florissants are among the most brilliant interpreters of Handel, that these gorgeous works afforded them an ideal platform for their talents, and that Harmonia Mundi provided the best possible engineering to capture their glorious sound, this album is an embarrassment of riches not to be missed.
Hiro Kurosaki, William Christie - Handel: Violin Sonatas (2003) (Repost)

Hiro Kurosaki, William Christie - Handel: Violin Sonatas (2003)
EAC | FLAC (tracks+.cue, log) | Covers Included | 59:34 | 364 MB
Genre: Classical | Label: Virgin Veritas | Catalog: 7243 5 45554 2 8

Ornate, opulent, majestic: Handel's music truly exemplifies the Baroque in its elaborate monumentality, which many listeners associate with his vast, dramatic oratorios. Perhaps lesser known, but hardly less significant is Handel's chamber music, which reveals a different kind of artistry, an intimately refined facet of the Baroque spirit. The contrast between the monumental and the intimate in Handel's music is especially interesting since he cultivated chamber music throughout his career, composing works that reflected the development of his style from its Italianate beginnings to the ultimate richness of his late idiom.
Les Arts Florissants & William Christie - Händel: Music for Queen Caroline (2014) [Official Digital Download 24/96]

Les Arts Florissants & William Christie - Händel: Music for Queen Caroline (2014)
FLAC (tracks) 24-bit/96 kHz | Time - 72:08 minutes | 1.38 GB
Studio Master, Official Digital Download | Artwork: Digital booklet

Queen Caroline was an emblematic female figure of the 18th century: the wife of King George II of England, a woman of great beauty, a champion of science and the arts, Caroline d’Ansbach was also the friend and patroness of Handel. The latter was entrusted with the solemn music composed for the grand ceremonies that marked the reign – be it «The King shall rejoice», given for the King’s coronation, the «Queen Caroline» Te Deum written for her own ascension to the throne, or «The Ways of Zion do mourn» performed at her funeral. This recording brings together, for the first time, three works underlining the strong link between the monarch and his favourite composer. This performance by the complete forces of the choir and orchestra of Les Arts Florissants brings to life these scores which are both flamboyant and brimming over with humanity.
William Christie, Les Arts Florissants, Natalie Dessay - Mozart: Die Zauberflote [1996]

Mozart - Die Zauberflöte (William Christie, Natalie Dessay) [1996]
Classical | Erato 0630-12705-2 | TT: 76.06+74.17 | EAC (FLAC, cue, log) | Covers | 614 MB

Originating by way of an Aix-En-Provence Festival staging, William Christie and his Arts Florissants bring dramatic flair and musical panache to Mozart's great late Singspiel in equal measure. To begin with, there's a dream cast led by the alluring pairing of Hans Peter Blochwitz as Tamino and Rosa Mannion as Pamina. Anton Scharinger makes for an earthy Papageno, Reinhard Hagen is a commanding Sarastro, whilst Natalie Dessay's input as Queen of the Night comes over in both her showpiece arias as steadfast and electrifying. The casting in depth continues: rare is a Magic Flute that can boast singers of the calibre of Willard White and Linda Kitchen in the relatively small roles of Speaker and Papagena. Then, the uniformly warm vocal blend is homogeneously matched, note for note, with the gut strings and less aggressive winds of Les Arts Florissants. Not that there's anything limp or lacklustre about Christie's brisk tempi; whilst sharp editing maintains the theatrical urgency. The melliflously played "magic" flute and exact keyed glockenspiel input for Papageno's bells are further examples of the care which has gone into this state of the art "authentic" interpretation. With a work like The Magic Flute, recorded choices are voluminous. Neville Marriner with his Academy of St Martins-in-the-Fields on Phillips puts in a brave showing, but William Christie maybe wins out in a thorough interpretation which simultaneously celebrates the opera's joy and mystery. –Duncan Hadfield