Culturally, mestizos are folks of mixed Latin and Indian heritage who live along the U.S./Mexico borderlands; Filipino-born Joe Bataan felt enough of that same duality to name his record label Salsoul (salsa plus soul, see) and to name his late-'70s backing group his Mestizo Band. A retitled reissue of 1980's Mestizo, with no bonus tracks and most of the songs edited into lengthy suites, Joe Bataan and His Mestizo Band is primarily a late-era disco record, with only minimal Latin accents on songs like the by-the-numbers opener, "Mestizo."
No recording artist has more impeccable street credentials than Joe Bataan, the originator of the New York Latin soul style that paralleled Latin boogaloo and anticipated disco. His musical experience began with street corner doo wop in the 1950s, and came to include one of the first rap records to hit the charts, 1979's "Rap-O, Clap-O."
21 Track compilation album featuring artists from the Salsoul stable, Loleatta Holloway, Instant Funk, The Salsoul Orchestra, Carol Williams & more.
On January 21st and 22nd of 2016, world-renowned platinum-selling and Grammy nominated Blues-rock singer-songwriter and guitarist Joe Bonamassa performed two unique all-acoustic shows at the iconic Carnegie Hall in New York City. Both performances were filmed and made into Joe Bonamassa Live At Carnegie Hall – An Acoustic Evening. An evening of extraordinary music with new arrangements of favorite songs as well as brand new, never-before-heard songs…
The Midgets is an album by jazz trumpeter Joe Newman's Septet recorded in 1956 for the RCA Records subsidiary Vik label. Glossy Cover, Arranged by Ernie Wilkins, conducted by Joe Newman, Recorded at Webster Hall, New York City, July, 1956. Joe Newman on trumpet, Frank Wess on flute, Barry Galbraith on electric guitar, Freddie Green on rhythm guitar, Hank Jones on piano and organ, Eddie Jones on bass, and Osie Johnson on drums.