Reissue with the latest remastering. Features original cover artwork. Comes with a descripton in Japanese. A wonderful little record from pianist Joanne Brackeen – unlike anything the artist ever recorded, as it's just a set of duets with guitarist Ryo Kawasaki, who brings in some really beautiful elements to the mix! Ryo plays an acoustic nylon string guitar, but with a dexterity that most other players would use on electric – and the balance of his instrument with Brackeen's piano is sublime – full of colors and imaginative tones, but also a fair degree of rhythmic impulses too – which guide the duo in ways that are completely refreshing throughout!
Reissue with the latest remastering. Features original cover artwork. Comes with a descripton in Japanese. A hell of a record from this wonderful pianist – partly because the set only features the bass of Clint Houston for accompaniment, and no other instrumentation at all! Clint's sound is wonderful – full, rich, and extremely rhythmic – so much so, there's no need for drums at all on the record, as Houston blocks things out and paces the record from the strings up – with a commanding majesty that really seems echoed by Brackeen's lines on piano – every bit as lyrical and fluid as ever, but maybe even more powerful too! The whole thing's beautiful – more commanding than you might expect, especially for Brackeen – and titles include "Freedent", "Solar", "New True Illusion", "Steps What Was", and "Search For Peace".
Reissue with the latest remastering. Features original cover artwork. Comes with a descripton in Japanese. Really great work from pianist Joanne Brackeen – a player who's always got plenty to offer, but who really seems to find a special space here – working in a unique trio that features Clint Houston on bass and Ryo Kawasaki on guitar! Houston's bass is wonderful – full, rich, and very well-rounded – an element that brings so much depth to the record that both Ryo and Joanne can really take off – Kawasaki on these colorful lines that have a bit more bite than his more fusiony guitar albums as a leader, and Brackeen with these incredibly deft, incredibly well-spun lines on piano. The balance of sounds is wonderful – very fresh and unique – and titles include "Aft", "Haiti B", "Dreamers", and "Winter Is Here".
The first entry in the extensive series of piano solo recitals held at Maybeck Recital Hall features the great Joanne Brackeen. Although classified by some originally as an avant-gardist inspired by McCoy Tyner, Brackeen continued to grow in stature and by the late '80s had her own style. She is respectful but passionate on seven standards (keeping the melody in mind during her explorations) while her four originals are given more adventurous improvisations. […] Well worth checking out. - Scott Yanow at All Music Guide
Joanne Shaw Taylor has spent the spring writing and recording her fifth studio album ‘Wild’ in Nashville and is ready to release it on September 30th. ‘Wild’ will be available in 4 formats: Standard and Deluxe Edition CDs and Heavyweight Black Vinyl and Deluxe Vinyl Double LPs. Recorded at Grand Victor Sound Studios, Nashville TN, ‘Wild’ has been produced by Kevin Shirley (Joe Bonamassa, Aerosmith, Journey, Iron Maiden) and features members of Joe Bonamassa’s band who Joanne met whilst performing with him. Bonamassa has in the past described her as “A superstar in waiting”. British blues star, Joanne says: “Recording at Grand Victor was incredibly inspiring. It is quite the legendary studio. Dolly Parton cut Jolene and I Will Always Love you here. And Chet Atkins worked here.
Reissue with the latest remastering and the original cover artwork. Comes with a description written in Japanese. Janice Lakers is a singer we only know from this one album – but she's a hip vocalist with a very compelling style – one that's very much in the best mode of some of the cooler American jazz singers of the late 70s! The song choices are great – some hipper jazz standards – and she's got a way of opening up with the lyrics that's far different than older vocal modes of the 50s – instead nearer to the territory of artists like Janet Lawson or Judy Roberts. Backing is by a hip trio with Debbie Poryes on piano – who really open up with their own sense of presence on the record, too – and titles include "Waltz For Debby", "Like A Lover", "Falling Grace", "Rainbow Lady", "In Your Own Sweet Way", and a nicely grooving take on "Moondance".