Intimidante et complexe, la physique est aussi une discipline du quotidien. C'est ce que démontre cet ouvrage qui, de la théorie des couleurs à la fusion nucléaire, décortique les principales lois de la physique jusque dans leurs applications pratiques. Des concepts fondamentaux (lois de Newton ou de Kepler) jusqu'aux découvertes récentes (trous noirs, Big Bang), enrichi de citations, de rappels historiques et de notices biographiques, ce manuel permet d'assimiler des notions complexes mais passionnantes!
Mississippi Delta Dues is a complete departure from Mickey Baker's landmark 1950s electric guitar work for Ray Charles and others. With acoustic bottleneck specialist Stefan Grossman at his side and surprisingly backed by the London Strings Orchestra, the talented guitarist covers a variety of tunes by long-dead bluesmen. Excluding the bonus tracks, this was previously released as House of the Blues, Vol. 5 on the Blue Star label.
The quality of Chet Baker's product was so varied during the last decade or more of his life that recording sessions varied markedly. For this "remixed version" of Mr. B Baker sounds a tad tired, though his chops are in fine form. The studio recording captures the trumpeter with highly sympathetic and self-effacing pianist Michel Grallier and bassist Ricardo Del Fra, both of whom engage in the leader's brand of sensitivity. There are no vocals by the trumpeter, but plenty of improvising. The interesting tune selection features a few songs played often by Baker (such as Wayne Shorter's "Dolphin Dance" and Horace Silver's "Strollin'"), but several that are not associated with him at all (Grallier's "White Blues" and his gorgeous "Father X-mas," to name a couple). There is a sadness permeating the trumpeter's sound throughout, exacerbated by the lazy, sometimes sluggish, tempos. A deep and touching beauty can be felt, marking this as one of Chet's best from the period.
Chet Baker's West Coast cool comes to the Big Apple on Chet Baker in New York. The project would be Baker's first – in a four album deal – with the Big Apple-based Riverside Records. The bicoastal artist incorporates his decidedly undernourished sound and laid-back phrasing into the styling of Al Haig (piano), Johnny Griffin (tenor sax), Paul Chambers (bass), and Philly Joe Jones (drums)…