Extending the good vibes created out of their first pairing on the live recording Incredible!, organists Joey Defrancesco and Jimmy Smith get down to business on Legacy. The two stellar and funky musicians have a great musical rapport and seem to really enjoy playing together. Fans of Incredible! will most likely find much to enjoy here. The album has a heavy Latin sound with percussionists Ramon Banda and Jose "Joey" de Leon supplying additional timbales and conga rhythms respectively. Also joining in this time around is special guest tenor saxophonist James Moody, who adds his fiery bop chops to "Jones'n for Elvin." Backing Defrancesco and Smith here are bassist Tony Banda, guitarist Paul Bollenback, and drummer Steve Ferrone.
Jimmy Smith brought the Hammond organ into hard bop and jazz in the 1950s, and his piano-fast solo runs on the instrument have never been equaled. This warm set from Blue Note Records, the label where Smith built most of his impressive legacy, selects eight of his performances for the label, including a 20-minute (and ten second) version of "The Sermon," the bouncing "Back at the Chicken Shack," and a fun romp through "See See Rider," among other delights, making this a quick introduction to the peak creative era of this one-of-a-kind jazz artist's long career.
These sessions live at Art D'Lugoff's Village Gate night club in Greenwich Village on May 31, 1963 were at one point previously unreleased, eventually issued by the short-lived Metro subsidiary of MGM on vinyl sometime after being recorded. The session is barely over 30 minutes, the sound is a bit thin (but not to its detriment), but Smith's playing is peerless as always, and his band with guitarist Quentin Warren and young drummer Billy Hart may be a curiosity for some. Warren is not the best or most adept plectrist Smith had employed, but gets the job done in a quiet, unassuming manner…
Who's Afraid of Virginia Woolf? is a 1964 studio album by organist Jimmy Smith, released on the Verve label. Smith is accompanied by a big band with arrangements by Oliver Nelson and Claus Ogerman.