Jimmy Ponder

Hank Crawford & Jimmy McGriff - On The Blue Side (1989) {Milestone}

Hank Crawford & Jimmy McGriff - On The Blue Side (1989) {Milestone}
EAC 0.99pb5 | FLAC tracks level 8 | Cue+Log+M3U+MD5 | Full Scans 300dpi | 245MB + 5% Recovery
Genre: Jazz

One of the most consistent and most soulful of all jazz altoists, Hank Crawford sounds at his best when he has strong melodies to wrap his tone around, and when he can dig into the blues. Both aspects are true during this quartet outing which he co-leads with organist Jimmy McGriff. Crawford sounds particularly strong on "Jumpin' With Symphony Sid" and "Hank's Groove" and even if "Any Day Now" is a bit of a misfire, the interplay between the altoist and the organist (helped out by guitarist Jimmy Ponder's occasional solos and strong support from drummer Vince James) makes this an excellent soul jazz effort overall.

Jimmy McGriff - Main Squeeze - 1974 @320  Music

Posted by pretoria at Dec. 1, 2009
Jimmy McGriff - Main Squeeze - 1974 @320

Jimmy McGriff - Main Squeeze - 1974
Cover | Mp3 320 kbps rip with ITUNES | 89,9 MB
1974 Groove Merchant

One of the grooviest albums ever from Jimmy McGriff -- a hard-wailing session that's filled with plenty of cooking lines on the organ, and a few especially funky tracks! The groove here is tight, short, and very sharp -- strongly in the mode of other post-Sue sessions by McGriff -- like The Worm or other Groove Merchant sides -- with a style that's often much more focused than Jimmy's earlier years, and strongly turned towards the rhythms of the tunes! A few numbers are more familiar soul jazz, but these are nicely offset by the harder funk numbers of the record -- like the romping, stomping break classic "The Main Squeeze", the totally groovy "The Worm Turns", and the fast-vamping "GMI". The group features Jimmy Ponder on guitar and Connie Lester on alto sax -- and other titles include "The Sermon", "Stella By Starlight", and "The Blues Train To Georgia".

Audentity EDM by Jimmy Clash WAV MiDi  Software

Posted by orientazure at April 30, 2016
Audentity EDM by Jimmy Clash WAV MiDi

Audentity EDM by Jimmy Clash WAV MiDi | 1.37 Gb

Audentity is proud to deliver our new artist pack which is produced by Spinnin Records producer/DJ Jimmy Clash. Jimmy already teamed up with names like Wolfpack, Juicy M, Ralvero, Andres Fresko and Joe Ghost and has had releases on Spinnin, Flashover and Metanoia with music which took the Beatport charts by storm.
Lonnie Smith - Mama Wailer (1971) {2011 CTI-Sony Music Remaster}

Lonnie Smith - Mama Wailer (1971) {2011 CTI-Sony Music Remaster}
EAC rip (secure mode) | FLAC (tracks)+CUE+LOG -> 227 Mb | MP3 @320 -> 85 Mb
Full Artwork @ 600 dpi (png) -> 187 Mb | 5% repair rar
© 2011 CTI Records / Kudu / Sony Music | 88697 94704 2 | CTI Records 40th Anniversary
Jazz / Jazz Funk / Jazz Blues / Soul Jazz / Hammond

One of Lonnie Smith's rarest albums – and one of the most obscure records on the landmark Kudu label! The set is one of Smith's most far-reaching from the 70s – a bit in the mode of his earlier records for Blue Note, but with a slightly sweeter quality that shows the shift to Kudu – where Lonnie's Hammond had lost none of its grooving power!
John Patton - That Certain Feeling (1968) {2014 Japan SHM-CD Blue Note 24-192 Remaster}

John Patton - That Certain Feeling (1968) {2014 Japan SHM-CD Blue Note 24-192 Remaster}
EAC rip (secure mode) | FLAC (tracks)+CUE+LOG -> 249 Mb | MP3 @320 -> 99 Mb
Full Artwork @ 600 dpi (png) -> 231 Mb | 5% repair rar | 24-bit 192 kHz remaster
© 2014 Universal Japan / Blue Note | BN 75th The Masterworks | TYCJ-81058
Jazz / Soul Jazz / Hard Bop / Jazz Funk / Organ Hammond B-3

Features the high-fidelity SHM-CD format (compatible with standard CD player) and the latest 24bit 192kHz remastering. A brilliantly bubbling session from Hammond genius John Patton – and a set that serves as a real link between the gutbucket soul of his early years, and some of the fresher phrasing he was beginning to explore at Blue Note! Patton's lines on the keys are a wonderful thing to behold (and behear!) – as they're both rhythmic, but extremely fluid and exploratory – more conceived around some of the new ideas on tenor at the time, and pushing forward roughly into the same territory as Larry Young – but with more of Patton's rootsy soul still intact.

Lou Donaldson - A Man With a Horn (1999)  Music

Posted by Oceandrop at Dec. 19, 2011
Lou Donaldson - A Man With a Horn (1999)

Lou Donaldson - A Man With a Horn (1999)
Jazz | EAC Rip | FLAC (tracks)+CUE+LOG | mp3@320 | 358 MB. & 140 MB.
300dpi. Complete Scans (JPG) included | WinRar, 3% recovery
Audio CD (1999) | Label: Capitol/Blue Note | Catalog# 7243-5-21436-2-7 | 55:51 min.

These sessions were recorded for Blue Note in 1961 and 1963. The first date features five cuts with Jack Mcduff on organ, Grant Green on guitar, and Joe Dukes on drums. The four remaining cuts were recorded two years later with John Patton on organ, Ben Dixon on drums, and the addition of Irvin Stokes on trumpet. This is a mainly mellow affair with six of the nine tracks exchanging the hard bop and soul-jazz of the times for ballads and slow blues. However, the occasional up-tempo funky surprise does pop up on "My Melancholy Baby" and the Donaldson originals "Hipty Hop" and "Soul Meetin'."
Stanley Turrentine - Common Touch (1968) [Remastered 1997]

Stanley Turrentine - Common Touch (1968) [Remastered 1997]
EAC rip | FLAC + CUE + LOG | Full Scans | 300 Mb (Incl. Recovery)
Genre ~ Hard Bop | Soul Jazz | Saxophone Jazz
Label ~ Blue Note/Capitol Records

This CD reissue brings back an easy-listening set in which tenor saxophonist Stanley Turrentine teams up with his then-wife, organist Shirley Scott, in what was probably their last joint recording. The original LP program is joined by "Ain't No Way" from a slightly earlier date with similar personnel. Even on "Blowin' In the Wind," Turrentine's soulful solos uplift the material, while Scott offers light accompaniment and some gospellish ideas of her own; guitarist Jimmy Ponder also has some spots on the quintet set. ~ AllMusic

Lou Donaldson - Say It Loud! (1968)  Music

Posted by soundage at March 14, 2010
Lou Donaldson - Say It Loud! (1968)

Lou Donaldson - Say It Loud! (1968)
Jazz Funk | mp3 320 + scans, 80MB | 5 songs, 36 min | Blue Note 1968

One of the greatest Blue Note funky jazz sets of the late 60s an all-out soul fest headed up by funky Lou Donaldson.
Jimmy Giuffre, Paul Bley, Steve Swallow - Fly Away Little Bird (1992) Reissue 2002

Jimmy Giuffre, Paul Bley, Steve Swallow - Fly Away Little Bird (1992) Reissue 2002
EAC | FLAC | Tracks (Cue&Log) ~ 298 Mb (incl 5%) | Mp3 (CBR320) ~ 187 Mb (incl 5%) | Scans included
Modern Creative, Post-Bop, Modal Jazz | Label: Sunnyside | # SSC 3504 | Time: 01:16:39

Why aren't there more recordings like Fly Away Little Bird? Perhaps it's because there aren't more musicians of this stature. The studio reunion of the legendarily experimental Jimmy Giuffre 3 in 1992 was reissued in 2002 on the French Sunnyside label and is a radical departure from anything the trio had done in the past. These studio apparitions of the band are their most seamlessly accessible while being wildly exploratory. In addition to the consummate improvisations and compositions by Giuffre (title track, a redone "Tumbleweed"), the tender meditations by Steve Swallow ("Fits" and "Starts"), and the bottom-register contrapuntal improves by Paul Bley ("Qualude"), this is a trio recording that uses standards such as "Lover Man," a radically and gorgeously reworked "I Can't Get Started," "Sweet and Lovely," and "All the Things You Are" to state hidden textural possibilities inside chromatic harmony. There is never the notion of restraint in the slow, easy, and proactive way these compositions are approached.
Jimmy Smith - The Complete Verve Singles (2016) [Official Digital Download 24bit/96kHz]

Jimmy Smith - The Complete Verve Singles (2016)
Jazz, Soul Jazz, Hard Bop | FLAC (tracks), 24bit/96kHz | 02:36:46 h | 3,84 Gb (incl 5%) | Front Cover
Label: Verve Reissues | Tracks: 52 | Released: 2016

Jimmy Smith wasn't the first organ player in jazz, but no one had a greater influence with the instrument than he did; Smith coaxed a rich, grooving tone from the Hammond B-3, and his sound and style made him a top instrumentalist in the 1950s and '60s, while a number of rock and R&B keyboardists would learn valuable lessons from Smith's example.