Judo Champion Jimmy Pedro and Travis Stevens give you an insight into their world of taking people down. With these 3 DVD set you can improve your take-down game from 2 of the best in that area! These two greats will be your guides as you learn to master the skills necessary to beat even the toughest opponent. All the techniques and tips you’ll ever need are found in The Takedown Blueprint.
Pedro Soler & Gaspar Claus new album “Al viento” was sketched out in Icelandic territory, with Valgeir Sigurösson in his Greenhouse studio, then later completed in Spain with Didier Richard, drives the nail home.
Why aren't there more recordings like Fly Away Little Bird? Perhaps it's because there aren't more musicians of this stature. The studio reunion of the legendarily experimental Jimmy Giuffre 3 in 1992 was reissued in 2002 on the French Sunnyside label and is a radical departure from anything the trio had done in the past. These studio apparitions of the band are their most seamlessly accessible while being wildly exploratory. In addition to the consummate improvisations and compositions by Giuffre (title track, a redone "Tumbleweed"), the tender meditations by Steve Swallow ("Fits" and "Starts"), and the bottom-register contrapuntal improves by Paul Bley ("Qualude"), this is a trio recording that uses standards such as "Lover Man," a radically and gorgeously reworked "I Can't Get Started," "Sweet and Lovely," and "All the Things You Are" to state hidden textural possibilities inside chromatic harmony. There is never the notion of restraint in the slow, easy, and proactive way these compositions are approached.
Jimmy Smith wasn't the first organ player in jazz, but no one had a greater influence with the instrument than he did; Smith coaxed a rich, grooving tone from the Hammond B-3, and his sound and style made him a top instrumentalist in the 1950s and '60s, while a number of rock and R&B keyboardists would learn valuable lessons from Smith's example.