Guitarist Jim Hall is the sort of musician who displays such technical expertise, imaginative conception, and elegance of line and phrase that almost any recording of his is worth hearing. Still, Concierto ranks among the best albums of his superb catalog. For starters, the personnel here is a jazz lover's dream come true…
This lyrical, introverted, and sometimes exquisite set of duets by guitarist Jim Hall and bassist Red Mitchell was originally made for John Snyder's Artist House label and later reissued on CD by MHS. Hall and Mitchell always had big ears, and although the music is at a low volume and the duo stretches out on a bit on their four originals, the Mexican folk song "Blue Dove" and "Fly Me to the Moon," there are no sleepy moments.
THE COMPLETE RCA VICTOR RECORDINGS includes the five solo albums Desmond released on RCA's Bluebird imprint in the early 1960s: DESMOND BLUE, TAKE TEN, GLAD TO BE UNHAPPY, BOSSA ANTIGUA and EASY LIVING. Between 1962 and 1964 Paul Desmond , Dave Brubeck's alto saxophonist (and composer of "Take Five"), recorded five remarkable albums for RCA with guitarist Jim Hall. (Listeners might recall that the inimitable Hall also recorded with Sonny Rollins for RCA during the same period.) Luckily, RCA has seen fit to reissue the Desmond-Hall sessions in an attractive 5-CD box. Of these, only the first session, DESMOND BLUE, was arranged for strings. Otherwise it's just Desmond and Hall, a few good bass players and the great MJQ drummer Connie Kay, whom Desmond long revered for his subtle touch.
VOLUME 1 - Jazz Basics is designed for the newcomer to jazz guitar. It covers all of the fundamentals and basic concepts essential for jazz improvisation, and features performances with Satoshi Inoue on guitar. Songs include Big Blues and Whistle Stop. VOLUME 2 - second video is designed for intermediate to advanced guitarists. It introduces varous ideas and methods for practicing improvisation and self-expression, and features performances with Satshi Inoue on guitar. Songs include: Waltz New, Miro, and Seseragi. In VOLUME 3, the Jim Hall Quartet plays original tunes in varous styles, including swing, bossa nova, blues and calypso. Jim analyzes each composition and explains the role of the guitar in different ensemble formats. Features performances with Scott Colley (bass), Andy Watson (drums) and Rasmus Lee (tenor sax). Songs include: Why Not Dance, Joao, Mr. Blues, and Street Dance.
This [reissue] restores to circulation a strong Atlantic date from Art Farmer's immediate post-Jazztet period and features Farmer's quartet playing standards with swinging subtlety. Interaction, from 1963, is a vehicle for the intertwining improvisations of guitarist Jim Hall and Farmer, on flügelhorn, who weaves through and around Hall's sublimely understated lines with disarming ease, elegance, and sensitivity.
A magnificent follow up to the Undercurrent album from the team of Bill Evans and Jim Hall – and like that one, a set that features amazing interplay between piano and guitar! Hall's guitar has never sounded better – and in the airy company of Evans, it takes on many of the same qualities as on his famous late 50s recordings in the Jimmy Guiffre trio. Bill's work is great too – almost more tonally focused than before, with perfectly chosen notes that resonate beautifully in this very spare space. Titles include "Jazz Samba", "All Across The City", "Angel Face", and "Turn Out The Stars".