A must for fans of german pianist Joachim Kuhn and the fantastic acoustic bassist J.F. Jenny Clark. Recorded in '87 in Germany with fantastic sound quality and musicianship. Very improvisational and highly energetic yet lyrical. A little known gem - at least on this side of the pond.
Unlike the only published piano duet arrangement by Max Reger, which has serious performance limitations, Eleonor Bindman’s new transcription of the Brandenburg Concertos highlights their polyphony, imagining how Bach might have distributed the score if he had created four-part inventions for piano duet. With an equal partnership between the two instrumentalists, using the modern piano’s full potential to convey the unique scoring and character of each work, the concertos are ordered to create an engaging listening sequence. Both Eleonor Bindman and Jenny Lin receive critical accolades wherever they perform. The Poughkeepsie Journal write of Bindman: “…a strong pianist who attacks her work with great vitality and emotion. She is extremely expressive and mesmerizes her audience with her flair and technique.” Gramophone magazine hailed Lin as “an exceptionally sensitive pianist,” while The Washington Post labeled her as “…surely one of the most interesting pianists in America right now…”
Violinist Jenny Scheinman was a full-fledged Left Coaster before transplanting herself to the fertile artistic ground of Brooklyn, so it was only natural that she return to her former home turf to record her first CD as a leader at Oakland's venerable Yoshi's nightspot. On this debut release she seems to have emerged fully formed as a bandleader and compelling soloist. But given Scheinman's extensive experience preceding the September 1999 recording date, playing with everyone from Rova Saxophone Quartet to Charming Hostess, her skillfulness shouldn't be surprising.