Singer Jean Carne's career has had various incarnations, as well as a slight name change similar to Dionne Warwick's (adding an "e" to the end of her last name as Warwick did for a short time). Born Sarah Jean Perkins in Columbus, GA, she was raised in Atlanta. She began singing gospel music in the church choir at age four; she also took piano lessons and learned the clarinet and bassoon. Carne won a music scholarship to Morris Brown College and began her recording career in 1969 with her husband, keyboardist Doug Carn, on the Black Jazz label, where she was one of the last vocalists to work with jazz legend Duke Ellington before his death.
's lone effort reunites the singer with producer , whose mid-'70s dates for effectively launched her solo career. proves some distance removed from the jazz-funk context of their previous collaborations, however, instead couching 's potent vocals in a slickly commercial, radio-friendly setting that casts neither artist nor producer in a positive light.
My absolute favorite Black Jazz album was Infant Eyes, by pianist Doug Carn and his wife, Jean Carn. The record had a sensual, powerful feel. What made the album a hit were the soulful lyrics the Carns crafted for jazz standards such as Bobby Hutcherson's Little B's Poem, Wayne Shorter's Infant Eyes, John Coltrane's Acknowledgment from A Love Supreme, and Horace Silver's Peace. Doug's arrangements and Jean's searing, passionate vocals gave the album a distinctly 1970s African-American feel.
is one of the music industry's best kept secrets, she has been putting out some of the best jazz-R&B for years. If you are tired of today's female R&B singers ear-splitting histrionics, check out . On this CD she recorded some truly mind-blowing, ever-beautiful Quiet Storm-flavored gems: , , and her remake of the standard . If you like Jazz in all his genres, you will appreciate this release. The first half of the album is Smooth Jazz, the second half more classic Jazz. A nice mixture for those, loving both.
The Mastercuts series is a must for all the old Funkateers still wanting to remember what is was really like back in the 70s and early 80s.The real draw on this album for me was the 7.15 full version of You're Gonna Get Next To Me.
SoulMusic Records is very proud to present “Valentine Love – The Buddah/Arista Anthology,” a musically sumptuous 2-CD set by renowned musician and producer, the multi-talented Norman Connors.