Jazz Satellites

BBC - In Orbit: How Satellites Rule Our World (2012)  Video

Posted by Polik88 at March 27, 2012
BBC - In Orbit: How Satellites Rule Our World (2012)

BBC - In Orbit: How Satellites Rule Our World (2012)
PDTV | English | AVI/XVID 25 fps 1 527 kbps | 720x400 | AC3 128 Kbps 48 KHz | 58mn 59s | 702 MB
Genre: Documentary

They are constantly circling hundreds of miles above our heads, driving our daily lives - yet we barely give satellites a second thought.
Georgia Satellites - Let It Rock - Best Of The Georgia Satellites (1993)

Georgia Satellites - Let It Rock - Best Of The Georgia Satellites (1993)
Lossless | EAC Ape Cue Log | 515MB
MP3 | Lame 3.98 V2 Fast ~190-Kbps | 118MB
Rock / Southern Rock | HQ Covers included

If you are looking for high energy rock music, this is for you.
Erroll Garner - Serenade To Laura (1945-59) {Savoy Jazz SVY 17218 rel 2003}

Erroll Garner - Serenade To Laura (1945-59) {Savoy Jazz SVY 17218 rel 2003}
EAC rip (secure mode) | FLAC (tracks)+CUE+LOG -> 144 Mb | MP3 @320 -> 99 Mb
Full Artwork @ 300 dpi (jpg) -> 10 Mb | 5% repair rar
© 1945-59, 2003 Savoy Jazz / SLG | SVY 17218
Jazz / Bop / Piano

Bop wasn't supposed to be as accessible as the popular big-band jazz that preceded it, but it's albums like this that give the lie to such generalizations. Serenade to Laura contains some of the most inventive and yet beguiling jazz piano ever recorded, and has been seducing listeners for 60 years and counting. Erroll Garner cut the original 14 sides on this LP across almost four years, in trio sessions on both coasts, backed initially by John Levy on bass and George DeHart on drums; and later by John Simmons on bass and Alvin Stoller on drums.

Joe Holiday - Mambo Jazz (1991) {OJC}  Music

Posted by TestTickles at March 30, 2017
Joe Holiday - Mambo Jazz (1991) {OJC}

Joe Holiday - Mambo Jazz (1991) {OJC}
EAC Rip | FLAC with CUE and log | scans | 280 mb
MP3 CBR 320kbps | RAR | 158 mb
Genre: jazz

Mambo Jazz is a 1991 compilation CD by jazz great Joe Holiday. Released by Original Jazz Classics, it is a collection of four different projects he released in the 1950's, all remastered by Kirk Felton.
Massimo Farao Trio & Giampaolo Casati - Jazz Trumpet Vol. 1 & Vol. 2 (2017)

Massimo Farao Trio & Giampaolo Casati - Jazz Trumpet Vol. 1 & Vol. 2 (2017)
Jazz | MP3 CBR 320 kbps | 03:04:02 | 428 MB
Label: Playaudio | Release Year: 2017

Massimo Farao (16th March 1965 in Genoa) is an Italian jazz - pianist. Massimo Farao studied with Flavio Crivelli and worked with local formations; In 1983 he visited the United States, where he among other things, with the first Red Holloway and Albert 'Tootie' Heath played. In the 1990s he worked with Tony Scott, Adrian Mears, John Enders, Jesse Davis, Franco Ambrosetti, at its Enja -albumsGrazie Italia and Light Breeze he participated. He also played in the Nat Adderley Quintet at a European tour. In 1993 he took for Splasc (h) his debut album For Meon; his teammates included the trumpeter Flavio Boltro and bassist Dado Moroni. In 1995 the album Ciao Baby (on Monad).

Anne Paceo - Circles (2016) {Laborie Jazz}  Music

Posted by tiburon at March 29, 2017
Anne Paceo - Circles (2016) {Laborie Jazz}

Anne Paceo - Circles (2016) {Laborie Jazz}
EAC 1.3 | FLAC tracks level 8 | Cue+Log+M3U | Full Scans 300dpi | 295MB + 5% Recovery
Genre: Jazz, Vocal Jazz

No, Anne Pacéo is not a "jazz drummer" like the others. Nothing surprising then that her fourth album is also … different? With Circles, stylistic borders fade, received ideas crumble and creativity turbines at full throttle! Between songs and instrumental thrusts, telluric rhythms and libertarian breaths, these Circles unfold an organic groove, poetic and inspired. Solidly anchored in the current jazz scene but always eager for "other" collaborations, as was the case with Jeanne Added, Mélissa Laveaux and China Mose, Anne Paceo surrounded herself here with singer Leila Martial, saxophonist Emile Parisien and Tony Paeleman for keyboards. The drummer says it herself, this opus was designed differently. "Circles is the culmination of a long-term success over the last four years..

Caribbean Jazz Project - Mosaic (2006) {Concord}  Music

Posted by tiburon at March 29, 2017
Caribbean Jazz Project - Mosaic (2006) {Concord}

Caribbean Jazz Project - Mosaic (2006) {Concord}
EAC 0.95b3 | FLAC tracks level 8 | Cue+Log+M3U | Full Scans 300dpi | 394MB + 5% Recovery
Genre: Latin Jazz, Fusion

Working a bright, innovative corner of Latin jazz and drawing on Jamaican, Afro-Cuban, Venezuelan, and Peruvian rhythms to create a hybrid mosaic (as the title suggests), the loose, rotating collective that is the Caribbean Jazz Project manages to be many things at once, including a dance band with a hard bop sensibility, and at times the ensemble comes close to being a new age chillout orchestra. Whatever label they wear, CJP have a bright, infectious sound, led by vibraphonist Dave Samuels' bubbling and watery tones and, on three tracks here, the amazing talking steel drums of Andy Narell. Violinist Christian Howes guests on Samuels' "Slow Dance," giving it a wonderfully eerie and wheezing feel.
Arthur Blythe - Lenox Avenue Breakdown (1978) {Koch Jazz KOC-CD-7871 rel 1998}

Arthur Blythe - Lenox Avenue Breakdown (1978) {Koch Jazz KOC-CD-7871 rel 1998}
EAC rip (secure mode) | FLAC (tracks)+CUE+LOG -> 276 Mb | MP3 @320 -> 95 Mb
Full Artwork @ 300 dpi (jpg) -> 28 Mb | 5% repair rar
© 1978, 1998 Koch Jazz / Sony Music | KOC-CD-7871
Jazz / Contemporary Jazz / Post Bop / Avant-Garde Jazz / Saxophone

R.I.P. Arthur. In Memoriam. Given the urban title of alto saxophonist Arthur Blythe's debut Columbia album, it's quite a shock when he and his red-hot band of collaborators that include James Blood Ulmer on guitar, Bob Stewart on tuba, flutist James Newton, bassist Cecil McBee, and Jack DeJohnette open with the decidedly funky Latin breaks on "Down San Diego Way." It's not a vamp and it's not a misleading intro, the first of four tracks showcases not only the deep versatility of the rhythm section, but Blythe's own gift as both a composer and as a soloist. He states the melody, handing off the harmonics to Ulmer and Newton and then flies high into the face of its chosen changes, allowing the beat to change under him several times before bringing back a theme and letting Ulmer solo.
Eugen Cicero - Rokoko Jazz (1965/2015) [Official Digital Download 24/88]

Eugen Cicero - Rokoko Jazz (1965/2015)
FLAC (tracks) 24-bit/88,2 kHz | Time - 32:29 minutes | 608 MB
Studio Master, Official Digital Download | Artwork: Front cover

This 1965 production was at the time a sensation. It was one of the first records of SABA (later MPS) and they presented - unlike the Play Bach records of Jacques Loussier - jazz improvisations moderate and not just themes and variations thereof. This record hit the public taste so well that it sold over a million copies worldwide.
Sonny Stitt - Stitt Goes Latin (1963) {2011 Roost Japan Jazz Masterpiece Best & More 999 Series TOCJ-50190}

Sonny Stitt - Stitt Goes Latin (1963) {2011 Roost Japan Jazz Masterpiece Best & More 999 Series TOCJ-50190}
EAC rip (secure mode) | FLAC (tracks)+CUE+LOG -> 245 Mb | MP3 @320 -> 93 Mb
Full Artwork @ 600 dpi (jpg) -> 73 Mb | 5% repair rar | 24bit remaster
© 1963, 2011 Roost / EMI Music Japan | TOCJ-50190 | Jazz Masterpiece Best & More 999 Series
Jazz / Bop / Soul Jazz / Saxophone

Sonny Stitt goes Latin – and the results are tremendous! The set's still got all the soulful feel of the best Stitt sessions for Roost, but it brings in some nice Latin rhythms too – inflecting things with that blend of soul jazz and congas you might find over at Prestige or Blue Note, yet also taking things further, too – given the Roost/Roulette connection to the New York Latin scene! Sonny plays both alto and tenor, and gets jazzy accompaniment from Thad Jones on trumpet – but the rhythm section is the real charmer here – and features a young Chick Corea on piano, Larry Gales on bass, and the trio of Willie Bobo, Patato Valdes, and Chihuaua Martinez on percussion! Most tunes are originals – a great change from the usual Latinized standards you might find on a set like this – and Stitt's got this nicely exotic tone in his reeds which is a further highlight of the record – almost a Yusef Lateef inflection at points.