Jazz Colors

Ueberschall Jazz Colors Elastik SoundBank  Software

Posted by Artist14 at Oct. 3, 2012
Ueberschall Jazz Colors Elastik SoundBank

Ueberschall Jazz Colors Elastik SoundBank | 2.11 GB

Ueberschall presents a huge color spectrum of Jazz in this one sample library. Including Swing, Bebop, Hardbop, LatinJazz, SmoothJazz, Fusion and BalladJazz. The focus lays on the modern Jazz music but is strongly influenced by great musicians such as Miles Davis, John Coltrane, Duke Ellington, Herbie Hancock, George Benson and many more. This production brings the authentic Jazz-Touch in every project.

VA - The Colors Of Latin Jazz: Corcovado (1999)  Music

Posted by TmanHome at Feb. 10, 2017
VA - The Colors Of Latin Jazz: Corcovado (1999)

VA - The Colors Of Latin Jazz: Corcovado (1999)
Jazz, Bossa Nova | MP3 320 kbps CBR | 62 min | 149 MB
Label: Concord Records | Rel:1999

Not many artists have immersed themselves in quite the cultural combination that Concord Special Products has assembled for the Colors of Latin Jazz series. This six-CD series captures the sweet, hot, happy, and rhythmic joys of Latin jazz. Colors of Latin Jazz: Corcovado! is the perfect culmination for the initial offerings of this splendid and exciting series. The perfect nightcap is the sweet voice of Karrin Allyson originally heard on Daydream and here on "Corcovado." She's as soft as the tear of a raindrop. Her serene essence is heard again in Portuguese singing Caetano Veloso's "Coracao Vagabundo," a soft bossa nova originally issued on From Paris to Rio.

Jazz :: Norah Jones, “Feels Like Home” (2004)  Music

Posted by isp4 at Oct. 8, 2005
Like the first album, Jones imbues the music on Feels Like Home with country, pop and jazz colors. Unlike the quiet, balladic mood of Come Away With Me (which she once characterized as “mellow”), Jones varied the tempo on the new album to reflect the evolution of her live performances. “I’m very proud of my first record, but I was ready for something a little different,” she says, then jokes, “This time it’s not quite as mellow. But it’s still pretty low-key.”




Norah Jones
Feels Like Home
2004


Full Size: 85,2 MB (89 421 635 bytes)
Bit Rate: 256 kb/s
Duration: 00:46:29

Pete Bardens - Water Colors (1991)  Music

Posted by Andi_Deris at Oct. 9, 2017
Pete Bardens - Water Colors (1991)

Pete Bardens - Water Colors (1991)
XLD Rip | FLAC: Tracks+Cue+Log | 293 Mb | MP3 CBR 320 kbps | 102 Mb | Scans | Time: 42:19
Miramar | MPCD 4001
New Age, Progressive Electronic

Electronic music often gets a bad rap for being overblown, less than pure, and contrived. But keyboardist Bardens makes it clear that, if textured correctly, electro tunes and rhythms can make for some engaging pop music. Water Colors is part rock & roll, part spacey and meditative, and always engaging and melodic, even on the vocal tunes. He emblazons his synth base with everything from acoustic piano to electric guitar and percussion, and succeeds in crossing the boundaries into the pop jazz realm once or twice. A few of the tunes carry a repetitive melody a little too far, a few moments meander into the stratosphere, but otherwise this collection makes for a unique listen which gives a good name to its classification as plugged in new age.

Tom Harrell - Colors Of A Dream (2013) {HighNote}  Music

Posted by tiburon at Sept. 28, 2014
Tom Harrell - Colors Of A Dream (2013) {HighNote}

Tom Harrell - Colors Of A Dream (2013) {HighNote}
EAC 1.0b3 | FLAC tracks level 8 | Cue+Log+M3U | Full Scans 300dpi | 431MB + 5% Recovery
MP3 CBR 320 Kbps | 173MB + 5% Recovery
Genre: Jazz, Post-Bop

Colors of a Dream is the sixth HighNote Records album by trumpeter-composer Tom Harrell, featuring two basses played by Ugonna Okegwo and Esperanza Spalding, with the latter doubling on vocal, Jaleel Shaw on alto saxophone, Wayne Escoffery on tenor saxophone, and Johnathan Blake on drums. According to JazzTimes, this album deviates from Harrell's previous works. The use of piano is absent, and the three horns often play in block-chord formation. There are hints of Latin jazz, R&B and indie-rock. According to the review, "Colors of a Dream may deviate, but it never disappoints."
Tom Harrel / Jacky Terrasson - Moon And Sand (1995) {Jazz Aux Remparts}

Tom Harrel / Jacky Terrasson - Moon And Sand (1995) {Jazz Aux Remparts}
EAC 1.3 | FLAC tracks level 8 | Cue+Log+M3U | Full Scans 100dpi | 264MB + 5% Recovery
MP3 CBR 320 Kbps | 154MB + 5% Recovery
Genre: Straight-Ahead Jazz, Post-Bop

Il ne suffit pas d’être deux pour faire une rencontre. En amour même, cela contrarie souvent l’esprit de la rencontre. Cette "séance" est jouée jusqu’au bout. La musique s’y pose comme un oiseau de paradis sur la queue du piano. Moon and Sand, qui donne son titre à l’album, a cette grâce d’incertitude, cette fragilité, la démarche intimidée et souple qui en font le charme. Les premières notes de Tom Harrell, son entrée en jeu, sont un des moments d’émotion de la vie. C’est la musique même, son affirmation sans roulement…
Ken Peplowski Gypsy Jazz Band - Gypsy Lament (2008) [Japan 2015] SACD ISO + Hi-Res FLAC

Ken Peplowski Gypsy Jazz Band - Gypsy Lament (2008) [Japan 2015]
SACD Rip | SACD ISO | DSD64 2.0 > 1-bit/2.8224 MHz | 59:25 minutes | Front/Rear Covers | 1,9 GB
or FLAC(converted with foobar2000 to tracks) 24bit/88,2 kHz | Front/Rear Covers | 1,28 GB

Artie Shaw - The Jazz Collector Edition (1990)  Music

Posted by Domestos at Oct. 17, 2017
Artie Shaw - The Jazz Collector Edition (1990)

Artie Shaw - The Jazz Collector Edition (1990)
EAC Rip | FLAC (tracks+.cue, log) ~ 235.99 Mb | 48:48 | Scans included
Swing, Big Band | Country: USA | Label: LaserLight Digital (Delta Music GmbH) (15 713)

Artie Shaw (born Arthur Jacob Arshawsky; May 23, 1910 – December 30, 2004) was an American clarinetist, composer, bandleader, and actor. Also an author, Shaw wrote both fiction and non-fiction. Widely regarded as "one of jazz's finest clarinetists," Shaw led one of the United States' most popular big bands in the late 1930s through the early 1940s. Though he had numerous hit records, he was perhaps best known for his 1938 recording of Cole Porter's "Begin the Beguine." Prior to the release of "Beguine," Shaw and his fledgling band had languished in relative obscurity for over two years and, after its release, he became a major pop artist within short order. The record eventually became one of the era's defining recordings. Musically restless, Shaw was also an early proponent of what became known much later as Third Stream music, which blended elements of classical and jazz forms and traditions. His music influenced other musicians, such as John Barry in England, with the vamp of the James Bond Theme, possibly influenced by "Nightmare," which also has a similar vamp to Kurt Weill's "Lonely House."
Paul Desmond - Pure Desmond (1974) {CTI Masterworks Jazz 88697 80378 2 rel 2011}

Paul Desmond - Pure Desmond (1974) {CTI Masterworks Jazz 88697 80378 2 rel 2011}
EAC rip (secure mode) | FLAC (tracks)+CUE+LOG -> 304 Mb | MP3 @320 -> 138 Mb
Full Artwork @ 300 dpi (jpg) -> 13 Mb | 5% repair rar
© 1974, 2011 CTI / Sony Music / Masterworks Jazz | 88697 80378 2
Jazz / Cool / Mainstream Jazz / Saxophone

With the Skylark "experiment" behind him, Paul Desmond reverted back to the relaxed quartet format that suited him well in the past. The reason? Through Jim Hall, he found a little-known, splendid guitarist in Toronto named Ed Bickert who became his new gigmate in 1974, and this album was meant to show his discovery off. In fact, it sparked a Desmond renaissance where he regained a good deal of the witty spark and erudite cool of his collaborations with Hall, no matter how unfashionable it was to play this way in 1974.
The Duke Pearson Nonet - Honeybuns (1965) {2012 Japan Jazz Best Collection 1000 Series 24bit WPCR-27121}

The Duke Pearson Nonet - Honeybuns (1965) {2012 Japan Jazz Best Collection 1000 Series 24bit WPCR-27121}
EAC rip (secure mode) | FLAC (tracks)+CUE+LOG -> 191 Mb | MP3 @320 -> 72 Mb
Full Artwork @ 300 dpi (jpg) -> 18 Mb | 5% repair rar | 24bit remaster
© 1965, 2012 Warner Japan / Atlantic / Rhino | WPCR-27121 | Jazz Best Collection 1000 Series
Jazz / Hard Bop / Post Bop / Piano

Features 24 bit digital remastering. Comes with a description. Other than "Our Love" (a familiar classical theme adapted to American pop music by Larry Clinton), all six selections are originals by the pianist. Utilizing a nonet that includes trumpeter Johnny Coles (who does his best to be soulful on "Honeybuns"), trombonist Garnett Brown, flutist Les Spann, altoist James Spaulding, tenor saxophonist George Coleman, baritonist Pepper Adams, bassist Bob Cranshaw, and drummer Mickey Roker, Pearson performs music in a style that would have fit in quite well on Blue Note. Most memorable among his originals is "Is That So." This is not an essential date, but it is nice to have this rarity back in print again.