|“||Like the first album, Jones imbues the music on Feels Like Home with country, pop and jazz colors. Unlike the quiet, balladic mood of Come Away With Me (which she once characterized as “mellow”), Jones varied the tempo on the new album to reflect the evolution of her live performances. “I’m very proud of my first record, but I was ready for something a little different,” she says, then jokes, “This time it’s not quite as mellow. But it’s still pretty low-key.”||”|
This meeting of the minds and bands of Afro-funk creator Fela Anikulapo-Kuti and American vibist and R&B/jazz innovator Roy Ayers is a collaboration that shouldn't work on the surface. Fela's music was raw, in your face politically and socially, and musically driven by the same spirit as James Brown's JBs. At the time of this recording in 1979, Ayers had moved out of jazz entirely and become an R&B superstar firmly entrenched in the disco world. Ayers' social concerns – on record – were primarily cosmological in nature. So how did these guys pull off one of the most badass jam gigs of all time, with one track led by each man and each taking a full side of a vinyl album? On hand were Fela's 14-piece orchestra and an outrageous chorus made up of seven of his wives and five male voices.
This CD reissues a rather unusual James Moody date. Best known for his tenor and alto playing (although he is also recognized as a talented flutist), Moody is here heard exclusively on soprano and flute. Trombonist Tom McIntosh contributed a tune and arranged all eight pieces (which also include four Moody originals). Five of the numbers feature Moody in a nonet, including an emotional "Old Folks" and an advanced reworking of Duke Ellington's "Main Step."
A lot of people first became aware of French pianist Michel Petrucciani through his work with Charles Lloyd in the early '80s. Standing barely three feet tall, he lived with complications from glass-bone disease, a painful, genetically transmitted condition known to medical science as osteogenesis imperfecta.
Reissue with the latest remastering and the original cover artwork. Comes with a description written in Japanese. Finland's premier saxophonist Koivistoinen ventured to New York City for this CD and employed some of the finest jazz players, including trombonist Conrad Herwig, trumpeter Randy Brecker, pianist David Kikoski, bassist Ron McClure, drummer Jack DeJohnette, and guitarist John Scofield (on four cuts). Bugge Wesseltoft plays rather innocent, unobtrusive sythesizer on three other pieces. The horn charts are smartly arranged by the tenor and soprano saxophonist, and played to perfection. The music is contemporary, bop-based, modernistic, and well-swung by DeJohnette's personalized chatty signature rhythms.
SHM-CD reissue. Comes with a mini-description. Features new remastering if it comes from Parlophone. Sublime guitar work from the great Johnny Smith – a musician who was years ahead of his time, and influenced a generation with his clean, clear tone on the instrument! Smith's in a perfect setting here – a Roost label quartet date that includes Bob Pancost on piano, George Roumanis on bass, and Mousie Alexander on drums – a very understated group that really lets Johnny's wonderful tones and colors stand strongly out front! Titles include "0500 Blues", "Old Girl", "Tired Blood", "Un Poco Loco", and "More Bass". Great CD version – one of the few proper issues of this material!