|“||Like the first album, Jones imbues the music on Feels Like Home with country, pop and jazz colors. Unlike the quiet, balladic mood of Come Away With Me (which she once characterized as “mellow”), Jones varied the tempo on the new album to reflect the evolution of her live performances. “I’m very proud of my first record, but I was ready for something a little different,” she says, then jokes, “This time it’s not quite as mellow. But it’s still pretty low-key.”||”|
As if keyboardist/pianist/producer/composer Brian Culbertson hasn’t already done enough to cement himself in the hearts, minds, and souls of more fans than I even care to estimate, the music wiz goes a step further with his latest release, which is dedicated to his wife Michelle with whom he’s just celebrated two decades of marriage. The album, released on Valentine’s Day, appropriately is entitled Colors of Love and features some of the sweetest soul-stirring acoustic melodies you could ever imagine. Mind you, while his piano lines are acoustic, he still offers his usual heavy and powerful trademark funk (albeit in a slower or more mid-tempo cadence), turning to synth bass, Fender Rhodes, Wurlitzer, Hammond B3 organ, drum programming, and more. So, you get the best of both BC worlds here.
The three albums tenorman Bill Barron made as a leader for Savoy Records in early 60s embody every facet of this accomplished jazzman as a talented soloist, composer and arranger. And, despite the similarities in their harmonic ideas, Barron was not a slavish disciple of John Coltrane.
Praise 4 Joe: tribute to Joe Henderson. Luca Mannutza and Max Ionata retrace the musical story of the great American saxophonist, who died in 2001, in the dry form of the duo, through the famous compositions of Joe Henderson and the mature and personal interpretation of the two musicians. The dimension of the duo leads to reasoning on the structures of the pieces and on the absences: giving the right place to all the elements that make up the writing and the execution. Interpreting in duo the songbook of a composer, of an important musician, becomes a further challenge, in making ends meet the needs of a concert, a recording, a performance.