Jazz Changes

Jazz Changes by Martin Williams  eBooks & eLearning

Posted by thingska at Jan. 21, 2015
Jazz Changes by Martin Williams

Jazz Changes by Martin Williams
English | May 20, 1993 | ISBN: 0195083490, 019505847X | 336 pages | PDF | 12,1 MB
Lennie Tristano Quintet - Live In Toronto 1952 (1989) {Jazz Records JR-5CD}

Lennie Tristano Quintet - Live In Toronto 1952 (1989) {Jazz Records JR-5CD}
EAC rip (secure mode) | FLAC (tracks)+CUE+LOG -> 274 Mb | MP3 @320 -> 111 Mb
Full Artwork @ 600 dpi (png) -> 58 Mb | 5% repair rar
© 1952, 1989 Jazz Records | JR-5CD
Jazz / Bop / Cool / Piano / Saxophone

By 1952, pianist Lennie Tristano was starting to withdraw from public performances, spending most of his time teaching. This formerly unknown recording matches him with four of his best students: altoist Lee Konitz, tenor-saxophonist Warne Marsh, bassist Peter Ind and drummer Al Levitt. Together they explore six common chord changes, five of them given new titles. Although not essential, this music is quite enjoyable and a good example of Lennie Tristano's unique approach to jazz improvisation.

Perrine Mansuy - Rainbow Shell (2015) {Laborie Jazz}  Music

Posted by tiburon at Nov. 29, 2017
Perrine Mansuy - Rainbow Shell (2015) {Laborie Jazz}

Perrine Mansuy - Rainbow Shell (2015) {Laborie Jazz}
EAC 1.1 | FLAC tracks level 8 | Cue+Log+M3U | Full Scans 300dpi | 278MB + 5% Recovery
Genre: Jazz, Post-Bop

Du jazz autrement. C’est ce que fait la pianiste Perrine Mansuy pour que l’espace se crée et l’atmosphère s’amplifie. Dans son jeu, ses mélodies et ses échanges avec ses partenaires musiciens, elle se pose ou saute, caresse ou gifle. Avec le bigarré Rainbow Shell, Perrine Mansuy s'engage sur la voie d’une sorte de pop rêveuse. Un rêve qui serait évidemment éveillé. Zébrée des guitares blues et des samples de Rémy Decrouy, soutenue par les percussions de son autre compagnon de route, Jean-Luc Difraya, et l’arrivée du violoncelliste Eric Longsworth qui colore l’ensemble de nuances nouvelles, sa musique romanesque est inspirée des poèmes de Katherine Mansfield. Le chanteur Mathis Haug prête également sa voix à ces instants de vie fugitifs, ces plages de rêve orchestrées par un piano. Au cœur de cet album créatif à souhait, le jeu de Perrine Mansuy est un vrai diadème.

Nordjazz Quintet - Jazz-Liisa 14 (2017)  Music

Posted by SERTiL at Nov. 22, 2017
Nordjazz Quintet - Jazz-Liisa 14 (2017)

Nordjazz Quintet - Jazz-Liisa 14
Jazz | WEB FLAC (tracks) & front cover | 40:09 min | 237 MB
Label: Svart Records | Tracks: 03 | Rls.date: 2017

The Nordjazz Quintet was formed in 1974, with the help of a grant by the Nordic Music Committee NOMUS. One musician from each of the Nordic countries was selected to the group. Before the five musicians got together, they brought their own groups to the Molde Jazz Festival in Norway. Some months later the quintet met and rehearsed in Copenhagen. They also recorded the album Nordjazz (Storyville Records 1975).
Miles Davis Quintet - Freedom Jazz Dance: The Bootleg Series, Vol. 5 (2016) {3CD Set Columbia-Legacy 88985357372 rec 1966-68}

Miles Davis Quintet - Freedom Jazz Dance: The Bootleg Series, Vol. 5 (2016) {3CD Set Columbia-Legacy 88985357372 rec 1966-68}
EAC rip (secure mode) | FLAC (tracks)+CUE+LOG -> 1.05 Gb | MP3 @320 -> 458 Mb
Full Artwork @ 600 dpi (png) -> 958 Mb | 5% repair rar
© 1966-68, 2016 Columbia / Legacy / Sony Music | 88985357372
Jazz / Hard Bop / Modal Music / Trumpet

A 3CD box set collection chronicling Miles’ musical evolution in the studio from 1966-1968 working with his “second great quintet,” the latest edition in Columbia/Legacy’s acclaimed Miles Davis Bootleg Series provides an unprecedented look into the artist’s creative process, drawing on full session reels including all rehearsals, partial and alternate takes, extensive and fascinating studio conversation and more. Celebrating the 50th anniversary of Miles Smiles, the groundbreaking second studio album from the Miles Davis Quintet–Miles Davis (trumpet), Wayne Shorter (tenor saxophone), Herbie Hancock (piano), Ron Carter (bass) and Tony Williams (drums)–this definitive new collection includes the master takes of performances which would appear on the Miles Smiles (1967), Nefertiti (1968) and Water Babies (recorded 1967, released 1976) albums alongside more than two hours worth of previously unreleased studio recordings from original sessions produced by Teo Macero (with the exception of “Fall,” produced by Howard A. Roberts).
VA - The World's Greatest Jazz Collection: Swing Time (2008) (100 CDs Box Set)

VA - The World's Greatest Jazz Collection: Swing Time (2008) (100 CDs Box Set)
EAC Rip | FLAC (Image+.cue, log) | 100 CDs, 110:00:28 min | 25,9 Gb | Covers -> 8 mb
Genre: Jazz, Classic Jazz, Swing / Label: Membran

100 CDs provide you with the most exciting, most beautiful and most swinging recordings from this period. All-Star Swing groups with their most famous recordings. Mit Henry Allen, Roy Eldrige, Ben Webster, Coleman Hawkins, Lester Young, Johnny Hodges, Benny Carter, Fats Waller, Art Tatum, Benny Goodman, Lionel Hampton, Red Norvo, Teddy Wilson, Buck Clayton, Django Reinhardt, Jack Teagarden, Rex Stewart, Chu Berry, Charlie Christian, Louis Armstrong u.a. 100-CD-Box with original recordings.
VA - The World's Greatest Jazz Collection: Classic Jazz (2008) (100 CDs Box Set)

VA - The World's Greatest Jazz Collection: Classic Jazz (2008) (100 CDs Box Set)
EAC Rip | FLAC (Image+.cue, log) | 100 CDs, 114:43:33 min | 24,4 Gb | Covers -> 3,4 mb
Genre: Jazz / Label: Membran

Amazing 100 CD Set of containing a plethora of Classic Jazz tunes. New Orleans was the starting point of the collective improvisation. The Jazz for which the city on the Mississippi Delta was to become so famous for developed at the beginning of the 20th century.
Charles Mingus - Changes Two (1975/2011) [Official Digital Download 24-bit/192kHz]

Charles Mingus - Changes Two (1975/2011)
FLAC (tracks) 24-bit/192 kHz | Time - 43:05 minutes | 1,67 GB
Studio Master, Official Digital Download | Artwork: Front cover

Innovative jazz composer and bassist Charles Mingus’ 1975 release, Changes Two is a refreshing blend of free jazz, bebop and gospel stylings. Mingus’ trademark horn arrangements and stunning melodies are highlighted through this diverse, intriguing and complex repertoire. Included on the album is the cinematic remake of his classic “Orange was the Color of Her Dress, Then Blue Silk,” a vocal rendition of “Duke Ellington’s Sound of Love” featuring Jackie Paris and the colorful “Free Cell Block F, ‘Tis Nazi U.S.A.” This mind-blowing hi-res download is the only way to experience one of jazz’s most legendary players.

The Dave Brubeck Quartet - Time Changes (1964) {Columbia}  Music

Posted by tiburon at Oct. 11, 2017
The Dave Brubeck Quartet - Time Changes (1964) {Columbia}

The Dave Brubeck Quartet - Time Changes (1964) {Columbia}
EAC 0.99pb4 | FLAC tracks level 6 | Cue+Log+M3U | Full Scans 300dpi | 262MB + 5% Recovery
MP3 CBR 320 Kbps | 102MB + 5% Recovery
Genre: Hard Bop, Cool

For this entry in Dave Brubeck's series of Time albums, his Quartet with altoist Paul Desmond performs "Elementals" with an orchestra and plays five briefer originals including four that have unusual time signatures; "World's Fair" is in 13/4 time.
Charles Lloyd - Soundtrack (1968) {2012 Japan Jazz Best Collection 1000 Series 24bit WPCR-27158}

Charles Lloyd - Soundtrack (1968) {2012 Japan Jazz Best Collection 1000 Series 24bit WPCR-27158}
EAC rip (secure mode) | FLAC (tracks)+CUE+LOG -> 187 Mb | MP3 @320 -> 94 Mb
Full Artwork @ 300 dpi (jpg) -> 17 Mb | 5% repair rar | 24bit remaster
© 1968, 2012 Warner Japan / Atlantic / Rhino | WPCR-27158 | Jazz Best Collection 1000 Series
Jazz / Hard Bop / Modal Music / Saxophone

Features 24 bit digital remastering. Comes with a description. Late in 1967, bassist Cecil McBee left Charles Lloyd's band and was replaced by Ron McClure. The jazz critics and public alike all held their breaths, since Lloyd's band had taken the entire world by storm on the festival circuit; playing Town Hall would surely be an acid test not only of McClure's ability to fill such a big space, but the band's as well – to see if the fire would continue to burn as it had previously. They needn't have worried. The gig, which is presented here as Soundtrack, stomps with all the fury of a live gospel choir trying to claim Saturday night for God instead of the other guy.