The JamPlay Artist Series features lessons taught by progressive guitarists from all styles of music. These lessons focus on each artist's particular style, and are taught by either the artist himself(found under "Artists"), or a qualified instructor familiar with that artist's playing style ("In The Style Of").
Across the entire history of music, there are very few guitar players who we can point to as true innovators of a new style or technique of guitar. Not just truly gifted players, (so many of those!) but players who singlehandedly crafted an entirely new and fresh approach to the instrument, which in turn greatly influenced future generations of players. TrueFire’s Play in the Style series focuses on the unique stylings, techniques and creative approaches of these highly influential guitarists.
This excellent DVD will show you how to nail seven great songs by this influential jazz/rock band! (And maybe your date!) Learn each song and play along with guitar jam tracks. Tom Quayle is a well respected guitarist and teacher whose influences include Greg Howe, Wayne Krantz, Tim Miller and Brett Garsed. He is a regular contributor to iGuitar digital magazine, view issues at iguitarmag.com. His blistering technique has been applauded by guitar legends such as Brett Garsed, and John Petrucci.
Learn to play blues licks you can use and jam with Stuart Bull. This superb DVD includes tutorials for soloing, rhythm patterns and licks on DVD, plus 10 blues jam tracks on CD in a range of keys and styles from SRV to Gary Moore. Suitable for beginners, intermediate or advanced players!
Learn five Free tracks note for note with Michael Casswell This superb guitar tuition DVD teaches you some of Paul Kossoffs best riffs and solos from his time with one of the greatest British rock acts! Tracks include: Fire And Water Mr Big All Right Now The Hunter Wishing Well Michael Casswell is a highly sought after freelance guitarist and producer. He has played and toured with many well known bands and artists as diverse as Brian May, Cozy Powell and Ronan Keating to name just a few. His playing can be heard on numerous film and TV soundtracks
This Soul Jam release presents one of Hooker's most difficult to find albums on CD, the eponymous John Lee Hooker. It was originally released in 1962 by the Fantasy Records' subsidiary Galaxy label. The album includes a selection of hard-to-find recordings taped with his electric guitar during different sessions in the 1950s, all of them produced by Bernard Besman, the man who helped define Hooker's recorded sound, which has often relied upon heavy walking beats, boogies, and an eerie atmosphere. In addition to the original masterpiece, this remastered collector's edition also contains 8 bonus tracks from the same period.
Thanks to its stripped-down, lean production, Vitalogy stands as Pearl Jam's most original and uncompromising album. While it isn't a concept album, Vitalogy sounds like one. Death and despair shroud the album, rendering even the explosive celebration of vinyl "Spin the Black Circle" somewhat muted. But that black cloud works to Pearl Jam's advantage, injecting a nervous tension to brittle rockers like "Last Exit" and "Not for You," and especially introspective ballads like "Corduroy" and "Better Man." In between the straight rock numbers and the searching slow songs, Pearl Jam contribute their strangest music – the mantrafunk of "Aye Davanita," the sub-Tom Waits accordion romp of "Bugs," and the chilling sonic collage "Hey Foxymophandlemama, That's Me." Pearl Jam are at their best when they're fighting, whether it's Ticketmaster, fame, or their own personal demons.
Vs. is the second studio album by the American rock band Pearl Jam, released on October 19, 1993 through Epic Records. After a relentless touring schedule in support of their 1991 debut album Ten, Pearl Jam headed into the studio in early 1993 facing the challenge of following up the commercial success of its debut. The resulting album, Vs., featured a rawer and more aggressive sound compared with the band's previous release. It was the band's first collaboration with producer Brendan O'Brien, and their first album with drummer Dave Abbruzzese. Vs. occupied the number one spot on the Billboard 200 chart for five weeks, the longest duration for a Pearl Jam album. The album has been certified seven times platinum by the RIAA in the United States.
Nirvana's Nevermind may have been the album that broke grunge and alternative rock into the mainstream, but there's no underestimating the role that Pearl Jam's Ten played in keeping them there. Nirvana's appeal may have been huge, but it wasn't universal; rock radio still viewed them as too raw and punky, and some hard rock fans dismissed them as weird misfits. In retrospect, it's easy to see why Pearl Jam clicked with a mass audience – they weren't as metallic as Alice in Chains or Soundgarden, and of Seattle's Big Four, their sound owed the greatest debt to classic rock. With its intricately arranged guitar textures and expansive harmonic vocabulary, Ten especially recalled Jimi Hendrix and Led Zeppelin. But those touchstones might not have been immediately apparent, since – aside from Mike McCready's Clapton/Hendrix-style leads – every trace of blues influence has been completely stripped from the band's sound. Though they rock hard, Pearl Jam is too anti-star to swagger, too self-aware to puncture the album's air of gravity.