Jackson 24bit

The Modern Jazz Quartet - Concert In Japan Vol.1 (1966) {2013 Japan Jazz Best Collection 1000 Series 24bit Remaster WPCR-27454}

The Modern Jazz Quartet - Concert In Japan Vol.1 (1966) {2013 Japan Jazz Best Collection 1000 Series 24bit Remaster WPCR-27454}
EAC rip (secure mode) | FLAC (tracks)+CUE+LOG -> 256 Mb | MP3 @320 -> 98 Mb
Full Artwork @ 600 dpi (png) -> 93 Mb | 5% repair rar | 24-bit remaster
© 1966, 2013 Atlantic / Warner Japan / Rhino | WPCR-27454 | Jazz Best Collection 1000 Series
Jazz / Cool / Third Stream

Features 24 bit digital remastering. An excellent Japanese performance from the Modern Jazz Quartet – and a set that was issued in a bit of a lull during their 60s American years for Atlantic Records – which makes it even more important as a key part of their catalog at the time! The 1966 date has the combo in fine form – and almost stepping out with a bit of added soulfulness, in ways that echo some of the styles that Milt Jackson was exploring on his own at the time, and which seem to be brought back to the group! Milt's vibes are wonderful – ringing out with a great sense of pride and presence that may well go beyond earlier MJQ material.
Milt Jackson - Sunflower (1972/2014) [Official Digital Download 24bit/192kHz] RE-UP

Milt Jackson - Sunflower (1972/2014)
FLAC (tracks) 24 bit/192 kHz | Time - 34:28 minutes | 1,32 GB
Studio Master, Official Digital Download | Artwork: Front cover

Milton "Bags" Jackson was an American jazz vibraphonist, usually thought of as a bebop player, although he performed in several jazz idioms. He is one of the most acclaimed improvisational blues instrumentalists of all time and was a founding member of the legendary Modern Jazz Quartet. Milt Jackson was voted by Down Beat s readers into its Jazz Hall of Fame in 1999.
Miles Davis and Milt Jackson - Quintet / Sextet (1956/2016) [Official Digital Download 24bit/192kHz]

Miles Davis and Milt Jackson - Quintet / Sextet (1956/2016)
FLAC (tracks) 24 bit/192 kHz | Time - 31:01 minutes | 781 MB
Studio Master, Official Digital Download | Artwork: Digital booklet

This 1956 release features Miles Davis backed by an all-star group including vibraphonist Milt Jackson who shares co-billing, Jackie McLean on alto saxophone on his two original contributions, pianist Ray Bryant, bassist Percy Heath and drummer Art Taylor. In addition to McLean's two songs, the rest of the programme contains Ray Bryant's Changes and Bitty Ditty, written by Thad Jones.
Jackson Browne - For Everyman (1973) Asylum Records/SD 5067 - US Pressing - LP/FLAC In 24bit/96kHz - NEW 2017 RIP!

Jackson Browne – For Everyman
Vinyl | LP Cover (1:1) | FLAC + cue | 24bit/96kHz & 16bit/44kHz | 800mb & 200mb
Mastered At The Mastering Lab
Label: Asylum Records/SD 5067 | Release: 1973 | This Issue: 1975 | Genre: Country-Rock

Jackson Browne faced the nearly insurmountable task of following a masterpiece in making his second album. Having cherry-picked years of songwriting the first time around, he turned to some of his secondary older material, which was still better than most people’s best and, ironically, more accessible — notably such songs as “These Days,” which had been covered six times already, dating back to Nico’s Chelsea Girl album in 1967, and “Take It Easy,” a co-composition with the Eagles’ Glenn Frey that had been a Top 40 hit for the group in 1972.
Stanley Turrentine with Milt Jackson - Cherry (1972/2013) [Official Digital Download 24bit/192kHz]

Stanley Turrentine with Milt Jackson - Cherry (1972/2013)
FLAC (tracks) 24 bit/192 kHz | Time - 38:03 minutes | 1,48 GB
Studio Master, Official Digital Download | Artwork: Front cover

Cherry is a 1972 album by saxophonist Stanley Turrentine featuring Milt Jackson, released in Septenber 1972 via CTI label. AllMusic review says: "Lush, wonderful playing despite very uneven material".
James Taylor - Sweet Baby James (1970/2013) [Official Digital Download 24bit/192kHz] RE-UP

James Taylor - Sweet Baby James (1970/2013)
FLAC (tracks) 24 bit/192 kHz | Time - 31:51 minutes | 1,15 GB
Studio Master, Official Digital Download | Artwork: Front cover

"Sweet Baby James" is the singer-songwriter’s sophomore classic and first for Warner Bros. Records. The album was responsible for Taylor’s rise to stardom. It showcased his immense talents and features the hit single, “Fire And Rain,” which reached #3 on the Billboard Hot 100. Sweet Baby James reached #3 on the Billboard 200 and was nominated for Album of the Year at the 1971 GRAMMY® Awards. It is included on Rolling Stone’s “500 Greatest Albums of All Time” and VH1’s “Greatest Albums of All Time.” Sweet Baby James is one of the most influential albums of the singer-songwriter genre.
Shirley Scott - Something (1970) {2013 Japan Jazz Best Collection 1000 Series 24bit WPCR-27335}

Shirley Scott - Something (1970) {2013 Japan Jazz Best Collection 1000 Series 24bit WPCR-27335}
EAC rip (secure mode) | FLAC (tracks)+CUE+LOG -> 171 Mb | MP3 @320 -> 65 Mb
Full Artwork @ 600 dpi (png) -> 101 Mb | 5% repair rar | 24bit remaster
© 1970, 2013 Atlantic / Rhino / Warner Japan / WEA | WPCR-27335 | Jazz Best Collection 1000 Series
Jazz / Soul Jazz / Hard Bop / Organ

Features 24 bit remastering and comes with a mini-description. Something is an album by organist Shirley Scott recorded in 1970 and released on the Atlantic label. It includes instrumental covers of several contemporary hits from artists such as the Beatles and the Jackson 5, along with the original song "Messie Bessie".
VA - The World's Greatest Audiophile Vocal Recordings (2006) [Official Digital Download 24bit/96kHz]

VA - The World's Greatest Audiophile Vocal Recordings (2006)
FLAC (tracks) 24 bit/96 kHz | Time - 46:15 minutes | 913 MB
Studio Master, Official Digital Download | Artwork: Digital booklet

A collection of performances titled the World's Greatest Audiophile Vocal Recordings - New York Time by Christian McBride, Javon Jackson, Jimmy Cobb and Cedar Walton and Traffic by Larry Coryell, Lenny White and Victor Bailey - in music stores and web sites that carry Jazz and Vocal music titles. Chesky Records release.
Javon Jackson ‎– Sugar Hill: The Music of Duke Ellington And Billy Strayhorn (2007) MCH SACD ISO + Hi-Res FLAC

Javon Jackson, David Hazeltine, Tony Reedus, Paul Gill ‎– Sugar Hill (2007)
SACD Rip | SACD ISO | DSD64 2.0 & DST64 5.0 > 1-bit/2.8224 MHz | 54:08 minutes | Front/Rear+PDF | 3,2 GB
or FLAC 2.0 Stereo (converted with foobar2000 to tracks) 24bit/88,2 kHz | Front/Rear+PDF booklet | 1,15 GB
Features Stereo and Multichannel surround sound | Label: Chesky Records # SACD333

The acclaimed New York saxophonist Javon Jackson leads a celebration of the music of Duke Ellington and Billy Strayhorn, whose collaboration began in 1938 and continued until Strayhorn's death in 1967. Jackson is joined for this session by arranger/pianist David Hazeltine, bassist Paul Gill and drummer Tony Reedus. Together they perform well-known compositions such as "Caravan," "Chelsea Bridge," and "Lotus Blossom," as well as tunes that are not usually played by quartets such as "In My Solitude." The two soloists, Jackson and Hazeltine explore the bluesier and moodier side of Ellington's music as well as ballads like "Warm Valley" and slightly more up-tempo tunes like "In a Sentimental Mood".
The Modern Jazz Quartet - Concert In Japan Vol.2 (1966) {2013 Japan Jazz Best Collection 1000 Series 24bit Remaster WPCR-27455}

The Modern Jazz Quartet - Concert In Japan Vol.2 (1966) {2013 Japan Jazz Best Collection 1000 Series 24bit Remaster WPCR-27455}
EAC rip (secure mode) | FLAC (tracks)+CUE+LOG -> 260 Mb | MP3 @320 -> 94 Mb
Full Artwork @ 600 dpi (png) -> 93 Mb | 5% repair rar | 24-bit remaster
© 1966, 2013 Atlantic / Warner Japan / Rhino | WPCR-27455 | Jazz Best Collection 1000 Series
Jazz / Cool / Third Stream

Features 24 bit digital remastering. An excellent Japanese performance from the Modern Jazz Quartet – and a set that was issued in a bit of a lull during their 60s American years for Atlantic Records – which makes it even more important as a key part of their catalog at the time! The 1966 date has the combo in fine form – and almost stepping out with a bit of added soulfulness, in ways that echo some of the styles that Milt Jackson was exploring on his own at the time, and which seem to be brought back to the group! Milt's vibes are wonderful – ringing out with a great sense of pride and presence that may well go beyond earlier MJQ material.