One of the reasons that Jackson Browne's first album is among the most auspicious debuts in pop music history is that it doesn't sound like a debut. Although only 23, Browne had kicked around the music business for several years, writing and performing as a member of the Nitty Gritty Dirt Band and as Nico's backup guitarist, among other gigs, while many artists recorded his material. So, if this doesn't sound like someone's first batch of songs, it's not. Browne had developed an unusual use of language, studiedly casual yet full of striking imagery, and a post-apocalyptic viewpoint to go with it. He sang with a calm certainty over spare, discretely placed backup – piano, acoustic guitar, bass, drums, congas, violin, harmony vocals – that highlighted the songs and always seemed about to disappear. In song after song, Browne described the world as a desert in need of moisture, and this wet/dry dichotomy carried over into much of the imagery.
Jackson Browne faced the nearly insurmountable task of following a masterpiece in making his second album. Having cherry-picked years of songwriting the first time around, he turned to some of his secondary older material, which was still better than most people’s best and, ironically, more accessible — notably such songs as “These Days,” which had been covered six times already, dating back to Nico’s Chelsea Girl album in 1967, and “Take It Easy,” a co-composition with the Eagles’ Glenn Frey that had been a Top 40 hit for the group in 1972.
3 X CD SET FEATURING LIVE BROADCAST RECORDINGS FROM 1972, 1973 & 1976 The three live FM radio broadcasts encompassed in this delightful package come from 1972, 1974 and 1976 respectively - for many, if not most fans, Browne s golden era. Disc one features an in-studio session recorded at and broadcast from the RCA Studios in New York. It took place just eight months after the release of his debut and as is evident that, even at this early stage in his career, Jackson had already matured into a strong live performer and superlative composer. Disc two boasts a show performed at Clark University in Worcester, Massachusetts, in early spring 1974, and during which label-mate Linda Ronstadt, who was touring with Browne at the time, joins Jackson for a version of One More Song, a number by Jack Tempchin - the man who composed the lovely Eagles number Peaceful Easy Feeling. Disc three includes the full Soundstage performance Jackson Browne gave for the regular PBS TV series of concert broadcasts in 1976. Recorded at the WTTW studios in Chicago, this concert is augmented by two bonus cuts taken from Browne s appearance on Saturday Night Live the same year.
Love Is Strange: En Vivo con Tino is, simply put, a double CD that documents Jackson Browne's and David Lindley’s short Spanish tour of 2006. But it’s actually far more than that. While the song titles may be familiar to fans of both men, they don’t begin to tell the musical story on display here. Lindley and Browne were accompanied on all dates by the great flamenco percussionist, rock drummer, and producer Tino di Geraldo, and on select concerts by well-known Spanish musicians flutist Carlos Nunéz, vocalists Kiko Veneno and Luz Casal, banduria player Javier Mas, and others.
Standing In The Breach, Jackson's fourteenth studio album, is a collection of ten songs, at turns deeply personal and political, exploring love, hope, and defiance in the face of the advancing uncertainties of modern life.
Running on Empty is the fifth album by American singer-songwriter Jackson Browne. Released in 1977, the album reached #3 on the Billboard Pop Albums chart in 1978 and stayed on the charts for 65 weeks. The single for the title track, "Running on Empty", peaked at #11 and the follow-up single, "The Load-Out"/"Stay", reached #11 on the Billboard Pop Singles chart. The song "Running on Empty" was included in the film Forrest Gump. On November 15, 2005, Elektra/Rhino issued a remastered version with the following additional tracks: 11. "Cocaine Again" and 12. "Edwardsville Room 124" on Disc 2 of the package, which is a DVD Audio version of the album's track lineup that features a 5.1 surround sound mix, among other bonus items, such as video montages and lyrics. Disc 1 is a remaster of the original album's song list only. The remaster is missing the first 25 seconds of audience ambience that, on all other previous editions of the album, led into the beginning of the album's title track. For reasons unknown, this snippet, which included the sounds of the musicians' count into the song's opening, was edited out on this version, though curiously the Disc 2 DVD Audio version includes the 25 seconds missing on Disc 1.
On his third album, Jackson Browne returned to the themes of his debut record (love, loss, identity, apocalypse) and, amazingly, delved even deeper into them. "For a Dancer," a meditation on death like the first album's "Song for Adam," is a more eloquent eulogy; "Farther On" extends the "moving on" point of "Looking Into You"; "Before the Deluge" is a glimpse beyond the apocalypse evoked on "My Opening Farewell" and the second album's "For Everyman." If Browne had seemed to question everything in his first records, here he even questioned himself. "For me some words come easy, but I know that they don't mean that much," he sang on the opening track, "Late for the Sky," and added in "Farther On," "I'm not sure what I'm trying to say." Yet his seeming uncertainty and self-doubt reflected the size and complexity of the problems he was addressing in these songs, and few had ever explored such territory, much less mapped it so well. "The Late Show," the album's thematic center, doubted but ultimately affirmed the nature of relationships, while by the end, "After the Deluge," if "only a few survived," the human race continued nonetheless. It was a lot to put into a pop music album, but Browne stretched the limits of what could be found in what he called "the beauty in songs," just as Bob Dylan had a decade before.