J.s.bach Passion Koopman

J.S.Bach - Ton Koopman - Orgelwerke - Toccaten & Fugen {Original GER} vinyl rip 24/96

J.S.Bach - Ton Koopman - Orgelwerke - Toccaten & Fugen (1984)
Vinyl rip in 24 bit/96 kHz | FLAC tracks | Tech Log | Artwork | 935 Mb | UL, RS
Archiv Produktion 410 999-1 {Original Germany} (1984) | Classical

J. S. Bach: St. Matthew Passion (Koopman, Amsterdam Baroque Orchestra & Choir, Soloists) [2006]

J. S. Bach: St. Matthäus-Passion (Ton Koopman, Amsterdam Baroque Orchestra & Choir, Soloists) [2006]
All Regions | NTSC | Aspect Ratio: 1.78:1 | German (Linear PCM Stereo) (DTS, 6 ch) | 3.57 GB + 5.65 Gb (DVD-5 & DVD-9) | VIDEO_TS Folders
Classical | Label: Challenge Classics | Subtitles: German, English, French, Dutch, Italian, Spanish | 3% Recovery | 162 min

J.S.Bach - Markus-Passion BWV 247  Music

Posted by First Amendment at Feb. 15, 2011
J.S.Bach - Markus-Passion BWV 247

J.S.Bach - Markus-Passion BWV 247
EAC Rip | Classical | FLAC+LOG+CUE | Covers | RAR 519MB
2 CD | Tracks | 2000 | Erato | Playing Time: 52'02"+66'21"

"Acting as though I were one of Bach's pupils, I imagined myself being given the following assignment in a composition lesson: 'Here is a libretto; set it to music using whatever you find in the works I wrote up until now (1731). What you do not find, compose yourself'". Ton Koopman
Orchestra of the Age of Enlightenment, Stephen Layton - J.S. Bach: St John Passion (2013) (Repost)

Orchestra of the Age of Enlightenment, Stephen Layton - J.S. Bach: St John Passion (2013)
EAC | FLAC (image+.cue, log) | Covers + Digital Booklet | 118:10 | 559 MB
Genre: Classical, Choral | Label: Hyperion | Catalog: CDA67901/2

Performances of Bach's St. John Passion, BWV 245, with these forces or close to them have become an annual Eastertime tradition in London, and this recording is guaranteed an appreciative audience. Certain details relate specifically to this tradition: several chorales are sung unaccompanied, but an accompanied version is included at the end for those who reject the dramatization.
J. S. Bach - Matthäus-Passion BWV 244 - AKAMUS, Jacobs (2013) (2CD) {Harmonia Mundi}

J. S. Bach - Matthäus-Passion BWV 244 - AKAMUS, Jacobs (2013)
EAC Rip | FLAC (tracks+.cue, log) | Artwork (300dpi, png), booklet | 1444 mb | MP3 CBR 320kbps | RAR | 1034 mb
Classical, Choral, Sacred | Label: Harmonia Mundi - HMC802156.58

The appetite for evolving performance practices in Bach’s St Matthew Passion appears undiminished as we have gradually shifted, over the generations, from larger to smaller ensembles and also towards a greater dramatic understanding of the implications of Bach’s ambitious ‘stereophonic’ double choir and orchestra choreography.
Ricercar Consort, Philippe Pierlot - J.S. Bach: Passio secundum Johannem (St. John Passion, BWV 245) (2011) [TR24][OF]

Ricercar Consort, Philippe Pierlot - J.S. Bach: Passio secundum Johannem (St. John Passion, BWV 245)
Classical | FLAC (tracks) 24-bit/88.2 kHz | 113:12 min | 1.78 GB | Digital booklet
Label: Mirare | Tracks: 27 | Rls.date: 2011

A new recording from Ricercar Consort is always special and this one is no exception. The enterprising Mirare label presents the group s powerful new recording of J.S. Bach s St. John Passion. Although not as popular as the St. Matthew Passion, the St. John is equally rich with the invention and beautiful melodies that Bach is famous for. The soloists here are on top form and their truly wondrous performance will surely elicit raves from critics. Last year s Bach Magnificat with similar forces received excellent reviews including a Gramophone Editor s Choice and a BBC CD Review disc of the week.
Bach J.S. - Johannes-Passion (Nikolaus Harnoncourt) (2007/1985)

Bach J.S. - Johannes-Passion (Nikolaus Harnoncourt) (2007/1985)
NTSC 4:3 (720x480) VBR | Deutsch (LinearPCM, 2 ch) | (DTS, 6 ch) | 7.19 Gb (DVD9) | 114 min
Classical | Deutsche Grammophon | Sub: Deutsch, English, Francais, Espanol, Chinese

Filmed in the architectural splendour of Graz's Gothic-Baroque cathedral, leading Bach authority Nikolaus Harnoncourt conducts the famed Tölz Boys Choir and his Vienna Concentus Musicus, playing on period instruments, in the most dramatic of all Passion settings. "In this performance we have attempted to realize Bach's wishes in the most authentic manner possible" (Nikolaus Harnoncourt). "A unique occasion" (Kurier).
Philippe Herreweghe, Collegium Vocale Gent - J.S.Bach: Johannes-Passion [2001]

J.S.Bach - Johannes-Passion (Philippe Herreweghe) [2001]
Classical | Harmonia Mundi 901748.49 | TT: 110:51 | EAC (flac, cue, log) | Covers | 459 Mb

Philippe Herreweghe uses the second of Bach's four versions of the St. John Passion, the one from 1725, which substitutes some of the arias and the opening chorus, along with lesser changes. The result is somewhat more dramatic than the standard version, which Herreweghe recorded previously. Those familiar with the conductor's work will find his usual warmth, making the most of the lyric moments, but they'll also find greater sensitivity to rhythmic and dramatic thrust and a generally livelier approach. The singers are uniformly fine. Padmore is an unusually effective Evangelist, projecting the drama without undue overacting. Many will want this for Andreas Scholl's countertenor solos, which are first-rate, but the magnificent "Es ist vollbracht" will disappoint those familiar with the greater depth of renditions by contraltos like Maureen Forrester and Janet Baker. Bright-voiced soprano Sibylla Rubens is another attraction, singing with fervor, and the orchestra and chorus of the Collegium Vocale Ghent are outstanding. This attractively packaged set goes to the head of the class. –Dan Davis
Philippe Herreweghe, Collegium Vocale Gent - J.S.Bach: Matthaus-Passion [1999]

J.S.Bach - Matthäus-Passion (Philippe Herreweghe) [1999]
Classical | Harmonia Mundi HMC 901676.78 | TT: 161.22 | EAC (flac, cue, log) | Covers | 634 Mb

Johann Sebastian Bach's monumental St. Matthew Passion was first performed on Good Friday in 1727 at the St. Thomas Church in Leipzig. It is the largest single composition Bach ever wrote, both in terms of length and in terms of instrumental and vocal forces. It requires two choruses, two orchestras, four vocal soloists for the arias and vocal soloists for each of the various character parts. Philippe Herreweghe's 1999 recording of Bach's masterpiece features a stellar cast and was a perennial catalog bestseller.
J.S. Bach - Dunedin Consort - Matthew Passion (Final version, c. 1742) (2008) [Official Download 24bit/88,2kHz] {REPOST}

J.S. Bach - St. Matthew Passion (1742 version)
Dunedin Consort & Players
FLAC (tracks) 24 bit/88,2 kHz: 2,69 GB | Artwork | 5% Recovery Info
Label/Cat#: Linn Records # CKD 313 | Country/Year: UK 2008
Genre: Classical | Style: Baroque, Sacred | Source: Linn Records

This wonderful new recording of the St Matthew Passion is the first to adopt Bach's final revisions to the score as performed in 1742. Most casual listeners may not be able to identify the departure in scoring from the most commonly performed 1736 version: which amounts to the replacement of organ with harpsichord in the second orchestra, and an additional viola da gamba in a recitative and aria. However, where this recording really stands out is in the size of the vocal forces. A total of eight singers are employed, therefore providing just four voices for each of the two choirs. This arrangement clearly has potential disadvantages for those of us raised on the full chorus monumental direction from the likes of Richter and Klemperer…