J.s. Bach

Istvan Vardai - J.S. Bach: 6 Suites for Cello Solo (2017)  Music

Posted by SERTiL at Jan. 12, 2017
Istvan Vardai - J.S. Bach: 6 Suites for Cello Solo (2017)

Istvan Vardai - J.S. Bach: 6 Suites for Cello Solo
Classical | MP3 CBR 320 kbps | 138:33 min | 320 MB
Label: Brilliant Classics | Tracks: 36 | Rls.date: 2017

In May 2014 the Hungarian cellist István Várdai performed three Bach Suites at an unusual venue in New York: not the storied glamour of Carnegie Hall or the hip 92st St Y, but the Board of Officers Room in the recently renovated Armory on Park Avenue, a room no less redolent of distinguished history: to which he made his own distinguished contribution according to the New York Times, with a recital which concluded with a ‘superb’ performance of the Sixth Suite.

J.S. Bach - Violin Concertos - Rachel Podger (2010) [SACD-R][OF]  Vinyl & HR

Posted by Discograf_man at Jan. 8, 2017
J.S. Bach - Violin Concertos - Rachel Podger (2010) [SACD-R][OF]

J.S. Bach - Violin Concertos - Rachel Podger (2010) [SACD-R][OF]
Classical | SACD ISO: DST 2.0, 5.0 > 1-bit/2.8224 MHz | Artwork | 2.82 GB + 5% Recovery
Label: Channel Classics | Release Year: 2010

For those who already appreciate Rachel Podger's unique brand of magic I'll just say that this return to recorded Bach is lovely and all that one could hope for. All that one looks for is here, and there is more. For those who are not familiar with Rachel Podger, she is a unique voice among violinists. She has absorbed the principles of late Baroque performance practice and made them a part of herself, so that the articulation and inflection of that rhetorical approach to music flows from her as a natural idiom of expression.
Lusine Zakaryan, Levon Abram - Ave Maria (J. S. Bach; L. Luzzi; J. Arcadelt; D. Dente; L. Cherubini; G. Caccini; F. Schubert)

Lusine Zakaryan, Levon Abram - Ave Maria (J. S. Bach; L. Luzzi; J. Arcadelt; D. Dente; L. Cherubini; G. Caccini; F. Schubert) [1989]
EAC Rip | FLAC, TRACKS+CUE, LOG | Covers | 1cd, 131.37 MB
Classical | Label: Armenia | Catalog Number: no

Lusine Zakaryan (Armenian: Լուսինե Զաքարյան), born Svetlana Zakaryan, (June 1, 1937 in Akhaltsikhe, Georgian SSR – December 30, 1992, in Yerevan, Armenia), was an Armenian soprano. She grew up in the Samtskhe-Javakheti region of southern Georgia. In 1952, she moved with her family to Yerevan, where she attended a secondary music school. She entered the Yerevan State Musical Conservatory in 1957 and her singing talent soon became clear.
From 1970 to 1983, Zakaryan was a soloist with the symphony orchestra of Armenian TV and Radio. She also sang in the choir of the Armenian Apostolic Church's Holy See at the Echmiadzin Cathedral, and it is for her magnificent rendition of centuries-old Armenian spiritual hymns that she is now most remembered.
Zakaryan was also known for singing the international opera repertoire as well as Armenian traditional and church music.
Pierre Fournier - J.S. Bach: 6 Suites for Violoncello (1961/2016) [TR24][OF]

Pierre Fournier - J.S. Bach: 6 Suites for Violoncello
Classical | FLAC (tracks) 24-bit/96 kHz | 138:59 min | 2.75 GB | Digital booklet
Label: Deutsche Grammophon, Archiv Produktion | Tracks: 36 | Rls.date: 1961/2016

Elegance is the quality in Pierre Fournier's playing that makes the first and, ultimately, the most lasting impression. He finds great depth in the suites, but he shows constant awareness that he is playing mostly dance music (usually, and importantly, French dance music), that joy is its most important underlying emotion and that graceful movement and rhythmic fluency are essential. –Joe McLellan
Bob van Asperen - J.S. Bach: English Suites (2CD) (2006) (Repost)

Bob van Asperen - J.S. Bach: English Suites (2006)
EAC | FLAC (image+.cue, log) | Covers Included | 01:07:34 + 01:13:00 | 999 MB
Genre: Classical | Label: Brilliant Classics | Catalog: 92285

The Dutch performer Bob van Asperen is a recognized specialist in the realm of performance on period keyboard instruments. Born and raised in Amsterdam, Asperen completed a conventional university course of study in music before embarking on lessons with harpsichord master Gustav Leonhardt starting in 1967; Asperen made his debut in Haarlem in 1968. Also in 1968 Asperen joined the group Quadro Hotteterre, of which he was a member until 1984. Asperen completed his studies in 1972 after finishing a course in organ at the Amsterdam Conservatory given by Albert de Klerk. Afterward he accepted a teaching post at the Royal Conservatory in The Hague, which he held until tapped to replace the departing Gustav Leonhardt at the Sweelinck Conservatory, prompting Asperen's return to Amsterdam. His teaching duties in the Netherlands have not restrained him from touring internationally; Asperen has given master classes elsewhere in Europe and also Canada, the United States, and Australia.
Richard Kapp, Mela Tenenbaum - J.S. Bach: Sonatas for Violin and Piano (1999)

Richard Kapp, Mela Tenenbaum - J.S. Bach: Sonatas for Violin and Piano (1999)
EAC | FLAC (image+.cue, log) | Covers Included | 01:25:34 | 431 MB
Genre: Classical | Label: ESS.A.Y. | Catalog: 1066

This two-CD set is actually part of an ambitious undertaking: ESS.A.Y Recordings recorded these sonatas in two different versions, this one featuring Ms. Tenenbaum on a modern violin and accompanied by a modern piano played by Richard Kapp; the other recording (reviewed below) features Ms. Tenenbaum playing an older violin and accompanied by a harpsichord played by Gerald Ranck.
Isabelle Faust - J.S. Bach: Reconstructed Violin Concertos (2000)

Isabelle Faust - J.S. Bach: Reconstructed Violin Concertos (2000)
EAC | FLAC (tracks+.cue, log) | Covers + Digital Booklet | 51:38 | 296 MB
Genre: Classical | Label: Haenssler | Catalog: 92138

None of these reconstructions are included in Teldec’s Bach 2000, although the better-known ‘originals’ obviously are. The real newcomer is the Sinfonia, BWV1045 (5'34'') ‘to an unknown cantata’ which – as befits a BWV number that immediately precedes the First Brandenburg Concerto – is rumbustious, festive and thematically likeable. Time and again I could sense allusions to other Bach instrumental pieces, though the soloist’s ceaseless arpeggiating is sometimes a distraction. We’re told it’s authentic (the manuscript source suggests a violin concerto in the making) but something about its harmonic language doesn’t quite ring true, though that reaction might well be due to lack of familiarity.

Charles Owen - J.S. Bach: The Six Keyboard Partitas (2016)  Music

Posted by LoveHive at Dec. 21, 2016
Charles Owen - J.S. Bach: The Six Keyboard Partitas (2016)

Charles Owen - J.S. Bach: The Six Keyboard Partitas (2016)
Classical | MP3 CBR 320 kbps | 02:21:56 | 308 MB
Label: Avie Records

Pianist Charles Owen presents a very personal interpretation of the Six Keyboard Partitas by J. S Bach, amongst the greatest literature for the keyboard.
Julia Fischer - J.S. Bach - Sonatas And Partitas For Solo Violin BWV 1001-1006 (2005) [SACD-R][OF]

Julia Fischer - J.S. Bach - Sonatas And Partitas For Solo Violin BWV 1001-1006 (2005) [SACD-R][OF]
Classical, Violin | SACD ISO: DST64 5.0; 2.0 > 1-bit/2.8224 MHz | 7.38 GB + 5% Recovery
Label: Pentatone Classics | Release Year: 2005

No doubt many of you are wondering whether I should be recording Bach’s complete sonatas and partitas at the age of only 21. Perhaps I should have waited a bit longer? Well, patience has seldom been my strong point, and after all I have already waited a number of years for an opportunity to record these works. During the first six years of study with my teacher Ana Chumachenco, I studied the sonatas and partitas thoroughly, and first performed both cycles in their entirety in the Bach year 2000, during the course of two evenings at the Mecklenburg-Vorpommern Festival.
Julia Fischer
Cantus Cölln, Konrad Junghänel - J.S.Bach: Missae Breves (2007)
Cantus Cölln, Konrad Junghänel - J.S.Bach: Missae Breves (2007)
EAC | FLAC (tracks+.cue, log) | Covers + Digital Booklet | 01:50:46 | 527 MB
Genre: Classical, Choral | Label: Harmonia Mundi | Catalog: 901939

Since the additional movements of the Roman Catholic Mass (Sanctus, Agnus Dei, and Credo) that appear in his B minor Mass were excluded, Bach's four missa breves (short masses) are essentially two-movement Lutheran works. Naturally, Bach being Bach, he subdivided the expansive Gloria into five shorter movements; set the texts as arias, duets, and choruses; and used an orchestra ensemble including strings, flutes, oboes, trumpets, and organ as a powerful and colorful accompaniment. But at the heart of all four works is the austere faith of Martin Luther, and the German reformer's strength, severity, and occasional sentimentality is at the spiritual core of Bach's sacred music.