After its successes in the field of German Baroque religious music, here VOX LUMINIS proposes the first complete recording of the motets by Johann Sebastian Bach's ancestors. These motets, most of which are written for double choir, blend the old tradition inherited from the polyphony of the Renaissance with expressive work inspired by the fashions of the madrigal. The chorale melodies that are quite frequently associated with these motets contribute this colour typical of the Lutheran liturgical repertoire.
Sur plus de vingt siècles de notre passé national, vingt récits, par les meilleurs spécialistes, dévoilant ou expliquant des épisodes souvent évoqués et pourtant demeurés mystérieux. …
Cet ouvrage étudie les différents aspects de l'armée romaine (militaire, politique, administratif, économique et culturel) dans la longue durée. Il montre combien l'armée romaine était un univers à part entière dont l’implication dans la vie politique de l'Empire était croissante. Une attention particulière est prêtée au rôle des armées dans les échanges économiques et culturels des provinces frontalières. Des documents commentés présentent des cas concrets et sont complétés par une chronologie, un glossaire, des cartes et plans ainsi qu'un index.
Youngest son of J.S. Bach, Johann Christian Bach rose to prominence in England during the early Classical period much the same as his father dominated the German Baroque. His writing was influenced by his father, of course, but also by the fashions being explored by Haydn. J.C. Bach also served as a bridge to Mozart, whose work and early writings were also influenced by the junior Bach. A total of 15, three-movement symphonies were published under Opp. 6, 9, and 18.
J.C. Lodge is the type of artist reggae purists have no use for. As they see it, blending reggae with elements of pop, urban contemporary and dance music in so sleek a fashion only serves to water reggae down. But then, Lodge never claimed to be a purist, and in fact, Tropic of Love is fairly decent. The expressive Lodge has an alluring, sexy quality to her voice that works to her advantage on such sleek pop-reggae offerings as "The Prey," "Why" and the hit "Telephone Love." Most of the material is very 1990s-sounding, but "Come Again" is a pleasant number that, except for some dancehall-minded toasting, recalls the reggae of the '60s (when Jamaican artists were paying very close attention to what the American soulsters of Motown were up to). Also noteworthy is Lodge's cover of Sylvia Robinson's seductive 1973 hit "Pillow Talk." Tropic isn't breathtaking, but it's definitely more soulful and enjoyable than reggae's purists claim.