With her debut solo album Ya Nass (2013), Yasmine Hamdan introduced her personal, modern take on Arabic pop. In Al Jamilat (‘The Beautiful Ones’), she pursues her musical exploration, while taking a look at the mutations at work within the Arab world. While Yasmine’s vocals are definitely connected to traditions of Arabic music (to which she takes an unconventional and fresh approach), the structures and arrangements of the songs are very remote from its codes, and take in elements from contemporary Western electronic, pop and folk music.
Until their recent demolition, the colorful mud-brick hamlets of al-Qurna village, situated among the Noble Tombs of the Theban Necropolis on the Luxor West Bank, were home to a vibrant community.Inhabiting a place of intensive Egyptological research for over two centuries, it was inevitable that Qurnawis should become part of the history of Egyptology and the development of archaeological practice in the Theban Necropolis. But they have mostly been regarded as laborers for the excavation teams or dealers in the illicit antiquities trade. The modern people inhabiting the ancient burial grounds have themselves rarely been considered.By demonstrating the multiplicity of economic activities that are carried out in al-Qurna, this study counters the villagers' stereotypical representation as tomb robbers, and restores an understanding of who they are as people living their lives in the shadow of valued cultural heritage.