Steve Reich is probably the most remix-ready of contemporary classical composers, which makes this project a good idea whose time should have come long ago. His minimalist twelve-tone symphonettes are constructed around trippy circular riffs that just beg to be sliced up into loops and juxtaposed against steely drum-machine rhythms. Happily, the nine mixmaster generals on Reich Remixed have radically different notions of how to go about doing this. The British duo Coldcut pile mushrooming synths and modern-primitive beats onto Reich's classic "Music for 18 Musicians," rattling his serene dreamscape with ambient-techno mayhem. Nobukazu Takemura taps into the becalming spirituality of "Proverb" by adding a gently pulsing electronic undertow and a soaring choirboy vocal. And, true to form, DJ Spooky delves into pure metal-machine music abstraction with his take on "City Life." Reich purists may take issue with Remixed, but if it leads a few inquiring minds to check out the original recordings, it's a mission accomplished. (RS 811)MARC WEINGARTEN
The music of Steve Reich has been heard in various venues, including electronic music dance clubs, but the full symphony orchestra treatment has been rare. That is changing, however, with the tenure of Kristjan Järvi as chief conductor of the Leipzig Radio Symphony Orchestra, and the result in that musically conservative, German city is this major-label double album of Reich's music, in many respects a first. Järvi's enthusiasm for the project is palpable here, most obviously in the live performance of the early Reich standard Clapping Music, which he and the composer perform together to the approval of the crowd.
This late-'80s work finds the minimalist composer mixing acoustic and taped material to great effect. The disc's centerpiece is "Different Trains," a work that frames Reich's impressions of his boyhood train trips between his mother in Los Angeles and his father in New York; Reich also intersperses references to the much more harrowing train rides Jews were forced to take to Nazi concentration camps. Using the fine playing of the Kronos Quartet as a base, Reich layers the work with the taped train musings of his governess, a retired Pullman porter, and various Holocaust survivors – vintage train sounds from the '30s and '40s add to the riveting arrangement. And for some nice contrast, Reich recruits guitarist Pat Metheny to create a similarly momentous piece in "Electric Counterpoint" (Metheny plays live over a multi-tracked tape of ten guitars and two electric basses). Two fine works by Reich in his prime.
Si la personne et la personnalité d'Hitler et de ses principaux lieutenants (Himmler, Goering, Heydrich, Goebbels) sont connus, il n'en est pas de même du régime qu'il a fondé et dirigé d'une main de fer. A l'exception de l'ouvrage de Richard Evans (mais il est en trois volumes); pas de synthèse récente notamment de la part des historiens français. …