Peter Pan (Williams) has grown up to be a cut-throat merger and acquisitions lawyer, and is married to Wendy's granddaughter. Captain Hook (Hoffman) kidnaps his children, and Peter returns to Never Land with Tinkerbell (Roberts). With the help of her and the Lost Boys, he must remember how to be Peter Pan again in order to save his children by battling with Captain Hook once again.
A John Williams masterpiece, the emotion he evokes through this music is incredible: it can make you experience what the characters in the movie are feeling – see the menace of Captain Hook, or find your happy thought and fly. One could just sit and listen to it for hours without finding all the little nuances in the music. It includes the vocal selections "We Don't Wanna Grow Up" and "When You're Alone."
La-La Land Records, Sony Pictures and Sony Music presents the world premiere release of the first official remastered and expanded edition of renowned composer John Williams's (JAWS, STAR WARS, SCHINDLER'S LIST) original score to the 1991 Tri-Star Pictures' adventure/fantasy epic HOOK, directed by Steven Spielberg. Long considered one of the maestro's best scores in collaboration with Mr. Spielberg, this masterwork is finally presented here in a worthy 2-CD release that contains more than 140 mins of music, including bonus alternate and unused cues, greatly expanding the score's original 1991 album assembly with more than 65 minutes of music previously unreleased in any official format. Produced by Didier C. Deutsch and Mark G. Wilder, mastered by Mark G. Wilder and Maria Triana and supervised and approved by John Williams, this expanded reissue features amazing art design by Jim Titus and exclusive, in-depth liners from film music writer Daniel Schweiger. It's an amazing soundtrack experience that will have you never wanting to grow up!
Of all the bands that were unjustly overlooked in the early 1990's, none deserved the spotlight more than Tyketto. The band's debut album Don't Come Easy was an AOR/melodic rock masterpiece, embodying everything good about that style of music, and should have vaulted the band into the same arena as bands like Damn Yankees, Bad English, Firehouse, and Giant. Instead they went largely unnoticed…