Early in 2012 guitarist Diego Prato formed his first original project, consisting of a trio with bass (Arron Bell) and drums (Joe Luckin). His background includes jazz, funk, Latin, soul and hip hop music. These elements are all important influences, shared by all members, in a sound that is jazz-based but that has an interest in, and a vision towards, the contemporary. This is expressed in a series of original compositions as well as interpretations of standards and songs that range from John Coltrane to John Scofield to Curtis Mayfield.
Roller Trio are James Mainwairing tenor sax and electronics, Luke Wynter guitar and Luke Reddin-Williams on drums, still in their early ‘20s they met whilst studying at Leeds College of Music. Influenced by a wide range of music from Tim Berne, Chris Potter and Anthony Braxton to Queens of the Stone Age, Soundgarden, Slum Village, J Dilla and Flying Lotus as well as the vibrant Leeds scene.
A totally excellent Buster Williams album from the 70's, and one of the best (and hardest to find). The bassist has always been one of our favorite talents – and this little gem is one of the few albums he's cut on his own, a majestic bit of straight-ahead jazz and bop, recorded with a very hip lineup!
West Side Story was a bit of an unusual session for several reasons. First, the popularity of both the Broadway musical and the film version that followed meant that there were many records being made of its music. Second, rather than woodshed on the selections prior to entering the studio, the Oscar Peterson Trio spontaneously created impressions of the musical's themes on the spot. "Something's Coming" seems like a series of vignettes, constantly shifting its mood, as if moving from one scene to the next. Ray Brown plays arco bass behind Peterson in the lovely "Somewhere," while the feeling to "Jet Song" is very hip in the trio's hands…
Playscape Recordings is proud to release "Pride ", a new two-disc set from veteran guitarist/composer Michael Musillami with his flagship trio, featuring bassist Joe Fonda and drummer George Schuller. Pride is the Michael Musillami Trio's seventh release in the group's 11-year history.
For 10 years now, guitarist Michael Musillami has had the kind of hand-in-glove fit with drummer George Schuller and bassist Joe Fonda that is truly rare in jazz. A prolific composer with a freebop bent, Musillami paints on a much bigger canvas here by augmenting his core trio with likeminded musical insurgents Ned Rothenberg and Jeff Lederer (reeds), Russ Johnson (trumpet) and Matt Moran (vibraphone). With a tinge of nasty distortion in his fleet-fingered lines, Musillami’s spiky single-note playing on outré showcases like the explosive “Iceland,” from his eight-movement Summer Suite: Twenty Ten, may recall subversive six-stringers like Sonny Sharrock and Tisziji Muñoz.
Ramsey Lewis staked his claim to fame with The In Crowd, an instrumental version of Dobie Gray's Top 40 hit. He also was one of the first soul jazz icons of the mid-'60s, based on the strength of the sales of this recording, done over three days during a club date at the Bohemian Caverns in Washington, D.C. What is not readily acknowledged over the years is that bassist Eldee Young is really the star of the show. He's the one who gets the crowd revved up with his vocalizing in tandem with the notes he is playing. It's on his Ray Charles-like take on "Tennessee Waltz" and a similar treatment of Gale Garnett's minor pop hit "You Been Talkin' 'Bout Me Baby" that gets the patrons off…