Herbie Mann Verve

Herbie Mann / Joao Gilberto / Antonio Carlos Jobim - Recorded In Rio De Janeiro (1965) {Atlantic}

Herbie Mann / Joao Gilberto / Antonio Carlos Jobim - Recorded In Rio De Janeiro (1965) {Atlantic}
EAC 1.3 | FLAC tracks level 8 | Cue+Log+M3U | Full Scans 300dpi | 182MB + 5% Recovery
MP3 CBR 320 Kbps | 87MB + 5% Recovery
Genre: Latin Jazz, Bossa Nova

Nice, more light than emphatic Afro-Latin and jazz mixture by flutist Herbie Mann and composer/vocalist Joao Gilberto from 1965. The two make an effective team, with Gilberto's sometimes sentimental, sometimes impressionistic works effectively supported by Mann's lithe flute solos.
The Herbie Mann & Sam Most Quintet - The Mann With The Most (1956/2014) [Official Digital Download 24/96]

The Herbie Mann / Sam Most Quintet - The Mann With The Most (1956/2014)
FLAC (tracks) 24-bit/96 kHz | Time - 40:05 minutes | 920 MB
Studio Master, Official Digital Download | Artwork: Front cover

1956 album of eleven genial, high-spirited tracks featuring Mann and Most trading bright, up-tempo, virtually saxophonic flute solos. They work over an energetic backdrop provided by guitarist Joe Puma, bassist Jimmy Gannon, and drummer Lee Kleinman. Most of the tracks are brisk and cheerful, although a few tastefully spare ballads ("Love Letters") are also included.
Sahib Shihab and Herbie Mann - The Jazz We Heard Last Summer (1957) {Savoy Jazz Japan SV-0228 rel 1993}

Sahib Shihab and Herbie Mann - The Jazz We Heard Last Summer (1957) {Savoy Jazz Japan SV-0228 rel 1993}
EAC rip (secure mode) | FLAC (tracks)+CUE+LOG -> 205 Mb | MP3 @320 -> 87 Mb
Full Artwork @ 300 dpi (jpg) -> 52 Mb | 5% repair rar
© 1957, 1993 Savoy Jazz / Nippon Columbia | SV-0228
Jazz / Bop / Saxophone / Flute

This split LP pairs a sextet led by multi-instrumentalist Sahib Shihab with another under the direction of Herbie Mann. Big names all the way around on this one. On the Shihab session, John Jenkins and Clifford Jordan round out the front line, while Hank Jones, Addison Farmer, and Dannie Richmond hold down the rhythm. Mann, on the other hand, is joined by Phil Woods, Eddie Costa, Joe Puma, Wilbur Ware, and Jerry Segal. Nothing overly surprising here, but one can expect quality performances by all.
Herbie Mann And Orchestra - Love And The Weather (1956/2014) [Official Digital Download 24/96]

Herbie Mann & Orchestra - Love And The Weather (1956/2014)
FLAC (tracks) 24-bit/96 kHz | Time - 41:01 minutes | 806 MB
Studio Master, Official Digital Download | Artwork: Front cover

Herbie Mann was still primarily known as a bop or swing flutist on Love and the Weather. The material here is a good example of Mann's early style, recorded shortly before he became fascinated with world music, Afro-Cuban and Latin sounds. At the time this album was released in 1956, the flute wasn't quite embraced as a jazz instrument but Mann helped change that with a sound of his own.

Herbie Mann - America / Brazil (1997)  Music

Posted by Designol at May 23, 2017
Herbie Mann - America / Brazil (1997)

Herbie Mann - America / Brazil (1997)
EAC | FLAC | Tracks (Cue&Log) ~ 447 Mb | Mp3 (CBR320) ~ 155 Mb | Scans included
Contemporary Jazz, Fusion, Brazilian Jazz | Label: Lightyear | # 54233-2 | 01:02:58

America/Brasil is a rollicking, celebratory album that keeps Herbie Mann on the winning streak he started with the release of Peace Pieces in 1995. Recorded during a week of concerts to mark his 65th birthday in April 1995, this disc is much stronger than its immediate predecessor, Celebration, also taken from the same week of live concert performances at New York's Blue Note jazz club. The material here is superb, and the playing top-notch. As the title implies, the emphasis here is on Mann's Brazilian side, but there are touches of the non-Brazilian with Bill Evans' "Peri's Scope" and Miles Davis' "All Blues." "Summertime" is recast in an Afro-Cuban mode with Paquito D'Rivera sharing the solo space on alto sax. However, lengthy Brazilian showstoppers are placed at the beginning, middle, and end of this wonderful disc. The opening "Keep the Spirits Singing" is propelled by the polyrhythmic pulse of percussionists Cyro Baptista and "Café," and the 17-minute title track finale features trumpeters Randy Brecker and Claudio Roditi, trombonist Jim Pugh, and guitarist Romero Lubambo.
East Coast Jazz, Vol.4 - Herbie Mann (1954/2014) [Official Digital Download 24/96]

East Coast Jazz, Vol.4 - Herbie Mann (1954/2014)
FLAC (tracks) 24-bit/96 kHz | Time - 23:27 minutes | 375 MB
Studio Master, Official Digital Download | Artwork: Front cover

Jazz flute innovator Herbie Mann is the focus of this fourth installment in producer Creed Taylor's East Coast Jazz series, initiated to differentiate the jazz coming out of New York from the jazz being produced in California in the mid-1950s. This 1954 session was Mann's first record as a solo artist, originally issued on 10-inch vinyl.
Herbie Mann & Buddy Collette - Flute Fraternity (1957) {V.S.O.P.}

Herbie Mann & Buddy Collette - Flute Fraternity (1957) {V.S.O.P.}
EAC 0.99pb4 | FLAC tracks level 8 | Cue+Log+M3U | Full Scans 300dpi | 202MB + 5% Recovery
MP3 CBR 320 Kbps | 90MB + 5% Recovery
Genre: Cool, Bop

In the 1950s, Herbie Mann frequently shared the spotlight on record dates with other flutists. This V.S.O.P. LP, a reissue of a set originally for Mode and also out for awhile on Premier, matches Mann (who here also plays piccolo, clarinet and tenor) with Buddy Collette (switching between flute, clarinet, tenor and alto) in a quintet with pianist Jimmy Rowles, bassist Buddy Clark and drummer Mel Lewis. The results are generally pleasing, if somewhat lightweight, with such obscure tunes as "Here's Buddy," Rowles' "Pop Melody," "Here's Pete" and Mann's "Theme from 'Theme From'" alternating with three standards and Chico Hamilton's "Morning After."

Herbie Mann - Super Mann (1978) Japanese Remastered 2014  Music

Posted by Designol at May 24, 2016
Herbie Mann - Super Mann (1978) Japanese Remastered 2014

Herbie Mann - Super Mann (1978) Japanese Remastered 2014
EAC | FLAC | Image (Cue&Log) ~ 286 Mb (incl 5%) | Mp3 (CBR320) ~ 117 Mb (incl 5%) | Scans included
Crossover Jazz, Jazz-Pop, Jazz-Funk, Disco | Atlantic/Warner | # WPCR-28081 | Time: 00:37:46

In 1978, Herbie Mann came out with two very different LPs. The more improvisatory Brazil: Once Again fulfilled his need to record a serious Brazilian jazz-pop album, while Super Mann is a commercial disco effort that finds Patrick Adams doing most of the producing. The two LPs aren't anything alike – while the instrumental Brazil: Once Again makes extensive use of the flutist's jazz chops, Mann doesn't do any improvising on Super Mann. This album isn't about his virtuosity as a soloist – it's all about the beat and the groove. So naturally, Super Mann was trashed in the jazz press by critics who made the mistake of judging it by jazz standards and wouldn't have known a good disco record from a bad one. Judging Super Mann by disco standards, one hears an LP that is uneven and isn't in a class with Chic, Gloria Gaynor, Donna Summer, or Sister Sledge but has its moments. While "Jisco Dazz" and "Rock Freak" are mechanical, stiff, and forgettable, Mann gets into a nice samba/disco groove on "Etagui" and demands attention with a speeded-up version of the haunting "Body Oil" (which he had previously recorded for 1975's Waterbed).
Herbie Mann - The Beat Goes On (1967) {2013 Japan 24-bit Remaster} [Jazz Best Collection 1000 Series]

Herbie Mann - The Beat Goes On (1967) {2013 Japan 24-bit Remaster} [Jazz Best Collection 1000 Series]
EAC rip (secure mode) | FLAC (tracks)+CUE+LOG -> 208 Mb | MP3 @320 -> 75 Mb
Full Artwork @ 300 dpi (jpg) -> 9 Mb | 5% repair rar | 24-bit remaster
© 2013 Atlantic / Rhino / WEA / Warner Japan | WPCR-27462 | Jazz Best Collection 1000 Series
Jazz / Jazz Funk / Soul Jazz / Flute

The beat goes on, and Herbie Mann gets plenty darn groovy – serving up these short, soulful tunes that really pack a sweet little punch – thanks in part to some excellent work on vibes by the young Roy Ayers! Ayers' rings out next to Herbie's flute in a very cool way – almost Latin, but a bit groovier overall, with some echoes of bossa and 60s soundtrack jazz – all mixed with deeper soul currents that are very much in the best 60s jazz spirit of Atlantic Records! Jimmy Wisner handles the arrangements, and also plays some mean piano. Titles include Dave Pike's "Dream Garden", which was arranged by Pike himself – plus Herbie Mann's "West African High Life", and Herbie Hancock's "Hey Ho" – as well as the cuts "No Matter What Shape", "More Rice Than Peas, Please", "Soul Montuno", and "The Beat Goes On".

Herbie Mann - Muscle Shoals Nitty Gritty (1970) {Warner Japan}  Music

Posted by tiburon at Sept. 9, 2014
Herbie Mann - Muscle Shoals Nitty Gritty (1970) {Warner Japan}

Herbie Mann - Muscle Shoals Nitty Gritty (1970) {Warner Japan}
EAC 1.0b3 | FLAC Image level 6 | Cue+Log | Full Scans 300dpi | 249MB + 5% Recovery
Genre: Jazz, Fusion

Although it followed a formula similar to the hugely successful Memphis Underground, Muscle Shoals Nitty Gritty stands on its own as a superb example of the fusion of jazz with '60s soul music, a genre that Herbie Mann stood atop at the time of its release. In addition to Mann band members Roy Ayers, Miroslav Vitous and Bruno Carr, the recording employs the Muscle Shoals rhythm section that had played together on numerous soul hits of the '60s, including those of Aretha Franklin. Standout cuts include the title track, with the its horn-driven groove; Sharrock's "Blind Willy," featuring a jew's-harp hook; and a smoldering version of Lennon & McCartney's "Come Together."