Any blues fan dedicated to live music will testify that when musicians play with their peers, the energy rises a few notches. That's the concept behind this meeting of the minds hosted by guitarist Debbie Davies. Fellow string-benders Tab Benoit and Coco Montoya (both have worked with her previously) join harmonica veteran Charlie Musselwhite and let the resulting fireworks naturally explode. Typically, these projects wind up being overdubbed affairs, a process that dilutes and often negates the concept. But except for a few instances, largely with Benoit, Davies and her musical friends assembled in the studio, resulting in the titular explosion. Both Montoya and Davies apprenticed under Albert Collins, and the opening "A.C. Strut" captures the Texas blues legend's loose shuffle style as the guitarists trade sizzling licks.
Debbie Davies' fourth album, 1998's Round Every Corner, displays her bluesy singing, writing, and playing talents on 11 songs, including originals by Davies, some traditional songs, and covers. Davies' own songs range from the romantic "Such a Fine Man" to the upbeat "A.C. Strut," and she performs accomplished versions of Creedence Clearwater Revival's "Who'll Stop the Rain" and the traditional "Blue and Lonesome." Davies' skillful, soulful take on the blues grows richer with time.
This 37-disc box set is the only brand new and fully digital recording of the complete symphonies of Haydn. Performed by the Stuttgarter Kammerorchester (Stuttgart Chamber Orchestra) and conducted by Dennis Russell Davies, the recordings were done live in connection with concerts of the whole cycle. The series received fantastic reviews by the press, and The Stuttgart Chamber Orchestra was awarded the European Chamber Music Prize in 2008.
This disc of Philip Glass' Tirol Concerto for piano and orchestra is among the first wave of releases from Orange Mountain Music, a label started by Kurt Munkacsi and Don Christensen out of their attempt to archive the master tapes of Glass' music. Most of the releases slated to appear are of older recordings, including many that have not been heard before. But the Tirol Concerto for piano and orchestra dates only from 2000 and was recorded in 2002.