Reissue with the latest 24bit remastering. Features original cover artwork. Comes with a descripton in Japanese. One of our favorite albums ever from the great Clare Fischer – and one of the first to really show his special talents at their best! The sound here is a wonderful blend of jazz, Latin, and Brazilian modes – and in addition to piano, Clare plays plenty of organ on the date – which bristles with this cool, clear sound amidst larger backdrops that have a very driving feel!
This is Ben Sidran's first Hammond B3 organ project. It's an instrument he has played for forty years, and occasionally (as on his recent radio-friendly CD Nick's Bump) featured on recordings. But CIEN NOCHES - the title refers to the fact that over a period of ten years he performed one hundred nights at Madrid's famed Cafe Central - is the first time he has paid direct tribute to the instrument and the club scene it spawned.
The album includes the original songs "Get It Yourself", an acerbic commentary on the rock and roll industry, and "Cave Dancing", an extended parable of jazz and the roots of religion. In addition, it features two Bob Dylan classics, "Gotta Serve Somebody" and "Subterranean Homesick Blues" along with saxophonist Bob Rockwell's "Drinkin' and Thinkin", an obvious party favorite.
The 1987 edition of the Brubeck Quartet featured pianist Brubeck, his son Chris on electric bass and bass trombone, clarinetist Bill Smith and drummer Randy Jones. In addition to remakes of "Blue Rondo à la Turk," "Strange Meadowlark" and "Swing Bells," the leader contributed six new originals including "I See, Satie" and a tribute to Dizzy Gillespie and Stan Getz called "Dizzy's Dream." Bill Smith, who uses electronics with taste on his clarinet during a few songs, has long been a major asset to the later Brubeck Quartets. This is one of their better Concord CDs.
When it comes to the boundary-stretching spirit that has become so widespread among many of today's leading jazz musicians, drummer Mark Guiliana deserves credit for being one of the most enthusiastic embodiments of this attitude. He has a longstanding passion for electronic music, as heard especially on the releases on his own Beat Music label (2014's My Life Starts Now and Beat Music: The Los Angeles Improvisations).
Il ne suffit pas d’être deux pour faire une rencontre. En amour même, cela contrarie souvent l’esprit de la rencontre. Cette "séance" est jouée jusqu’au bout. La musique s’y pose comme un oiseau de paradis sur la queue du piano. Moon and Sand, qui donne son titre à l’album, a cette grâce d’incertitude, cette fragilité, la démarche intimidée et souple qui en font le charme. Les premières notes de Tom Harrell, son entrée en jeu, sont un des moments d’émotion de la vie. C’est la musique même, son affirmation sans roulement…