Karajan's reading of the Sixth, the darkest symphony of Mahler, is a revelation… the combination of polish, rhythmic point and flexibility make for a reading that has both concentration over the broadest span and consistent fantasy and imagination over detail. ..The recording is one of the very finest ever given to Karajan in Berlin, with ample range and richness…. a Mahler recording which sets new standards.
… magnificently prepared and executed; the orchestral playing is wonderfully beautiful, and the conductor's balancing of his vast forces is magisterially subtle… the controlled power of this account of the Sixth is enormous. Without that, the gorgeousness of the detail might have seemed cosmetic; but the strength of the framework is enough to carry it brilliantly. ..The Andante moderato, in particular, has a grandly sustained radiance that has probably never been matched.
Records and Recording (1978)
Karajan’s Deutsche Grammophon complete recordings is recorded on chronological order. From the “Magic Flute” overture of the 1938 recording used as first recording to the recording of the last in 1989, and the Symphony No.7 of Bruckner. There is no selling separately. It becomes ordering limited production.
Volume 2 of EMI's comprehensive Herbert von Karajan centenary edition gathers virtually all of the conductor's operatic and vocal output for the label in one place, taking up 71 CDs (Disc 72 contains complete librettos in the form of PDF files). I use the word "virtually" because the package omits four posthumously issued archival items taped live during the 1957-60 Salzburg Festivals (Beethoven's Missa solemnis, Brahms' German Requiem, Bruckner's Te Deum, and Verdi's Requiem). Otherwise, it's all here.
With this original jackets’ box set Deutsche Grammophon concludes its series of 4 grand sets that present almost the totality of Herbert von Karajan’s output for the Yellow Label – and hence perhaps the most magnificent legacy in the history of recorded music. On 70 CDs “KARAJAN – THE OPERA RECORDINGS” features the 14 operas Karajan recorded for DGG – from “Carmen” to “Parsifal”, from “The Merry Widow” to “Rosenkavalier”, from Mozart to Puccini. And, of course, the complete “Ring”.