Guillaume Roy

Roy Montgomery - R M H Q: Headquarters (2016)  Music

Posted by SERTiL at Nov. 23, 2016
Roy Montgomery - R M H Q: Headquarters (2016)

Roy Montgomery - R M H Q: Headquarters
Post-Rock, Ambient, Space Rock | MP3 CBR 320 kbps | 173:50 min | 398 MB
Label: Grapefruit | Tracks: 30 | Rls.date: 2016

It's been over a decade since Roy Montgomery's last album, and R M H Q is a hell of a return. This release contains four distinct records of new material. Listening to any of his work is a visceral experience repeating phrases swell and decay, immersing the listener in the cyclical narrative of his compositions. Montgomery was in his rock band period in the eighties, when the dark, minimalist post-punk of The Pin Group lead into the gloriously open-ended freedoms of Dadamah.

Roy Eldridge - Little Jazz (1989) [Repost]  Music

Posted by Designol at Nov. 22, 2016
Roy Eldridge - Little Jazz (1989) [Repost]

Roy Eldridge - Little Jazz (1989)
EAC | FLAC | Tracks (Cue&Log) ~ 249 Mb (incl 5%) | Mp3 (CBR320) ~ 145 Mb (incl 5%) | Scans ~ 70 Mb
Genre: Big Band, Swing, Mainstream Jazz | Label: Columbia | # CK 45275 | Time: 01:01:18

This CD contains the best recordings from the early years of the fiery trumpeter Roy Eldridge. Eldridge, one of the great swing trumpeters and a powerful player into the 1970s, is heard with Teddy Hill's orchestra, backing singer Putney Dandridge, on four titles with Fletcher Henderson (including the hit "Christopher Columbus"), starring on a four-song session with Teddy Wilson, joining Billie Holiday on "Falling in Love Again," soloing on two numbers with Mildred Bailey (his "I'm Nobody's Baby" solo is years ahead of its time), and, best of all, leading a small group through six songs (plus an alternate) from his own explosive sessions of January 1937. This brilliant music is essential for all serious jazz collections.
Roy Orbison - The All-Time Greatest Hits Of Roy Orbison (1972) [1997, DCC Compact Classics GZS-1118]

Roy Orbison - The All-Time Greatest Hits Of Roy Orbison (1972) [1997, DCC Compact Classics GZS-1118]
Pop/Rock, Vocal, Rock & Roll | EAC Rip | WavPack, Img+CUE+LOG+Full Scans (JPEG) | 53:01 Min | 345,03 Mb
Label: DCC Compact Classics, Inc. (USA) | Released: 1997 (1972)

All-Time Greatest Hits is a 2-LP compilation album by Roy Orbison released in 1972, featuring the original Monument Records recordings. The album was re-released on compact disc by CBS Records in 1989. The album was given a high-quality digital remastering from the original analog master tapes by Steve Hoffman for DCC Compact Classics, Inc. in 1997, catalog number GZS-1118.
Roy Orbison - Lonely And Blue (1961) & Crying (1962) [1993, Reissue]

Roy Orbison - Lonely And Blue (1961) & Crying (1962) [1993, Reissue]
Pop/Rock, Vocal, Rock & Roll | EAC Rip | WavPack, Img+CUE+LOG+Full Scans (JPEG) | 61:50 Min. | 386,57 Mb
Label: Monument Records/Sony Music Entertainment (UK) Ltd. (EU) | Released: 1993 (1961/1962)

Roy Orbison's 1961 and 1962 Monument albums, Sings Lonely and Blue and Crying, are drawn together on one CD. All of the original faults are still present, including the relatively lightweight content, but the familiar singles plus the Orbison covers of pieces such as "Love Hurts," coupled with the excellent sound, make this a good investment. And the annotation isn't bad, either.

Guillaume de Chassy - Silences (2012) {Bee Jazz}  Music

Posted by tiburon at Nov. 9, 2016
Guillaume de Chassy - Silences (2012) {Bee Jazz}

Guillaume de Chassy - Silences (2012) {Bee Jazz}
EAC 1.3 | FLAC tracks level 8 | Cue+Log+M3U | Full Scans 600dpi | 147MB + 5% Recovery
MP3 CBR 320 Kbps | 105MB + 5% Recovery
Genre: Jazz, Classical

Pianist Guillaume de Chassy insists that Silences is inspired by the example of clarinetist Jimmy Giuffre's late-1950s trio recordings. To be sure, like those records, this album is marked by intimacy and introspection, a strong clarinet sound and no drummer. But Silences, recorded at a French abbey, doesn't sound much like Giuffre's records—nor indeed, like much of jazz, at first blush. It's not at first clear just what this piano-clarinet-bass formation is up to. The helpfully titled "Birth of a Trio" provides clues. It shows just how much this music shares with jazz—improvisation, first of all; and empathy, the musicians listening closely to each other, as for example when de Chassy's piano sidles up to Thomas Savy's soaring clarinet.
Stephane Deneve - Guillaume Connesson: Pour sortir au jour (2016)

Stephane Deneve - Guillaume Connesson: Pour sortir au jour (2016)
EAC | FLAC (log,tracks+cue) -> 244 Mb (5% Rec.) | Scans included
Classical | Label: Deutsche Grammophon, #4812711 | 2016 | 00:52:08

Last year Brussels Philharmonic, under the baton of Chief Conductor Stephane Deneve, was the first orchestra in Belgium to record a CD for renowned label Deutsche Grammophon. Just over two months after the release, the CD is doing particularly well both in stores and in the press: the "chouchou"of the audience delivers a "true delight" and gets awarded a Diapason d'Or.
Antoine Pelissolo, Stéphane Roy, "Ne plus rougir et accepter le regard des autres"

Antoine Pelissolo, Stéphane Roy, "Ne plus rougir et accepter le regard des autres"
Odile Jacob | 2009 | ISBN: 2738123252 | French | EPUB | 196 pages | 0.4 MB

Qui n'a jamais rougi ? C'est une réaction banale et a priori bénigne. Mais certaines personnes en souffrent énormément. Un regard, un geste, un simple mot peuvent suffire à déclencher le malaise. Peu à peu, les situations sociales deviennent sources de peur et de honte. On finit par les fuir et se couper du monde. Longtemps négligée par les soignants, l'éreutophobie, c'est-à-dire la peur de rougir, est aujourd'hui l'objet d'études scientifiques qui ont permis de mettre au point des méthodes de traitement efficaces. …
Staropoli, Marchese, Ippolito, Tomadin - Robert de Visee: La Musique de la Chambre du Roy, Vol.2 (2013)

Manuel Staropoli, Massimo Marchese, Rosita Ippolito, Manuel Tomadin - Robert de Visee: La Musique de la Chambre du Roy, Vol.2 (2013)
EAC | FLAC (image+.cue, log) - 263 MB | MP3 (CBR 320 kbps) - 135 MB | Covers Included | 54:29
Genre: Classical, Baroque | Label: Brilliant Classics | Catalog: 94437

Although we know little about Robert de Visee (c.1655-1733), he was an important figure in French Baroque music, both as chamber musician to Louis XIV and later as the guitar tutor of Louis XV. He published works, mostly in the form of suites of dances, for guitar, and for the lute and theorbo (a type of bass lute popular in the 17th century).
Soloists, The Parley of Instruments, Roy Goodman - Thomas Arne: Artaxerxes (2009) 2CDs

Thomas Arne - Artaxerxes (2009) 2CDs
Christopher Robson, countertenor; Ian Partridge, tenor; Patricia Spence, mezzo-soprano
Richard Edgar-Wilson, tenor; Catherine Bott, soprano; Philippa Hyde, soprano;
The Parley of Instruments; Roy Goodman, conductor

EAC | FLAC | Image (Cue&Log) ~ 640 Mb (incl 5%) | Mp3 (CBR320) ~ 340 Mb (incl 5%) | Scans included
Genre: Classical, Opera | Label: Hyperion | # CDD22073 | Time: 02:20:20

Artaxerxes, premiered in London in 1762, was the first full-length opera seria sung in English. It proved a great success and helped to revive the fortunes of Thomas Arne, whose career had been in the doldrums. The opera featured his new protégée and mistress Charlotte Brent in the role of Mandane and Arne lavished attention on her music. Mandane’s arias and those of the hero Arbaces provide many of the opera’s high points, with their rich orchestrations, virtuoso vocal parts and captivating tunes. Though based on the Handelian model, Artaxerxes shows both Arne’s talent at the later galant style and his penchant for folk-like, pastoral airs. The results are mostly a delight (if a tad lightweight for the libretto’s blood ’n’ thunder deeds), with a variety of attractive arias further enhanced by Arne’s deft use of woodwind. Christopher Robson in the title role and Catherine Bott, thrilling as Mandane, head a fine team of singers: my only complaint is that Patricia Spence’s forceful Arbaces too often slips into shrill and strident mode.
Roy Ayers - Everybody Loves the Sunshine 1976 (Super Deluxe Edition 2016)

Roy Ayers - Everybody Loves the Sunshine 1976 (Super Deluxe Edition 2016)
Label: U-5 | MP3 320 kbps CBR | 49:21 min | 117 mb
Soul, Funk, Jazz Funk, Smooth Jazz

By 1976, vibraphone legend Roy Ayers and his group Ubiquity’s music had become dirtier, funkier, and more repetitive. Yet it was still in turns mellow and soothing. The outfit were square pegs that refused to fit in any holes that suggested straightforward jazz, soul or disco. Unbelievably, Everybody Loves the Sunshine was Roy Ayers’ 14th album, but it was the one that really struck a chord in the UK. Much of this was to do with its title-track, a woozy, off-kilter tribute to the summer. Piano dribbles out over lazy ARP synthesiser flourishes. As the tempo seems as enervated as the sweltering day the song describes, Ubiquity’s massed vocals joyously state the obvious: “Folks get down in the sunshine / Folks get brown in the sunshine / Everybody loves the sunshine.” Few records make you feel so pleasantly exhausted. The more conventional ballad Keep on Walking follows a similar groove; it can be seen as a direct influence on British funk ensembles such as Light of the World.