Guillaume Roy

Guillaume de Chassy & Christophe Marguet feat. Andy Sheppard - Letters to Marlene (2018)

Guillaume de Chassy & Christophe Marguet feat. Andy Sheppard - Letters to Marlene (2018)
WEB FLAC (Tracks) - 267 MB | Cover | MP3 CBR 320 kbps - 113 MB | 00:48:29
Jazz | Label: NoMadMusic

We owe it to William Shakespeare to have us together. It was in November 2013: inspired by the plays of the famous English playwright, we had conceived together a course mixing texts and music. Our trio found here the ferments of his poetic universe. Through the concerts, we found a sound identity and a way of dialogue that belonged to us, a balance between improvisation and writing where everyone proposes and listens simultaneously. After 3 years of existence and a record, our Shakespeare Songs were now well-honed. It was during a tour of the trio in Ireland, that Andy posed openly the question: "What comes next, guys? ".
Guillaume Barraud Quartet - Arcana : The Indo-Jazz Sessions (2018)

Guillaume Barraud Quartet - Arcana : The Indo-Jazz Sessions (2018)
MP3 CBR 320kbps | 00:41:53 | 97.21 Mb | Cover
World Fusion / Contemporary Jazz | Country: France | Label: Riverboat Records

Arcana: The Indo-Jazz Sessions reflects the spirit of India through the prism of jazz. After many years studying with the legendary Indian flautist Hariprasad Chaurasia, Guillaume Barraud explores the sound of the bansuri (Indian flute) with his contemporary jazz quartet.
Guillaume Barraud Quartet - Arcana: The Indo-Jazz Sessions (2018)

Guillaume Barraud Quartet - Arcana: The Indo-Jazz Sessions (2018)
Jazz | WEB FLAC (tracks) & front cover | 251 MB
Label: Riverboat | Tracks: 09 | Time: 41:50 min

'Arcana: The Indo-Jazz Sessions' reflects the spirit of India through the prism of jazz. After many years studying with the legendary Indian flautist Hariprasad Chaurasia, Guillaume Barraud explores the sound of the bansuri (Indian flute) with his contemporary jazz quartet.

Guillaume Poncelet - 88 (2018)  Music

Posted by SERTiL at Jan. 21, 2018
Guillaume Poncelet - 88 (2018)

Guillaume Poncelet - 88 (2018)
Classical | WEB FLAC (tracks) & front cover | 272 MB
Label: Blend | Tracks: 16 | Time: 74:42 min

Après 20 ans de carrière, Guillaume Poncelet est un compositeur, arrangeur, réalisateur et musicien incontournable en studio et sur scène. Des artistes aussi divers que Thomas Azier, Gaël Faye, Ben Mazué, Stevie Wonder, Oxmo Puccino, C2C, Electro Deluxe, ou Sixun font appel à lui. Riche de son expérience et de toutes ses influences, Guillaume sort son premier album, "88", enregistré au piano droit, et 2 titres bonus avec ses compagnons Gaël Faye et Thomas Azier, aux influences pop, hiphop et de musique de film.
Graindelavoix, Björn Schmelzer - Guillaume de Machaut: Messe de Nostre Dame (2016)

Graindelavoix, Björn Schmelzer - Guillaume de Machaut: Messe de Nostre Dame (2016)
EAC | FLAC (image+.cue, log) | Covers Included | 72:50 | 381 MB
Genre: Classical, Choral | Label: Glossa | Catalog: GCD P32110

Much-awaited has been the new recording of the Machaut Messe de Nostre Dame from Bjorn Schmelzer and Graindelavoix, one of Glossas long- standing artistic family members. Following on from the trio of discs devoted to music in the spirit of the medieval master draughtsman Villard de Honnecourt the Antwerp-based ensemble currently in residence at the Fondation Royaumont in France has now turned to the first-known composer of an integral mass cycle: Guillaume de Machaut, who was a canon at Reims Cathedral in the fourteenth century.
Guillaume Bellom & Yan Levionnois - Sonates Pour Violoncelle Et Piano (2017) {Fondamenta}

Guillaume Bellom & Yan Levionnois - Sonates Pour Violoncelle Et Piano (2017) {Fondamenta}
EAC 1.3 | FLAC tracks level 8 | Cue+Log+M3u | Full Scans 300dpi | 422MB + 5% Recovery
Genre: Classical

It was a great idea to unite in one CD two composers who symbolized the first generation of Germanic romanticism: Schubert and Mendelssohn, associated with Richard Strauss who was to incarnate with Mahler the last jolts of post-romanticism. Schubert composed his sonata for arpeggione and piano in A minor, D.821-1824, for an instrument whose very brief existence was the arpeggione. It begins with an Allegro moderato, developed in a passionate tone, but devoid of any feverishness or anxiety, elements that frequently appear in many works by Schubert contemporaries of this Sonata.
Ceccarelli, Bramerie, Ligertwood, Legnini, Leloup, Folmer, Guillaume - Twelve Years Ago (2013) {Bonsai BON131001}

Ceccarelli, Bramerie, Ligertwood, Legnini, Leloup, Folmer, Guillaume - Twelve Years Ago (2013) { Bonsaï BON131001}
EAC rip (secure mode) | FLAC (tracks)+CUE+LOG -> 327 Mb | MP3 @320 -> 122 Mb
Full Artwork @ 300 dpi (png) -> 24 Mb | 5% repair rar
© 2013 Bonsaï Music / A. Ceccarelli | BON131001
Jazz / Contemporary Jazz

This album, if it had been published in a timely manner, could be called "Small parties with friends" as the complicity between all participants and their guests sweating nine original compositions that compose it. If the publication of this album is a bit of a miracle, it mainly takes its source in the good habit of André Ceccarelli systematically archive all of his recordings, especially those that make up this album and were set there today 'Today twelve years, hence the name of this album title: Twelve years Ago.
Claude Tchamitchian Tentet, Acoustic Lousadzak - Need Eden (2016)

Claude Tchamitchian Tentet, Acoustic Lousadzak - Need Eden (2016)
EAC Rip | FLAC (Tracks) +cue, log, m3u, artworks - 476 MB | MP3 CBR 320 kbps - 145 MB | 01:03:32
Contemporary Jazz | Label: émouvance | Release Year: 2016

A kind of chamber jazz with voice, on texts by Agota Kristof adapted by Christine Roillet. The voice speaks of life in its happy or anguished forms: to love, to dream, to die. Geraldine Keller says, professes, speaks, sings and overflows to the limits of the vocal improvisation. Plurality of themes, sometimes recurring, between melancholic waltz and languorous vertigo, expressionist effects of progressive rock and atonal lines. Sometimes I dream that I hear an echo of "Cinq Hops", by Jacques Thollot, in 1978 (which is not to displease me!). The whole is deployed in the form of a suite where the soloists, in turn, are offered a field of expression. Many contrasts, often more nuanced than abrupt.
Guillaume Bellom - Schubert, Haydn & Debussy: Works for Piano (2017)

Guillaume Bellom - Schubert, Haydn & Debussy: Works for Piano (2017)
Classical, Piano | MP3 CBR 320 kbps | 01:12:17 | MB
Label: Claves Records | Release Year: 2017

Guillaume Bellom is 24 years old, and was admitted at the Conservatoire National Supérieur de Musique et de Danse de Paris (CNSMDP), in the class of the pianists Nicholas Angelich. Guillaume also took lessons with Franck Braley, Marie-Francoise Bucquet, Dominique Merlet, Leon Fleisher and Jean-Claude Pennetier among others. In 2014, Guillaume performed in the Animal Carnival by Saint-Saens at the Champs-Elysées concert hall in Paris, and won a prize at the Rhine Gold Foundation. In 2015, he won the first prize at the international piano competition of Epinal, France. In 2016, he won the first prize of the Thierry Scherz competition in Gstaad, Switzerland. His first solo album, featuring pieces by Schubert, Haydn and Debussy, will be released in early 2017.
Guillaume Du Fay - The Tenor Masses (Les messes à teneur) - Cut Circle (2016) {2CD Musiques en Wallonie Digital Download}

Guillaume Du Fay - The Tenor Masses (Les messes à teneur) - Cut Circle, Jesse Rodin (2016) {2CD Musiques en Wallonie Official Digital Download}
FLAC (tracks) - 44kHz/16 bit - Official Digital Download (qobuz.com) -> 673 Mb | MP3 @320 -> 325 Mb | Artwork (pdf+jpg) | 5% repair rar
© 2016 Musiques en Wallonie | MEW1577-1578
Classical / Renaissance / Choral / Chamber Music / Sacred Vocal Music / Masses / Passions / Requiems

What did it mean for Guillaume Du Fay (ca. 1397-1474), chameleon-like expert in every musical genre of his day, to compose four settings of the Mass Ordinary toward the end of his life? Looking back from the vantage point of the next generation, when the polyphonic mass reigned supreme, it might be tempting to interpret these works as a self-conscious summa of Du Fay’s career – an achievement akin to Haydn’s London Symphonies or Beethoven’s late string quartets. On a purely musical level these comparisons are apt. Each mass stakes out unique musical terrain; they are often strikingly experimental; and the entire set is shimmeringly beautiful from beginning to end, revealing a composer at the height of his powers.