We're heeding the call for more of the majestic early 70s! No doubt, this was a time of great exploration and innovation for the Grateful Dead, one of their peaks… And so it is with great pleasure, that we are proud to present the official release of Winterland, February 24, 1974. On the fertile grounds of their home turf and on the edge of what would become the Wall of Sound era, the Dead embarked upon a tremendous three-night run at Winterland. On this particular night, the last in the run, they warmed up the crowd with stellar new tracks "U.S. Blues" (previously known as "Wave That Flag"), "Ship of Fools," and "It Must Have Been The Roses."
The cold rain and snow have started to fade away and with it, we're dusting off a super hot one from a soaring seven nights at New York's old Academy of Music. On the brink of their revelatory Europe '72 tour, the Grateful Dead brought their sevenfold merriment to winter-worn Manhattan and boy, did they warm things up! Particularly on March 26 when the dual piano/Hammond combo of Godchaux and McKernan was in full effect and Alabama singer Donna Jean Godchaux began to find her vocal footing in the band's rich harmonies.
Just as it’s four predecessors did, the compilation „closer to the music Vol.5 “ provides an aural overview of the latest and the forthcoming Stockfisch productions - this time for 2015. More than 79 minutes of unusual recordings and fascinating music.
More and more music lovers are discovering the unique sound of a vinyl record. Stockfisch thought about whether it is possible just to make the sound creation factors of a vinyl record audible. A pressed record however, has many artifacts arising from the vinyl pressing i.e. distortion, rumble, groove noise, vertical and lateral aberrations, clicks, etc. and other artifacts that are detrimental to a good sound. Stockfisch calls their new production method 'DMM-CD'.
At the heart of Beethoven’s life’s statement as a composer lies the cycle of sixteen string quartets, which, to this day, has retained a special status and reverence. Since 2012, the Elias String Quartet has been immersed in its Beethoven Project, performing all Beethoven’s string quartets at venues throughout the UK. In this live recording, the ensemble captures both the intimacy and grandeur of the works. With an ever-expanding recording catalogue that has been met with widespread critical acclaim, the quartet is delighted to release this disc, the first volume of its complete Beethoven cycle to be recorded live at Wigmore Hall over the coming Seasons.
The recipient of the 2012 City of Leipzig Bach Medal, Masaaki Suzuki has earned an enviable reputation as an interpreter of the music of J. S. Bach as a reviewer in Intl Record Guide has put it: 'With Suzuki you can hear Bach's heart beat'. To a wide audience he is known as the director of Bach Collegium Japan, and the moving force behind the ensemble's acclaimed recordings of Bach's complete sacred cantatas. Perhaps less well known is that he began his career at the age of 12! playing the organ at church services in Kobe, where he was born. Suzuki has remained true to the organ throughout his life, and for BIS he has previously recorded Bach's German Organ Mass, as well as programs of Buxtehude and Sweelinck. He here appears on a disc combining some of Bach's best-loved works for the instrument, including the D minor Toccata and Fugue, the Partitas on O Gott, du frommer Gott, BWV 767, the Canonic Variations, BWV769, and the celebrated Prelude and Fugue in E minor, BWV548.
The Grateful Dead made their reputation on the road with their live shows, and they always struggled to capture that magic in the studio. From the Mars Hotel, while not a classic, represents one of their better studio albums…