The third of three sessions Grant Green co-led with modal organist Larry Young and Coltrane drummer Elvin Jones, I Want to Hold Your Hand continues in the soft, easy style of its predecessor, Street of Dreams. This time, however — as one might guess from the title and cover photo — the flavor is less reflective and more romantic and outwardly engaging. Part of the reason is tenor saxophonist Hank Mobley, who takes Bobby Hutcherson’s place accompanying the core trio…
One of Grant Green's three great sessions with organist Larry Young and drummer Elvin Jones. Hank Mobley joins the trio for beautiful explorations on "Speak Low" and "Stella By Starlight" as well as two contemporary tunes: "Corcovado" and the title track. –Amazon
Hearing old favourite songs redone in a totally different manner from the original can be a challenge. It’s especially true when vocal songs that are basically embedded in your DNA are turned into instrumentals. So fans of the Beatles should approach this new compilation of jazz treatments of the Fab Four’s tunes with an open mind and fresh ears, because there are some magnificent performances here. Starting right off with Chick Corea and Gary Burton’s take on Eleanor Rigby. The two master musicians are totally in sync as they turn the tune into a driving, meditative work.
Grant Green's debut album, Grant's First Stand, still ranks as one of his greatest pure soul-jazz outings, a set of killer grooves laid down by a hard-swinging organ trio.
Iron City actually captures the guitarist in fine form, jamming on six blues and R&B numbers with his longtime cohorts, organist Big John Patton and drummer Ben Dixon.~Stephen Thomas Erlewine/Allmusic
Consisting purely of jazz versions of African American spirituals, it is one of a series of theme records recorded by the guitarist in 1962.
From the original liner notes: "Green has made no attempt here to recreate the five spirituals he plays in anything resembling their original context, nor has he tried to duplicate their often pallid manifestation on the concert stage. He has approached them with affection, but as music to be played in his style. The result is a fascinating combination: the techniques of modern jazz, blues, and gospel, all applied to the spiritual." - Joe Goldberg