The essay in the program booklet for this release of Górecki's String Quartet No. 3 (…songs were sung), makes much of a supposed caesura in Górecki's creative output following the phenomenal success of Nonesuch's 1992 release of this Third Symphony, with soprano Dawn Upshaw, which elevated him practically to the level of a pop star. The essay implies that his meteoric rise to being one of the most famous and popular contemporary composers may have produced a creative crisis that caused him to wait until 2005 to finally deliver the score of his Third Quartet, which he had written in the winter of 1994-1995. In fact, Górecki's sudden notoriety seems to have had little effect on his creativity; between 1993 and 2004, he wrote 16 opus numbers.
James Taylor had scored eight Top 40 hits by the fall of 1976 when Warner Brothers marked the end of his contract with this compilation. One of those hits, the Top Ten gold single “Mockingbird,” a duet with his wife Carly Simon, was on Elektra Records, part of the Warner family of labels and presumably available, but it was left off.
Excellent addition to any prog rock music collection.
Although admittedly a posthumous release, I was very surprised at the rather dismissive tenor of many of the reviews of this album to date. Hopefully this record will be reappraised soon as being a release worthy of anyone's consideration as I feel it does enhance an already rich legacy left behind by this very fine and innovative band. (So what if Charisma wanted to ride the slipstream of the lucrative ELP juggernaut?)
Essential: A masterpiece of psych-rock music collection.
Vanilla Fudge are a pioneering psychedelic band with a superb lineup and are famous for psyching up well known cover versions. Their debut albums features some of their best and most popular material such as the stunning' You Keep Me Hanging On', 'Eleanor Rigby' and 'She's Not There'.
Nonesuch Records releases the late Henryk Górecki’s final composition, Symphony No. 4, Tansman Episodes, on January 22, 2016. The recording was made during the 2014 world premiere performance at Royal Festival Hall with co-commissioner London Philharmonic Orchestra conducted by Andrey Boreyko. The piece, which pays homage to Górecki’s fellow Polish composer Alexsander Tansman, was incomplete at the time of Górecki’s 2010 death and thus missed its previously scheduled premiere. However the score had precise indications for orchestration, which Górecki’s son Mikolaj, also a composer, used to complete it. The Daily Telegraph said the piece "caps Górecki's reputation as an orchestral composer, but it also contains some surprises. The music … features some brutal juxtapositions of massively powerful music with slow, intimate passages for solo instruments, including prominent parts for piano and organ".