In his final year as BBC Philharmonic’s Chief Conductor, Juanjo Mena completes a highly acclaimed Ginastera series with this third volume.
Alberto Ginastera was one of the most admired and respected musical voices of the twentieth century, who successfully fused the strong traditional influences of his national heritage with experimental, contemporary, and classical techniques. The two Cello Concertos are among his most innovative, brilliant and technically formidable compositions.
"I can’t imagine a more diverse palette of sounds, styles and colours than the three composers on this recording. They are unmistakably Argentinian yet tantalisingly different. Between them they represent the vibrant fusion of cultures that exist in Argentina today. In order to give full justice to their music, we researched their personal tastes, sources and sound worlds, looking for the influences that shaped them."
On his latest cpo CD Korstick dedicates himself to the Argentine composer Alberto Ginastera with great passion and virtuosity. This CD, released on the hundredth anniversary of Ginastera’s birth comprises of the composer’s complete published piano oeuvre – apart from his Piano Sonata No. 2.
David Leisner is on extraordinarily versatile musician with a multifaceted career as electrifying performing artist, a distinguished composer, and a master teacher. Regarded as one of America’s leading classical guitarists, his superb musicianship and provocative programming have been applauded by critics and audiences around the world.
The connection between Wales and the harp is a long-standing one, and Mathias's part in it began 12 years before his Harp Concerto was written, with Improvisations for harp solo; even a Welshman has to learn how to cope with such an idiosyncratic instrument. He learned his lessons well—even using semitone pedal glissandos in the second movement, and he keeps the harp audible by alternating its solo passages with orchestral ones or, when the two are working together treating the orchestra with a light touch (the celesta is used as a particularly effective companion to the harp), at other times resorting to the more familiar across-the-strings sweep. Two movements have declared Welsh associations: the first juxtaposes but does not develop three themes the second is a 'bardic' elegy; the last is simply ''joyful and rhythmic''. The whole makes pleasing listening appealing to the emotions and imagination rather than the intellect.