Gil e Jorge

Jorge Ben - Salve Jorge! (2009) 15CD Box Set [Re-Up]  Music

Posted by Designol at April 8, 2018
Jorge Ben - Salve Jorge! (2009) 15CD Box Set [Re-Up]

Jorge Ben - Salve Jorge! (2009) 15CD Box Set
EAC | FLAC | Tracks (Cue&Log) ~ 4.31 Gb | Mp3 (CBR320) ~ 1.57 Gb
Label: Universal Music Brazil | Time: 10:15:41 | Complete Scans
MBP, Bossa Nova, Latin Jazz, Samba Jazz, Samba Rock, Tropicalia, Funk

An amazing collection – every single Jorge Ben album recorded for Philips – one hell of a massive legacy in music, packaged here with a bonus CD of rare material too! The albums in the collection are the stuff of legend – amazing discs that forever changed the face of Brazilian music with Jorge's unique blend of samba and soul, plus a touch of funk as the 70s came on – and together, the music is a mindblowingly heavy batch of work that few other artists could ever match! Titles include Samba Esquema Novo, Sacudin Ben Samba, Ben E Samba Bon, Big Ben, Jorge Ben (1969), Forca Bruta, Negro E Lindo, Ben, 10 Anos Depois, A Tabua De Esmeralda, Solta O Pavao, Gil E Jorge, and Africa Brasil. Rarities disc is unique to this set, from what we can tell – and is filled with goodies too!
Gilberto Gil - Refazenda (1975) {Warner Music Brasil M995136-2 rel 2000)

Gilberto Gil - Refazenda (1975) {Warner Music Brasil M995136-2 rel 2000)
EAC rip (secure mode) | FLAC (tracks)+CUE+LOG -> 226 Mb | MP3 @320 -> 89 Mb
Full Artwork @ 300 dpi (png) -> 41 Mb | 5% repair rar
© 1975, 2000 Phonogram / Warner Music Brasil / WEA | M995136-2
Música popular brasileira / MPB / Brazilian Pop / Tropicalia / World Music

Recorded the same year as Gil e Jorge, his brilliant collaboration with Jorge Ben, Refazenda keeps up the pace, but in a completely different way. Instead of the acoustic Brazilian folk of Gil e Jorge, Gil focuses on breezy pop. "Jeca Total," "Ê, Povo, Ê," "Tenho Sede," and the title track are dominated by flute, accordion, horns, and gentle strings. Gil is in excellent voice, whether he's delivering a driving song like "Essa é Pra Tocar No Rádio" or more intimate ballads like the last two tracks, "Lamento Sertanejo" and "Meditação." Though "Pai e Mãe" and a few other tracks are slightly reminiscent of the Gil e Jorge LP, Gil reasserts himself here as the pop star whom all of Brazil had expected him to be.

Ulrich Hub e Jorge Mühle - L'arca parte alle otto  eBooks & eLearning

Posted by Anthias_31 at Dec. 21, 2014
Ulrich Hub e Jorge Mühle - L'arca parte alle otto

Ulrich Hub e Jorge Mühle - L'arca parte alle otto
Rizzoli | 2014 | ISBN: 881707747X | 92 pages | EPUB | 3 MB

Tre pinguini sulla banchisa, amici da sempre. Uno di loro, il più piccolo, minaccia di schiacciare una farfalla, e ci si siede sopra, cattivo come un bambino, cattivo. Gli altri due insorgono: Dio ha detto "non uccidere". Ma chi è Dio? Comincia qui una conversazione apparentemente surreale, in realtà molto precisa e lucida, su Dio e sul mondo, fatta di domande che tutti si pongono e risposte che molti si danno. Interrotta sul più bello dall'arrivo di una colomba che annuncia l'imminente Diluvio e invita i pinguini a salire sull'Arca, che partirà alle otto in punto. Ma i biglietti sono solo per due pinguini, e gli amici sono tre. Che fare?

[MPB] Ben & Gil - Ogum Xango (1975)  Music

Posted by lowcostmusic at Nov. 14, 2005
A unique record congregating 2 great names of Brazilian popular music: Gilberto Gil & Jorge Ben



Gilberto Gil & Jorge Ben - Ogum Xango


"Recorded with little rehearsal and only two acoustic guitars (plus a percussionist) for accompaniment, Gil e Jorge focuses squarely on the individual talents of Gilberto Gil and Jorge Ben as musicians, vocalists, performers, and improvisers. Of course, they prove up to the task. The nine lengthy tracks on the album (it was originally configured as a double LP) feature Gil and Ben interacting to a high degree, trading lines and often repeating them several times. The best tracks here -- "Nega," "Taj Mahal," and "Meu Glorioso Sao Cristovao" -- are highly rhythmic and have the heft of ancient Brazilian folksongs. Unfortunately, there isn't another record in Gil's discography even remotely close to it" - John Bush, All Music Guide
Gil Evans - Live At The Public Theater Vol. I (1980) {Evidence Music ECD 22089-2 rel 1994}

Gil Evans - Live At The Public Theater Vol. I (1980) {Evidence Music ECD 22089-2 rel 1994}
EAC rip (secure mode) | FLAC (tracks)+CUE+LOG -> 235 Mb | MP3 @320 -> 103 Mb
Full Artwork @ 300 dpi (jpg) -> 27 Mb | 5% repair rar
© 1980, 1994 Evidence Music | ECD 22089-2
Jazz / Progressive Jazz / Post Bop

One of arranger Gil Evans's main talents was his ability to fuse diverse, unique performers into a unified ensemble. He accomplishes that on the first of two LPs taken from a pair of 1980 concerts, even if his presence is felt more than heard. Although Evans is on electric piano, he also employed two other synthesizer players (Masabumi Kikuchi and Pete Levin) in his eclectic band, which at the time included such notables as Lew Soloff, Jon Faddis and Hannibal Marvin Peterson on trumpets, altoist Arthur Blythe, trombonist George Lewis, baritone saxophonist Hamiet Bluiett and drummer Billy Cobham, among others. A lengthy "Anita's Dance" and a remake of "Gone, Gone, Gone" are the more memorable selections.
Gilberto Gil – The Soul Of Brazil (The Very Best Of) (Comp. 2005)

Gilberto Gil – The Soul Of Brazil (The Very Best Of) (Comp. 2005)
WEA | Comp. 2005 | Brazilian Folk Rock Pop Jazz | EAC RIP | FLAC+CUE+LOG+HQ-Covers (400Dpi) | 450Mb+16Mb

This is a compilation CD by one of Brazil's most beloved artists. 19 tracks including 'Patuscada De Gandhi', 'Flora', 'Toda Menina Baiana' and more. Gilberto Gil, along with Caetano Veloso, Maria Bethania, and Gal Costa, was one of the founding members of the revolutionary late-60's Tropicalia movement, which deliberately challenged the conventions of Brazilian popular culture. Gil had an early burst of pop fame, and rapidly made his way into that musical state of grace where everything he did seemed to shimmer magically……

Planta E Raiz - Exército Delirante (2017)  Music

Posted by aasana at Aug. 6, 2017
Planta E Raiz - Exército Delirante (2017)

Planta E Raiz - Exército Delirante (2017)
Reggae | 39:16 min | MP3, 320 kbps | 93 MB
Label: Deckdisc

Planta e Raiz é um grande nome do reggae nacional. Formada em 98 começou a carreira apresentando-se na capital e no litoral paulista tocando covers de Bob Marley, Gilberto Gil e Edson Gomes. O primeiro álbum, Que Brota da Terra, alavancou o nome da banda e os levou a se apresentar ao lado de grandes nomes do reggae. Seu segundo álbum, Esse é o Remédio, foi um grande sucesso, as músicas Com Certeza e Aquele Lugar, obtiveram os primeiros lugares nas principais rádios do segmento jovem. Desde então, os outros álbuns da banda seguiram também essa trajetória de sucesso.

Ana Carolina e Seu Jorge Ao Vivo - MPB(Brazilian Music)  Music

Posted by scurtisvain at Jan. 2, 2006

Ana Carolina e Seu Jorge Ao Vivo - Quality 192Kbps
Gilberto Gil, Nando Reis & Gal Costa - Trinca de Ases (Ao Vivo) (2018)

Gilberto Gil, Nando Reis & Gal Costa - Trinca de Ases (Ao Vivo) (2018)
WEB FLAC (Tracks) 703 MB | Cover | 01:52:58 | MP3 CBR 320 kbps | 266 MB
Bossa Nova, Latin Jazz | Label: Geleia Geral

uatro meses após a edição do single Tocarte, gravado em estúdio e disponibilizado em 27 de outubro de 2017 com a primeira parceria de Nando Reis com Gilberto Gil, chega às plataformas digitais o segundo single do projeto Trinca de ases
Gil Scott-Heron - Live At The Town & Country 1988 (2008) {2CD Acadia ACAD 8198}

Gil Scott-Heron - Live At The Town & Country 1988 (2008) {2CD Acadia ACAD 8198}
EAC rip (secure mode) | FLAC (tracks)+CUE+LOG -> 577 Mb | MP3 @320 -> 267 Mb
Full Artwork @ 600 dpi (png) -> 163 Mb | 5% repair rar
© 1988, 2008 Acadia / Evangeline Records / One Media | ACAD 8198
Jazz / Neo Soul / Spoken Word / Spiritual Jazz / Jazz Funk / Poetry

A previously unreleased live set recorded at London’s legendary Town and Country club and available for the first time on this two CD set. By the late 80s years of substance abuse had left Gil Scott-Heron rotten-toothed and out of it a lot of the time. In 1987 he missed a gig at London's Town & Country Club completely, turning up long after the venue had shut. The T&CC stuck with him though, booking him again in 1988 and hoping for the best. By then he'd gained a new manager, Freddie Cousaert, who had been responsible for turning the career of Marvin Gaye round in the early 80s, getting him off cocaine and back into the studio.